.... Rather than problematizing the sensuality of the Crucifixion, however, Andrewes's sermons cultivate an interpretive disposition that can read it correctly. Drawing on Bernardine and Augustinian models, he treats the attention of his listeners as a vital resource for negotiating the outward materiality...

...Andrew Fleck Aemilia Lanyer refers extensively to the Gospels in writing her poem on the Passion, Salve Deus Rex Judaeorum . Alluding to the events of Christ's final day, she incorporates details from each of the Gospel accounts of the Crucifixion. Focusing on specific echoes of the translations...

...Evelyn Reynolds The Old English poem Christ III represents the Crucifixion not by focusing on Christ's suffering but by depicting natural disasters. In its representation of creation's upheavals, Christ III establishes an ecopoetics in which language can sketch but never fully fathom either...

..., a chalice sits on a well-­appointed altar, unveiled atop a wrinkled linen cloth (see fig. 4). It appears heavy and golden, a shining con- tainer for the blood of Christ that flows freely down the side of his body in the Crucifixion above. The scene depicts the story of Pope Gregory I saying Mass just...

... of the Sugg / Flame into Being  145 Crucifixion, Christ actually cries out, “My power, O power, you have for- saken me!”24 The sense that this was for some a more accurate description of his integral force is backed up by the incident in which the sick woman touches Christ lightly in a crowd, thereby...

... (“kynde”) as Christ displayed in his ministry, his crucifixion, and his descent into hell to liberate humanity (XVIII–XX). Langland's passage shows how the hidden Christ now lives in the eyes of the poor, watching those watching the poor, knowing whether hearts recognize poor people as kin , whether...

..., the 1529 Resurrection relief nota- bly differs from another of Dell’s works in Duke Heinrich’s collection, a Crucifixion of similar dimensions carved the previous year (see fig. 3).4 The Crucifixion relief fits well into Dell’s previous oeuvre. Most earlier surviv- ing sculptures by Dell were small...

... 2019 Hugo Grotius Christus Patiens Christian tragedy Crucifixion drama recognition and repentance ...

..., in which they nail it to a post, throw it in a cauldron, and enclose it in an oven, actions which represent in miniature the events of the Passion (crucifixion, death and harrowing of hell, and resurrection) and also parody the Mass.33 As Sebastian points out, following Miri Rubin, both “depraved...

... theologians seized on a particular understanding of the sacrificial work of the Crucifixion in order to protest against what they considered to be the fallacies of the Roman Church’s approach to human penitence and its orga- nization of the roles of man and God in the repenting for and forgiving of sin...

..., the Croxton Play of the Sacrament, and the cycle plays of the Crucifixion and Resurrection, became officially prohibited in the English public theater.2 Nonetheless, Marlowe and other dramatists appropriated liturgical rites like the Mass and sacra- mental doctrines like transubstantiation...

.... The threatened rupture of the sublime seems truly to arrive with the apparition of Christ bearing the wounds of the Crucifixion: [And likewise the old wounds and the open injuries they shall see upon their Lord with sorrowful hearts, just as when the malicious ones pierced through with nails the bright...

... to question whether Christ's crucifixion prefigures Judgment Day or whether Judgment Day is simply another iteration of Christ's crucifixion. For Thornbury, this poem's forms—the hypermetric line, repetition, an overall nonlinear structure—move the reader from one catastrophic event to the next even...

... was so widely associated with bodily pain that Jacobus de Voragine uses it to describe the Crucifixion, or the greatest pain in the world. Voragine explains how the pain of the Crucifixion “is similar to tor- ture, childbirth pangs, and the pain of those weeping for [the death of] an only child...

...Figure 3. Nails of the Crucifixion dripping with blood. London, British Library, Harley Roll T 11. Original source: British Library. Used by permission. ...

... to Deagman / Formation of Forgiveness  285 the Crucifixion in Luke 23: “And when they were come to the place which is called Calvary, they crucified him there; and the robbers, one on the right hand, and the other on the left. And Jesus said: Father, forgive them for they know not what they do” (Luke...

... relations, and rises from representations of the Annunciation and the Crucifixion (per- haps not part of the column at its moment of production and first use). I have not described and discussed all the ways in which the Ruthwell and Bewcastle monuments can be seen as different but that should suffice...

... him, Christ. Vegas calls Benito García, the converso accused of actually performing the crucifixion and taking out the child’s heart, “one of these Jews” [un judío de estos] (141). But other blurred boundaries intersect with and reinforce this pri- mary one in Vegas’s Memoria...