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single prose line
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 481–514.
Published: 01 November 2015
... a novel wugu rhythm from the life and language of his own time. By its exploitation of the potential of the wugu form to narrate by single prose lines, by its enhancement of both the density of narrative sequences and the compactness of the rhythm of lines and passages, and by its exploration of the use...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 444–480.
Published: 01 November 2015
..., but when they did, they used parallel lines instead of single lines. They didn't make rhymed essays, yet they still employed parallelism, producing extravagant and flowery works. And this is how four-six prose began. This genre is different from those of the Eastern Han. In the writing of the Wei dynasty...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 339–381.
Published: 01 November 2020
... but seldom penetrates. 23 1. Cai, How to Read Chinese Prose (hereafter cited as HTRCProse ). 2. Poetry boasts a sophisticated taxonomy of formal differentiations based on line syllabic counts (pentasyllabic, heptasyllabic, etc.), tonal regulations (regulated quatrains, regulated verse...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 306–335.
Published: 01 November 2017
... no single established canon of Tang literature—in the Wen cui , Yao Xuan was attempting to create one. This is not to say that he was creating in a vacuum, however, or that his taste in poetry was widely shared or as ultimately influential as his taste in prose. As the Song bibliographic record shows...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
... titles, the next step was to prepare node and edge tables for visualization. In a network visualization, nodes are points of convergence, and edges are lines between these points. Each node represents a single entity, and edges represent relationships between entities. In this article's visualizations...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 275–330.
Published: 01 November 2019
... consist of four graphs, as do 36 of the 57 lines in the Discourses ), as there are often long alternately rhymed sequences of predominantly tetrasyllabic phrases. We also find a number of pentasyllabic lines and couplets, a single cross-rhyming trisyllabic couplet in the second example from...
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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
... to sanqu songs. Such a line of inquiry is also relevant to the study of the survival of various forms of Chinese musical literature beyond their original environments. It also helps us think about the complex relationships between the musical and communal functions of ci song lyrics and sanqu songs...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 192–214.
Published: 01 April 2020
... of banishment, and their treatment of the trope of exile and exilic experiences in poems and prose writings is worthy of serious study. This article is a study of the exilic writings of the especially important yet understudied poet Fang Xiaobiao (1618–?), who in the wake of the examination scandal of 1657...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 261–286.
Published: 01 November 2021
... unrhymed prose. This is in line with Liu Xiaochuo's view. Thus we conjecture that the split that occurred between Liu Xiaochuo and the Dao brothers might be considered a continuation of the diverging paths taken by Shen Yue's poetry and Ren Fang's prose. One stems from the genius poet who values natural...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 545–572.
Published: 01 November 2015
... the number of lines in each of the two juxtaposed parts of one single bixing stanza. “The Gourd Has Bitter Leaves,” a song from the Bei State in the Book of Poetry , features the earliest example of this binary structure: The gourd has bitter leaves; 匏有苦葉 2 The ford is deep to wade. 濟有深涉...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 515–544.
Published: 01 November 2015
... to rehearse here. But even if we speak strictly about so-called prose writing, we can say that Han fu , in its tendency to take the form of parallel paired lines, opened up the way for the meticulous attention to parallel syntax, fine phraseology, and the tonal regulation that would later characterize...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
... reproductions of Su Shi's calligraphy contain the Two Rhapsodies Scroll, and there are also specialized studies of it, treatments of it are incomplete and inadequate. In addition, from stone engravings, calligraphy models, and historical sources, we know that before the two rhapsodies were combined in a single...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
... concept? I also understand his method! When Yuke first began painting bamboo, he did not consider it to be something of great value. But people from all corners began to arrive bearing fine silk and requests, so many that they were lined up waiting at his gate. Yuke despised this and threw the silk...
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Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 148–178.
Published: 01 April 2018
... + predicate” lines with a typical prose rhythm of 3 + 4 (trisyllabic segment + tetrasyllabic segment) and a tonal pattern as shown above (“–” for a level tone, “|” for an oblique tone). Not only does this couplet read prose-like and unpoetic, but it also breaks the tonal patterning of regulated verse, which...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 26–56.
Published: 01 April 2016
... . 24. In addition to having many interests, Gong was an avid collector of antiquities, and several works of his poetry and prose refer to Yucen as the eventual home of his reportedly considerable collection. 25. “Honoring the Recluse,” in GZZQJ , 87 . 26. Ibid., 88. 27. Sun K...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 209–215.
Published: 01 November 2017
... of calligraphy as a gift at all? Professor Yang delves into such questions and comes up with answers that will surprise most readers. The second article, by I Lo-fen, focuses on a single calligraphy scroll by Su Shi held today in the Jilin Provincial Museum. This is an unusual scroll, one in which Su Shi copied...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... lines. 嬌兒未解傷心句 4 Instead, he reads aloud the poems of his father. 猶是琅琅誦父詩 62 In a single quatrain, the emotions of the three family members are all included. Qian first attempts to convince herself that she is not alone in this dolorous mood since even the immortal still engages...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
... vols. Beijing : Zhonghua shuju , 2011 . Holcombe, Charles . “ The Xianbei in Chinese History .” Early Medieval China 19 ( 2013 ): 1 – 38 . Li Shan 李山 . Zhongguo sanwen tongshi: Wei Jin nanbeichao juan 中國散文通史·魏晉南北朝卷 ( A Comprehensive History of Chinese Prose: Volume on Wei, Jin...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 155–185.
Published: 01 November 2014
... parallel line to indicate the need to repeat a single character. But in Qin and Han manuscripts, filled dots and empty circles set off divisions in the text (e.g., the end of a sentence, a section, or a paragraph), L-shaped marks work like parentheses, black oblongs set off one set of quotations from...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 215–232.
Published: 01 November 2016
... an essay” 詩國革命何自始？要須作詩如作文. 1 The analogy formulated by Hu between poetry and prose touches on two core issues concerning the potential literary revolution in Chinese poetry: (1) it is necessary to create a new form of poetry by eliminating the shackles of classical poetic conventions; and (2) vernacular...
