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Published: 01 November 2018
Figure 7. Pre-Ming anthologies. Orange, xiaopin anthologies; purple, transdynastic anthologies; green, Qin-Han anthologies. More
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
...Figure 7. Pre-Ming anthologies. Orange, xiaopin anthologies; purple, transdynastic anthologies; green, Qin-Han anthologies. ...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 289–311.
Published: 01 November 2016
.... Dai Wangshu 戴望舒 (1905–1950) focused on publishing a monthly magazine of modern poetry on his own. I edited Wenyi fengjing 文藝風景 (Literary Landscape) and the journal Wenfan Xiaopin 文飯小品 (Informal Literary Writings) in succession, 19 but neither for long. Alone without friends, a solitary palm...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 179–185.
Published: 01 November 2018
... an imitative-expressionist dichotomy but around proposals of new canons entirely: Qin-Han dynasty prose, transdynastic prose, and xiaopin 小品 (informal essays). The last of these, which more strongly emphasized the contributions of women, was purely an invention of seventeenth-century printers and had...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 466–472.
Published: 01 November 2022
...), which originated in the Song dynasty, was now appropriated and repurposed, not to preserve old eminent works but to encompass contemporary casual pieces in “miscellaneous and less esteemed genres [ xiaopin 小品]” (118). As Son acutely observes, items included in Tanji congshu 檀几叢書 (Collectanea...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 256–272.
Published: 01 April 2022
... to be voluntary. From this perspective, it certainly makes sense that the Ming eight-legged examination essay sets off an explosion of other texts that insistently identify themselves as first-person writing, from classical prose prefaces to xiaopin wen 小品文, in the sixteenth and seventeenth centuries. 35...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 163–202.
Published: 01 April 2021
... it sound more colloquial. Xiaopin 效顰 (imitating another's way of frowning) is a classical idiom about a woman named Dongshi 東施, who fails in imitating the beautiful frown of her neighbor Xishi 西施, one of China's most famous beauties. This line literally means that it is difficult to copy Xishi's frown...
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