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visuality

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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
..., such that “lyrical tradition” becomes an encompassing concept for many to distinguish Chinese literary tradition from its Western counterpart. 1 In Chinese literary thought, emotion is consistently conceptualized through verbal patterning and visual manifestation. This convergence has become synonymous...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 277–307.
Published: 01 November 2022
...Thomas Donnelly Noel Abstract While Chinese poets of the early medieval period have long been credited with the development of shanshui 山水 (landscape) poetry, the precursors of the prosody they employed merit further scrutiny. This article argues that an ancient poetics of visual augury informed...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
... such a method clarify or revise our understanding of Ming literary culture? This article describes how Gephi was used to compare the contents of thirty-four anthologies and visualize clusters of anthologies corresponding to distinct editorial strategies. The author argues that the synchronic and diachronic...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 207–248.
Published: 01 April 2015
...Shang Wei Abstract This paper seeks to interpret The Story of the Stone with reference to the visual culture of the Manchu court. It argues that the Yongzheng reign (1723–1735) inaugurated a new era of visual culture when jia (the unreal or fiction) became itself a productive concept...
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Published: 01 November 2019
Figure 1. Visualization of phonetic devices in the Zuo Commentary More
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Published: 01 November 2019
Figure 2. Visualization of phonetic devices in the Discourses of the States More
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Published: 01 November 2018
Figure 6. Automatic highlighting of differences between parallels (visualization from Chinese Text Project, ctext.org/text.pl?node=3898&if=en&show=parallel ) More
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Published: 01 November 2018
Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared More
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Published: 01 November 2018
Figure 3. Anthology network visualization, with nodes sized by betweenness centrality More
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Published: 01 November 2018
Figure 8. Parallel passage similarity visualized as a network graph. Colorization follows figure 4 . More
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Published: 01 November 2018
Figure 2. Anthology network visualization, with edges weighted by number of titles shared More
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Published: 01 November 2018
Figure 4. N-gram similarity, n = 7, visualized as a network graph. Colorization follows the grouping of table 1 : light blue, chapters 1–7; dark green, 8–37; dark blue, 40–45; light green, 46–51; orange, 52–71. Only nodes with nonzero similarity relationships on this metric are shown. More
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
.... As much as the expressive figures aroused an empathetic response from his viewers, the juxtaposition of incompatible manners of representation also made his work seem strange and preposterous. However, Chen's visual laments were derived from poems and historical anecdotes. The author argues...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 134–172.
Published: 01 April 2015
.... ” Journal of Chinese Religions 16 ( 1988 ): 1 – 17 . Stuart, Jan . “ The Face in Life and Death: Mimesis and Chinese Ancestor Portraits. ” In Body and Face in Chinese Visual Culture , edited by Wu Hung and Katherine R. Tsiang , 197 – 228 . Cambridge, MA : Harvard University Asia Center...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
... to possess in the first place. And indeed, this lack of precise connection between a poem and a picture is a limitation common to many lyrical paintings of the time. Copyright © 2015 by Duke University Press 2015 lyrical picture Ming artists visuality poetry text-image relationship...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 1–25.
Published: 01 April 2016
..., and stylized surroundings. Noting that Wang is especially adept at using visual (and occasionally auditory) cues to convey the inner state of the personae that inhabit his quatrains, and taking into account the importance he apparently places on establishing a bodily presence within a given poem (as expressed...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 297–335.
Published: 01 November 2023
... shows that as early as the Liu-Song dynasty (420–479) writers already went beyond the limitations of the native Chinese conception of “image” ( xiang ) and consciously applied Buddhist concepts to come to new understandings of the objects, methods, and effects of the visual sense and to probe...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
Published: 01 April 2023
...Grace S. Fong Abstract This article engages the ekphrastic mode—the literary representation of visual representation—to examine the female gaze instantiated in women's poetry on paintings of beautiful women in the Ming and Qing periods. Through four case studies, it shows how women poets...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... as amplified in visual self-encounters. In so doing, the article attempts to offer a new understanding of the self/image and text/image dynamic, with insight into the cultural and affective articulations of the self in the context of a new visual culture in modern China. 29. Benjamin, Berliner Chronik...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
...Shengqing Wu Abstract This article delves into the nexus of nostalgia, memory, and visuality by examining the images, objects, and events surrounding Yuan Kewen's remembrances of his father, Yuan Shikai, and their family estate in Huanshang. It also considers Zhang Boju's remembrance of his...
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