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tonal alteration

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Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 380–418.
Published: 01 November 2015
... expression in pentasyllabic poetry ranging from the Southern and Northern dynasties 南北朝 (420–589) to the Sui 隋 (581–618) and the Tang 唐 (618–907) periods. Copyright © 2016 by Duke University Press 2016 pentasyllabic verse prosodic structure tonal alteration Datong reign of the Liang The...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 419–443.
Published: 01 November 2015
... (official rhyme book) in Chinese history, the author argues for its more private and personal nature and brings to light a different picture of pre-Tang “tonal and rhyming” culture. Copyright © 2016 by Duke University Press 2016 yunshu 韻書 (rhyme books) Qieyun 切韻 (Spelling Rhymes) zhiyin 知音 (one...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 251–257.
Published: 01 November 2015
...Zong-qi Cai Our investigation of the rise of tonal prosody ends with Meow Hui Goh's article on what she calls “tonal and rhyming” culture, in which the major experimentations of tonal regulation discussed above took place. Through a case study on the compilation of Lu Fayan's 陸法言 (fl. 581–601...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 545–572.
Published: 01 November 2015
... characters to form a disyllabic or trisyllabic prosodic and lexical unit. Each monosyllabic sound carries one or more tonal registers at a given historical period. These four related or intertwined properties set the direction of Chinese poetry at the outset and have shaped its development ever...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 215–232.
Published: 01 November 2016
... “natural rhythm” ( ziran de yinjie 自然的音節) that differs from the rigid tonal requirements found in classical poetry. 2 The concept of natural rhythm was first advocated by Hu merely as a strategy to liberate poetry from its more regulated form. Yet, during the 1920s, this notion received a lot of...
Journal Article
Journal of Chinese Literature and Culture (1 April 2019) 6 (1): 96–136.
Published: 01 April 2019
... impenetrable screen. Chen thus intensified the woman's isolation. The harsh brilliance of the outlined bamboo contrasts with the rocks and clouds that Chen darkened with washes of ink, their tonalities ranging from deep black to pale gray. Like the shadows cast under moonlight, the inked shapes, which bleed...