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Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 448–470.
Published: 01 November 2016
...Ko Chia-cian Abstract Just a few years after the overthrow of China's last imperial dynasty, the Qing dynasty loyalist Chen Botao 陳伯陶 (1855–1930) assembled scholars at the Terrace of the Song Emperors 宋王臺 (Song Wang Tai, or Sung Wong Toi) in Hong Kong Kowloon to compose and recite poetry as a...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 29–64.
Published: 01 November 2014
...Patricia Sieber Abstract This article examines two key texts from early fourteenth-century Hangzhou to explore how they shaped the process of textualization of a new genre, the so-called sanqu songs. The article argues that both of these texts, the seminal anthology of the genre, the Yangchun...
Journal Article
Journal of Chinese Literature and Culture (1 April 2017) 4 (1): 19–55.
Published: 01 April 2017
...Benjamin Ridgway Abstract Taking an interdisciplinary perspective from cultural memory studies, this article examines how the garden of the northern refugee Xiang Ziyin 向子諲 (1085–1152), Aromal Arbor 薌林, became a site of memory for two generations of Southern Song literati following the collapse of...
Journal Article
Journal of Chinese Literature and Culture (1 November 2017) 4 (2): 306–335.
Published: 01 November 2017
...Anna M. Shields Abstract In the reception of Tang literature during the Song Dynasty, the anthology Wen cui 文粹 (Literature's Finest), compiled by the Northern Song scholar Yao Xuan 姚鉉 (968–1020) in 1011, survives as the earliest attempt by an individual scholar to provide a comprehensive overview...
Journal Article
Journal of Chinese Literature and Culture (1 November 2017) 4 (2): 360–382.
Published: 01 November 2017
...Cong Ellen Zhang Abstract This case study examines the central role that xiao (filial piety) played in defining character for all the members of the Bao family in the Northern Song (960–1127). It shows that while ritual and ethical codes required children to care for the welfare of their parents...
Journal Article
Journal of Chinese Literature and Culture (1 April 2018) 5 (1): 95–118.
Published: 01 April 2018
...Yugen Wang Abstract Despite its tremendous influence in the early eleventh century, Xikun poetry was essentially written out of the main literary historical narratives of the Northern Song dynasty. When it does appear in such narratives, it is usually used as a foil to set up the reputedly real...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 360–374.
Published: 01 November 2018
... come from the “Platform for Geographical and Chronological Information on Tang-Song Literature” (Tang-Song wenxue biannian xidi xinxi pingtai jianshe 唐宋文學編年系地信息平台建設), a project of the National Social Science Fund of China run by the first author, Wang Zhaopeng. In the five years since the beginning of...
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Published: 01 April 2015
Figure 10. Anonymous. The Return . Ca. 1110–1120, Song dynasty. Detail of a portion of a handscroll, ink on silk. Freer Gallery of Art, Smithsonian Institution, Washington, DC. Gift of Charles Lang Freer, F1919.119 Figure 10. Anonymous. The Return. Ca. 1110–1120, Song dynasty. Detail of a More
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Published: 01 November 2018
Figure 1. “In Memoriam of Sir Han Yugong” by Song Xiling (in Tao and Liu, Jiangzhou zhi , 3.48) Figure 1. “In Memoriam of Sir Han Yugong” by Song Xiling (in Tao and Liu, Jiangzhou zhi, 3.48) More
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Published: 01 November 2018
Figure 15. Four examples of word occurrences in QTS (Tang) and QSC + QSS (Song). For details, see text. Produced with the support of Google Charts: developers.google.com/chart/ Figure 15. Four examples of word occurrences in QTS (Tang) and QSC + QSS (Song). For details, see text More
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Published: 01 April 2019
Figure 2. Portrait of Wang Zhaojun 王昭君, from Qiu Shounian and Ding Song, Gujin baimei tuyong 古今百美圖詠 (Illustrated Biographies of Poems on One Hundred Beauties, Past and Present). Shanghai: Zhonghua tushuguan, 1917, 1:38b. Figure 2. Portrait of Wang Zhaojun 王昭君, from Qiu Shounian and Ding Song More
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Published: 01 April 2019
Figure 2. Tomb inscription of Lü Daya, with capstone. Stone. Northern Song. 71 × 71 × 9 cm. Excavated from Tomb M1. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 2. Tomb inscription of Lü Daya, with capstone. Stone. Northern Song. 71 × 71 × 9 cm. Excavated from Tomb M1 More
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Published: 01 April 2019
Figure 4. Celadon bowl with lid. Yaozhou stoneware. Northern Song. 10.4 × 5–10.7 cm. Excavated from Tomb M7. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 4. Celadon bowl with lid. Yaozhou stoneware. Northern Song. 10.4 × 5–10.7 cm. Excavated from Tomb M7. Collection of More
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Published: 01 April 2019
Figure 5. Warming vessel ( jixu ). Lishan stone. Northern Song. 11.8 × 16.4 cm. Excavated from Tomb M26. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 5. Warming vessel (jixu). Lishan stone. Northern Song. 11.8 × 16.4 cm. Excavated from Tomb M26. Collection of the More
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Published: 01 April 2019
Figure 6. Inkstone. Helan stone. Northern Song. 18.5 × 11.1–12.1 × 2.1–2.4 cm. Excavated from Tomb M6. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 6. Inkstone. Helan stone. Northern Song. 18.5 × 11.1–12.1 × 2.1–2.4 cm. Excavated from Tomb M6. Collection of the Shaanxi More
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Published: 01 April 2019
Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. More
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Published: 01 April 2019
Figure 9. Incense burner with pale, bluish-white glaze. Qingbai ware. Northern Song. 13 × 8.7–10.1 cm. Excavated from Tomb M2. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 9. Incense burner with pale, bluish-white glaze. Qingbai ware. Northern Song. 13 × 8.7–10.1 cm More
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Published: 01 April 2019
Figure 2. Wen Tong (1018–79), Ink Bamboo . Ca. 1075, Northern Song period. Ink on silk, 131.6 × 105.4 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan. Figure 2. Wen Tong (1018–79), Ink Bamboo. Ca. 1075, Northern Song More
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Published: 01 April 2019
Figure 3. Su Shi, “Yellow Tower” (Letter to Wen Tong). 1078, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji (Wuhan: Hubei meishu chubanshe, 2002), 6:214–15. Figure 3. Su Shi, “Yellow Tower” (Letter to Wen Tong). 1078, Northern Song period. Rubbing from Xilou More
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Published: 01 April 2019
Figure 4. Su Shi, “Reading Meng Jiao's Poems, Two Verses.” 1078, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji , 6:169–70. Figure 4. Su Shi, “Reading Meng Jiao's Poems, Two Verses.” 1078, Northern Song period. Rubbing from Xilou Su tie. Source: Zhongguo fatie More