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prosodic grammar

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Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 380–418.
Published: 01 November 2015
... verse. The increased use of 2–2–1 prosodic structure of the pentasyllabic lines of this period indicates that the fourth syllable in the line had become a defining caesural point. Furthermore, the emergence of this new regulation will be shown in relation to the growing need for semantic and aesthetic...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 444–480.
Published: 01 November 2015
... point is the “Wucheng fu” 蕪城賦 (Rhapsody on the City Overgrown with Weeds) by Bao Zhao 鮑照 (417–450). Copyright © 2016 by Duke University Press 2016 parallel prose four-six prose poetic prosody prosaic prosody spatiotemporal-free syntax prosodic grammar To understand how early four...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 545–572.
Published: 01 November 2015
... read or understand it. So what we have is something like sound ⇒ prosodic pattern ⇒ semantic grouping ⇒ syntax ⇒ structure. A multilayered integration of all these elements seems to represent the gestalt of Chinese poetic form, with monosyllabic sound as its foundation. At its best, this gestalt...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 573–576.
Published: 01 November 2015
... Chinese: The Present and the Past (2013) and New Exploration on Chinese Prosodic Grammar (2015). He currently serves as associate editor for Language and Linguistics . GE XIAOYIN is professor of Chinese at Peking University. She specializes in medieval Chinese poetry from the Wei dynasty through...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 324–346.
Published: 01 November 2015
... interpreted before they can provide useful information on the research topic. For example, if 60 percent of the lines in one poem collection show tonal contrast in two positions, then a researcher's task is to “translate” this number into a conclusion about the prosodic characteristics and literary ingenuity...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 215–232.
Published: 01 November 2016
..., we may observe that all these debates concerning the phonological qualities of words, various prosodic requirements, or the grammar and semantics of a poetic line could not give a satisfying explanation of the emotion conveyed by poetry. Here, we can surmise that Chen was possibly in search of an...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 286–323.
Published: 01 November 2015
... could take the form of a trisyllabic word, constructed in “1 + 2” or “2 + 1” fashion, or could be formed of three independent words. From the perspective of grammar, the “unbalanced foot” could also accommodate a greater number of grammatical components, thus increasing its linguistic capacity. At the...