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surviving lost texts

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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 382–410.
Published: 01 November 2020
... by making use of compilations of lost texts are also scrutinized. Copyright © 2020 by Duke University Press 2020 Huang Kan Lunyu yishu transmission of Chinese premodern texts overseas surviving lost texts The Huang Kan 皇侃 (488–545) commentary on the Lunyu 論語 (Analects of Confucius...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 287–312.
Published: 01 November 2020
.... There are also two allusions in the text, one Buddhist and one Daoist. The Buddhist allusion references the parable of the burning house from the Miaofa lianhua jing 妙法蓮華經 (The Lotus Sūtra), a highly influential Buddhist text in this period. The Daoist allusion, “the Dao and the world were lost to one another...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 306–335.
Published: 01 November 2017
...Anna M. Shields Abstract In the reception of Tang literature during the Song Dynasty, the anthology Wen cui 文粹 (Literature's Finest), compiled by the Northern Song scholar Yao Xuan 姚鉉 (968–1020) in 1011, survives as the earliest attempt by an individual scholar to provide a comprehensive overview...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
... of survival for communal texts in the world of musical literature, as well as the differences and similarities between the developments in the social functions of ci song lyrics and sanqu songs in the Yuan and Ming dynasties, respectively. With the publication of Quan Yuan sanqu 全元散曲...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 214–249.
Published: 01 November 2018
... does report the chapter in which each text is first cited, one need only consult a few pages of the annotated Sanguozhi or Shishuo xinyu to see exactly how much is lost when the dense and interconnected sequences of citations are distilled into hierarchically organized catalogs of textual types...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
... life. The surviving image of the lost object as evidence affirms his authentic, lived experience and serves as an emblem of the values of their lives and friendship. Figure 9. “The Plum Painted by Deceased Kunqu Performer Yuan Hanyun and Mr. Zhang Boju,” Guoju huabao 1, no. 3 (1932...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
.... The war, at least represented by Tuoba Tao, was not about ideology or dynastic survival; instead, southern soldiers lost their lives for nothing but pieces of jewelry that their ruler had been reluctant to give away. Liu Yilong would have been wiser to comply with the northern ruler's request in the first...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 56–95.
Published: 01 April 2019
... goods can elucidate intermediating processes among the conceptualization of emotion in philosophical texts, the representation of emotion in the literary and visual arts, and the actual experience of emotion in premodern China. Using the recently discovered cemetery of the Northern Song Lü family...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 289–311.
Published: 01 November 2016
... experienced the first big storm of his life, a literary battle with the legendary writer Lu Xun 魯迅 (1881–1936). As a result, Shi lost his “space for survival” in the Shanghai literary world, but fortunately his background in both modern and traditional education provided him with resilience. Indeed, one...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 155–185.
Published: 01 November 2014
...,” shedding light on the methods and goals of the haogu 好古 (“loving antiquity”) project at Chengdi's court led by the three most impressive thinkers of the two Han dynasties. That research also suggests that many, if not most of the so-called Zhanguo texts that we know today underwent substantial changes...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
...–1531) seal character inscription: Master Dongpo's Precious Calligraphy 坡翁寶翰. Lost. On the brocade cover: Imperially inscribed poem, dated 1792. Lost. Su Shi, “Spring Colors Wine Rhapsody,” complete text. Su Shi, “Pine Wine Rhapsody,” complete text. Su Shi's own colophon, dated 1094...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... wooden device on a tray of sand, ashes, or powder and then transcribing the texts onto paper for preservation. 2 As for the identity of the invited deity, it can be traced back to the worship of Zigu 紫姑 (the Purple Goddess or Goddess of the Toilet) in the fifth century. 3 On the fifteenth day...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 192–214.
Published: 01 April 2020
... of the texts? How does the liminality of the exilic world interact with the liminality of exilic language? How do we understand and describe this “inbetweenness” historically, philosophically, and literarily? From these perspectives the author situates and fathoms the figure and voice of the exile turned poet...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 137–168.
Published: 01 April 2019
...—implicitly suggest two analogies: between quarrying and violence, and between the mountain and the human body. Not only can mountains and rivers survive ruin, but their real selves are fulfilled through it. The very fiber of Cao Mountain's being is revealed only after it is broken. It internalizes...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 383–419.
Published: 01 November 2017
... manuscript of Yifanfeng has allowed researchers to revisit the last decade of sinophone scholarship on this text. The current essay, based on close reading of the entire Yifanfeng , illuminates the broader use of occasional poetry within Buddhist monastic communities of the Song Dynasty (960–1279...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 65–89.
Published: 01 November 2014
...Yingde Guo; Xiaoqiao Ling Abstract Unlike Zhu Suchen's 朱素臣 (1621?–after 1701) other extant chuanqi plays that survive only in manuscripts, Qinlou yue 秦樓月 (The Moon Shining upon the Qin Tower) was printed in a deluxe woodblock edition during the Kangxi period. This carefully executed imprint...
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Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 322–359.
Published: 01 November 2018
... emblematic texts, while at the same time demonstrating the way these larger structures may cause us to see individual texts in new ways. 3 If literary history is to be something besides a historicist approach to literature, it must take into account the changing system of relations between texts, the way...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 149–166.
Published: 01 April 2020
... was caught eavesdropping on him reciting texts late at night—the enchanting “sound of reading” from which the play's title derives—her horrified parents accused her of impropriety; humiliated, she strangled herself with her sash. Blaming Song Ru for Run'er's death, her parents returned to land to file...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 186–215.
Published: 01 November 2014
... knowledge of shengyun 聲韻 (tone and rhyme) and became familiar with the rules of paired phrasing. The texts also helped establish the foundation for a wide knowledge of shenglü in Chinese literature and language, and nurtured an appreciation among the general public. Though very popular in premodern...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
... that the verbal texts to which he alluded not only enhanced and justified his viewers' empathetic response to his paintings but also enabled him to delineate emotions that were otherwise eschewed by the painters of his time. Copyright © 2019 by Duke University Press 2019 Chen Hongshou emotion in art...
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