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prosodic grammar

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Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 380–418.
Published: 01 November 2015
... verse. The increased use of 2–2–1 prosodic structure of the pentasyllabic lines of this period indicates that the fourth syllable in the line had become a defining caesural point. Furthermore, the emergence of this new regulation will be shown in relation to the growing need for semantic and aesthetic...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 444–480.
Published: 01 November 2015
... point is the “Wucheng fu” 蕪城賦 (Rhapsody on the City Overgrown with Weeds) by Bao Zhao 鮑照 (417–450). Copyright © 2016 by Duke University Press 2016 parallel prose four-six prose poetic prosody prosaic prosody spatiotemporal-free syntax prosodic grammar To understand how early four...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 545–572.
Published: 01 November 2015
... read or understand it. So what we have is something like sound ⇒ prosodic pattern ⇒ semantic grouping ⇒ syntax ⇒ structure. A multilayered integration of all these elements seems to represent the gestalt of Chinese poetic form, with monosyllabic sound as its foundation. At its best, this gestalt...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 573–576.
Published: 01 November 2015
... Exploration on Chinese Prosodic Grammar (2015). He currently serves as associate editor for Language and Linguistics . GE XIAOYIN is professor of Chinese at Peking University. She specializes in medieval Chinese poetry from the Wei dynasty through the Tang dynasty, roughly from the third through the...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 324–346.
Published: 01 November 2015
... percent of the lines in one poem collection show tonal contrast in two positions, then a researcher's task is to “translate” this number into a conclusion about the prosodic characteristics and literary ingenuity of the poet. In Xu's book and many other previous studies about tonal contrast, 11 50...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 215–232.
Published: 01 November 2016
... 1910s. Hu Shi, as well as other advocates of free verse, vowed to discard all prosodic requirements. He singled out alliteration ( shuangsheng 雙聲) and assonance ( dieyün 疊韻) as the epitome of metric regularity and criticized disyllabic word units as unnecessary constraints. Hu Shi argued that the...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 286–323.
Published: 01 November 2015
... could take the form of a trisyllabic word, constructed in “1 + 2” or “2 + 1” fashion, or could be formed of three independent words. From the perspective of grammar, the “unbalanced foot” could also accommodate a greater number of grammatical components, thus increasing its linguistic capacity. At the...