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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 207–248.
Published: 01 April 2015
...Shang Wei Abstract This paper seeks to interpret The Story of the Stone with reference to the visual culture of the Manchu court. It argues that the Yongzheng reign (1723–1735) inaugurated a new era of visual culture when jia (the unreal or fiction) became itself a productive concept and an...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
... such a method clarify or revise our understanding of Ming literary culture? This article describes how Gephi was used to compare the contents of thirty-four anthologies and visualize clusters of anthologies corresponding to distinct editorial strategies. The author argues that the synchronic and...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... that “lyrical tradition” becomes an encompassing concept for many to distinguish Chinese literary tradition from its Western counterpart. 1 In Chinese literary thought, emotion is consistently conceptualized through verbal patterning and visual manifestation. This convergence has become synonymous...
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Published: 01 November 2019
Figure 2. Visualization of phonetic devices in the Discourses of the States Figure 2. Visualization of phonetic devices in the Discourses of the States More
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Published: 01 November 2019
Figure 1. Visualization of phonetic devices in the Zuo Commentary Figure 1. Visualization of phonetic devices in the Zuo Commentary More
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Published: 01 November 2018
Figure 8. Parallel passage similarity visualized as a network graph. Colorization follows figure 4 . Figure 8. Parallel passage similarity visualized as a network graph. Colorization follows figure 4. More
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Published: 01 November 2018
Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared More
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Published: 01 November 2018
Figure 6. Automatic highlighting of differences between parallels (visualization from Chinese Text Project, ctext.org/text.pl?node=3898&if=en&show=parallel ) Figure 6. Automatic highlighting of differences between parallels (visualization from Chinese Text Project, ctext.org/text.pl More
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Published: 01 November 2018
Figure 2. Anthology network visualization, with edges weighted by number of titles shared Figure 2. Anthology network visualization, with edges weighted by number of titles shared More
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Published: 01 November 2018
Figure 4. N-gram similarity, n = 7, visualized as a network graph. Colorization follows the grouping of table 1 : light blue, chapters 1–7; dark green, 8–37; dark blue, 40–45; light green, 46–51; orange, 52–71. Only nodes with nonzero similarity relationships on this metric are shown. Figure More
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Published: 01 November 2018
Figure 3. Anthology network visualization, with nodes sized by betweenness centrality Figure 3. Anthology network visualization, with nodes sized by betweenness centrality More
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... amplified in visual self-encounters. In so doing, the article attempts to offer a new understanding of the self/image and text/image dynamic, with insight into the cultural and affective articulations of the self in the context of a new visual culture in modern China. Copyright © 2017 by Duke University...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 1–25.
Published: 01 April 2016
..., and stylized surroundings. Noting that Wang is especially adept at using visual (and occasionally auditory) cues to convey the inner state of the personae that inhabit his quatrains, and taking into account the importance he apparently places on establishing a bodily presence within a given poem (as...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
.... This is followed by analyses of key works of calligraphy related to Su's efforts to give visual form to a discourse on emotions that ironically includes a vocal declaration of the absence of emotions as a philosophical ideal. A final section draws attention to Su's one known painting, Old Tree, Rock...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 56–95.
Published: 01 April 2019
... goods can elucidate intermediating processes among the conceptualization of emotion in philosophical texts, the representation of emotion in the literary and visual arts, and the actual experience of emotion in premodern China. Using the recently discovered cemetery of the Northern Song Lü family as a...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
... compositions. As much as the expressive figures aroused an empathetic response from his viewers, the juxtaposition of incompatible manners of representation also made his work seem strange and preposterous. However, Chen's visual laments were derived from poems and historical anecdotes. The author argues that...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
...Shengqing Wu Abstract This article delves into the nexus of nostalgia, memory, and visuality by examining the images, objects, and events surrounding Yuan Kewen's remembrances of his father, Yuan Shikai, and their family estate in Huanshang. It also considers Zhang Boju's remembrance of his...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 432–460.
Published: 01 November 2019
..., pitch, tonality, music, memory, and recitation existed in conceptual parallel to systems of visual knowledge of heavenly bodies, light, color, and the written record. Masters of the former set of skills were frequently blind and entrusted with a distinct set of ritual and advisory functions, including...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... thus reveals their codes of meaning otherwise imperceptible. He also shows that the illusionistic painting not only anticipates the viewers' initial confusion but also guides them toward the moment of discovery when its visual conceits are finally exposed. In this way, Cao Xueqin manages to reveal the...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 249–250.
Published: 01 April 2015
... Seventeenth-Century Suzhou (2010). HUI-SHU LEE is associate professor at the University of California, Los Angeles. Her field of specialization is Chinese painting and visual culture in the premodern era, with a particular focus on gender issues. She also works extensively on representations of place...