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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 19–55.
Published: 01 April 2017
...Benjamin Ridgway Abstract Taking an interdisciplinary perspective from cultural memory studies, this article examines how the garden of the northern refugee Xiang Ziyin 向子諲 (1085–1152), Aromal Arbor 薌林, became a site of memory for two generations of Southern Song literati following the collapse...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 492–503.
Published: 01 November 2019
...Michael A. Fuller Joseph S. C. Lam , Shuen-fu Lin , Christian de Pee , and Martin Powers , eds. Senses of the City: Perceptions of Hangzhou and Southern Song China 1127–1279 . Hong Kong : CUHK Press , 2017 . xxv , 352 pp. ISBN 9789629967864 (hardcover). Copyright...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
... a variety of strategies to prevail in the competitions of political authority and legitimacy. This article examines the northern emperor Tuoba Tao's (408–452, r. 423–452) self-representation in his letters delivered to the southern audience at the height of the two states' military struggle. Scholars have...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 65–89.
Published: 01 November 2014
... widespread among the southern elite, and to embrace a new sense of womanhood epitomized by women writers and readers who had achieved iconic status in the Jiangnan region. Copyright © 2014 by Duke University Press 2014 Zhu Suchen Suzhou plays women writers Qinlou yue print culture...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 149–166.
Published: 01 April 2020
...Ariel Fox Abstract This article explores the late imperial imagination of the nonhuman other by way of a curious creature that appears in the southern drama Dushu sheng . Midway through the play, set in the early years of the Yuan dynasty, the young literatus protagonist is abandoned on a remote...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 60–86.
Published: 01 April 2020
...Ming Tak Ted Hui Abstract Before the Mongol conquest in 1279, numerous envoys were sent from the Southern Song court to its neighboring states. Their purpose was to evaluate and tame foreign territories and alien peoples and thereby reduce their threat to Song culture, and the travelogues resulting...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 313–338.
Published: 01 November 2020
... Li E Abstract The Southern Song poet Yang Wanli is known for his Chengzhai style, prominent features of which include humorous language, easy syntax, and nature as the source of inspiration. This article examines two characteristics of Yang's nature poems that contribute to the development of his...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
...Ye Ye; Erxin Wang Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 380–418.
Published: 01 November 2015
... expression in pentasyllabic poetry ranging from the Southern and Northern dynasties 南北朝 (420–589) to the Sui 隋 (581–618) and the Tang 唐 (618–907) periods. Copyright © 2016 by Duke University Press 2016 pentasyllabic verse prosodic structure tonal alteration Datong reign of the Liang...
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Published: 01 November 2018
Figure 3. North-south distribution of eighty-five prominent Tang poets' hometowns, with 59 percent located in the north and 41 percent in the south. Here and throughout, northern areas are represented by blue and southern areas by orange. Figure 3. North-south distribution of eighty-five More
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Published: 01 November 2018
Figure 5. Diachronic change in the geographic distribution of the hometowns of eighty-five prominent Tang poets. The Tang is divided here into four periods: Early (618–712), High (712–66), Middle (766–835), and Late (835–907). There is a clear southern shift after the Middle Tang. Figure 5 More
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 448–470.
Published: 01 November 2016
... of the Southern Song 南宋 (1127–1279) and its spirit of poetic expression. Ceremonial protocol at this gathering was carefully observed. Sung Wong Toi was a giant stone located in the foothills near Guanfuchang 官富場 (now the Kwun Tong District 觀塘區), inscribed with the three characters Song wang tai and the words...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 95–118.
Published: 01 April 2018
... be permanently deposited in the mindset of later generations of writers, primarily the Jiangxi school of the late Northern Song, but also other groups and schools in both the Northern and the Southern Song that were less conspicuously interested in poetic method and technique. Without the Xikun school's intense...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 448–454.
Published: 01 November 2021
... of the community of often mutually dependent lord and vassal, or host and retainer. After examining the cultural construction of the Jian'an period, chapter 3, “The Southern Perspective: ‘Fan Writing,’” breaks away from the traditional Wei (220–265) and Shu (221–265) perspectives and instead explores the Three...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 360–374.
Published: 01 November 2018
...Figure 3. North-south distribution of eighty-five prominent Tang poets' hometowns, with 59 percent located in the north and 41 percent in the south. Here and throughout, northern areas are represented by blue and southern areas by orange. Figure 3. North-south distribution of eighty-five...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 29–64.
Published: 01 November 2014
... generations of anthologists nevertheless continued to emphasize the social pedigree of songwriters in their continuing quest for legitimacy of the ci genre during the Northern and Southern Song periods. 16 At the turn of the fourteenth century at the latest, by all accounts, the culture of the new...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 419–443.
Published: 01 November 2015
... recognition by the Tang government, yet it was compiled not in the Tang but in the Sui 隋 (581–618). The commonly told story about Qieyun is that it was a work inspired by the Sui reunification, when the need to reconcile northern and southern accents became more urgent; the fact that the work was compiled...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 209–215.
Published: 01 November 2017
... out two different fu “rhapsodies” he had composed in recent years. It too was presented to a friend, and it too has a connection to his distant southern exile because it was produced when Su Shi was on his way to that exile. This scroll has a long and complicated history of ownership, through...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 167–191.
Published: 01 April 2020
... dynasty, Kong was greatly interested and tried to study its origin. In 1694, in collaboration with Gu Cai, Kong wrote a chuanqi 傳奇 (southern drama) play titled Xiao hulei 小忽雷, a tale about fidelity in romantic love represented by the xiao hulei . In his “ Taohua shan benmo” 桃花扇本末 (Complete Account...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 1–6.
Published: 01 April 2020
... of accepting as a given the standard formulation of unadorned vigor versus effete ornateness when the literature of northern dynasties is pitted against its counterpart in southern dynasties (fifth and sixth century), Kou sees the plain language of the Xianbei 鮮卑 ruler Touba Tao as calculated and rhetorically...