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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 79–104.
Published: 01 April 2022
... himself as contributing to this decentering, displacing the value-laden binary opposition central to structuralism. But as Derrida explained, the “first decentering limits itself” by “recenter[ing] itself upon” what he calls “the ‘ Chinese ’ prejudice: all the philosophical projects of a universal script...
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in The Huang Kan Commentary on the Analects : A Critical Examination
> Journal of Chinese Literature and Culture
Published: 01 November 2020
Figure 7. A handwritten copy of the Lunyu yishu from the Ashikaga Gakkō kept by Peking University
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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 308–337.
Published: 01 November 2022
... and the monopoly of memory were crucial tools to claim cultural privilege in the highly competitive community of elite literati. The peculiar nature of the anecdote as a cross between private and public matters, as well as between local and universal knowledge, lends itself perfectly to carrying out the various...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 233–257.
Published: 01 November 2016
... developed an interest in Western literary criticism before entering Tsinghua University, where he absorbed more ideas about Western literature. With the support of department head Yang Zhensheng 楊振聲 (1890–1956), he planned a new curriculum in 1928, in an attempt to make literature in his concept a subject...
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in Plays within Songs: Sanqu Songs from Literary Refinement ( ya ) to Popular Appeal ( su )
> Journal of Chinese Literature and Culture
Published: 01 November 2021
Figure 1. The list of sixty-two zaju play titles in Taixia xinzou (National Taiwan University Library)
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Published: 01 April 2019
Figure 1. Chen Hongshou (1598–1652), leaf from Album of Birds, Flowers, and Landscapes , 1630–32. Ink and colors on silk, 20.95 × 15.24 cm. University of California, Berkeley Art Museum and Pacific Film Archive, Gift of James Cahill. 1996.49.2.d. Photographed for the University of California
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Published: 01 April 2019
Figure 16. Chen Hongshou (1598–1652), Su Wu and Li Ling with Attendants , c. 1635. Hanging scroll, ink and colors on silk, 127 × 48.26 cm. University of California, Berkeley Art Museum and Pacific Film Archive. Purchase made possible through a gift from an anonymous donor. 2003.2.4. Photographed
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in Like Not Like: Writing Portraits in The Peony Pavilion
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 2. Anonymous (mid-seventeenth century), Scholar and Beauty with Peonies and Rabbits . Hanging scroll, ink and color on silk. 93.8 x 62.8 cm. Gift of DuBois Schanck Morris, Class of 1893 (y1947-279). Photo: Bruce M. White. Princeton University Art Museum / Art Resource, NY
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 471–474.
Published: 01 November 2016
... Copyright © 2017 by Duke University Press 2017 LEONARD KWOK KOU CHAN is the chair professor of Chinese literature and the director of the Research Center of Chinese Literature and Literary Culture at the Education University of Hong Kong. He specializes in literary historiography...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 573–576.
Published: 01 November 2015
... Copyright © 2016 by Duke University Press 2016 ZONG-QI CAI is professor of Chinese and comparative literature at the University of Illinois, Urbana-Champaign, and Lee Wing-tat chair professor of Chinese literature at Lingnan University of Hong Kong. He is the author of The Matrix of Lyric...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 236–238.
Published: 01 April 2021
... Copyright © 2021 by Duke University Press 2021 WENBO CHANG received her PhD in East Asian languages and civilizations with a concentration in Chinese literature from Arizona State University in May 2019. Her primary area of research is premodern Chinese drama both as staged performance...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 438–440.
Published: 01 November 2018
... Copyright © 2019 by Duke University Press 2019 JING CHEN is an instructor and a PhD candidate in the Department of East Asian Languages and Cultures, University of Illinois at Urbana-Champaign. Her research focuses on pre-1900s Chinese poetry and poetics, traditional Chinese literary...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 294–296.
Published: 01 April 2023
... Copyright © 2023 by Duke University Press 2023 LARA C. W. BLANCHARD is Luce Professor of East Asian Art and Lloyd Wright Professor in Conservative Studies at Hobart and William Smith Colleges, Geneva, New York. Her interdisciplinary research interests include Chinese arts and literature...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 273–275.
Published: 01 April 2022
... Copyright © 2022 by Duke University Press 2022 ALEXANDER DES FORGES is professor of Chinese and chair of the Department of Modern Languages, Literatures, and Cultures at the University of Massachusetts Boston. He is the author of Mediasphere Shanghai: The Aesthetics of Cultural Production...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 439–441.
Published: 01 November 2017
... Copyright © 2017 by Duke University Press 2017 HSIAO-WEN CHENG is assistant professor of Chinese religion and history at the University of Pennsylvania. She is a cultural and intellectual historian interested in issues related to gender, sexuality, medicine, and religion in Middle Period...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 249–250.
Published: 01 April 2015
... Copyright © 2015 by Duke University Press 2015 ANNE BURKUS-CHASSON is associate professor of art history at the University of Illinois at Urbana-Champaign. Her research generally focuses on seventeenth-century Chinese painting and woodblock-printed books. She has a special interest...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 225–255.
Published: 01 April 2022
... specifically, the actor and the audience, as a vital conduit for the realization of performance aesthetics. In this view, then, theatricality is not an abstracted universal, but a positively coded concept that revolves around identifying “the essential performance characteristics” 70 of particular...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 105–130.
Published: 01 April 2022
... Copyright © 2022 by Duke University Press 2022 feminist theories concepts and approaches women's literature Ming and Qing This special issue on critical theory and Sinology provides an opportune venue to reflect on the confluence of feminist theory and criticism with developments...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 272–273.
Published: 01 April 2019
... in an era of sociopolitical conflicts and crisis. SHENGQING WU is associate professor of Chinese literature at the Division of Humanities at the Hong Kong University of Science and Technology. Prior to joining the faculty of HKUST, she taught at Wesleyan University for eight years. She was an An Wang...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 458–465.
Published: 01 November 2022
...Minghui Hu mhu@ucsc.edu Peter Francis Kornicki . Languages, Scripts, and Chinese Texts in East Asia . Oxford : Oxford University Press , 2018 . 416 pp. ISBN: 9780198797821 (hardcover); DOI:10.1093/oso/9780198797821.001.0001 (e-book). Copyright © 2022 by Duke University...
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