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visualization

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Published: 01 November 2019
Figure 1. Visualization of phonetic devices in the Zuo Commentary More
Image
Published: 01 November 2019
Figure 2. Visualization of phonetic devices in the Discourses of the States More
Image
Published: 01 November 2018
Figure 6. Automatic highlighting of differences between parallels (visualization from Chinese Text Project, ctext.org/text.pl?node=3898&if=en&show=parallel ) More
Image
Published: 01 November 2018
Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared More
Image
Published: 01 November 2018
Figure 2. Anthology network visualization, with edges weighted by number of titles shared More
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Published: 01 November 2018
Figure 3. Anthology network visualization, with nodes sized by betweenness centrality More
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 277–307.
Published: 01 November 2022
...Thomas Donnelly Noel Abstract While Chinese poets of the early medieval period have long been credited with the development of shanshui 山水 (landscape) poetry, the precursors of the prosody they employed merit further scrutiny. This article argues that an ancient poetics of visual augury informed...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... literary tradition. More recently, David Der-wei Wang employs the lyrical to rethink the tradition's relationship with modernity. See Chen, “On Chinese Lyric Tradition” ; Wang, Lyrical in Epic Time , 1–38 . In the wake of the visual turn in cultural theory and interdisciplinary emotion studies...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
...Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared ...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 207–248.
Published: 01 April 2015
...Shang Wei Abstract This paper seeks to interpret The Story of the Stone with reference to the visual culture of the Manchu court. It argues that the Yongzheng reign (1723–1735) inaugurated a new era of visual culture when jia (the unreal or fiction) became itself a productive concept...
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Image
Published: 01 November 2018
Figure 8. Parallel passage similarity visualized as a network graph. Colorization follows figure 4 . More
Image
Published: 01 November 2018
Figure 4. N-gram similarity, n = 7, visualized as a network graph. Colorization follows the grouping of table 1 : light blue, chapters 1–7; dark green, 8–37; dark blue, 40–45; light green, 46–51; orange, 52–71. Only nodes with nonzero similarity relationships on this metric are shown. More
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 297–335.
Published: 01 November 2023
... shows that as early as the Liu-Song dynasty (420–479) writers already went beyond the limitations of the native Chinese conception of “image” ( xiang ) and consciously applied Buddhist concepts to come to new understandings of the objects, methods, and effects of the visual sense and to probe...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
Published: 01 April 2023
...Grace S. Fong Abstract This article engages the ekphrastic mode—the literary representation of visual representation—to examine the female gaze instantiated in women's poetry on paintings of beautiful women in the Ming and Qing periods. Through four case studies, it shows how women poets...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 1–25.
Published: 01 April 2016
..., and stylized surroundings. Noting that Wang is especially adept at using visual (and occasionally auditory) cues to convey the inner state of the personae that inhabit his quatrains, and taking into account the importance he apparently places on establishing a bodily presence within a given poem (as expressed...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... as amplified in visual self-encounters. In so doing, the article attempts to offer a new understanding of the self/image and text/image dynamic, with insight into the cultural and affective articulations of the self in the context of a new visual culture in modern China. Copyright © 2017 by Duke University...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 432–460.
Published: 01 November 2019
..., pitch, tonality, music, memory, and recitation existed in conceptual parallel to systems of visual knowledge of heavenly bodies, light, color, and the written record. Masters of the former set of skills were frequently blind and entrusted with a distinct set of ritual and advisory functions, including...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
...Shengqing Wu Abstract This article delves into the nexus of nostalgia, memory, and visuality by examining the images, objects, and events surrounding Yuan Kewen's remembrances of his father, Yuan Shikai, and their family estate in Huanshang. It also considers Zhang Boju's remembrance of his...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 56–95.
Published: 01 April 2019
... goods can elucidate intermediating processes among the conceptualization of emotion in philosophical texts, the representation of emotion in the literary and visual arts, and the actual experience of emotion in premodern China. Using the recently discovered cemetery of the Northern Song Lü family...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
.... This is followed by analyses of key works of calligraphy related to Su's efforts to give visual form to a discourse on emotions that ironically includes a vocal declaration of the absence of emotions as a philosophical ideal. A final section draws attention to Su's one known painting, Old Tree, Rock, and Bamboo...
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