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prosodic grammar

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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 573–576.
Published: 01 November 2015
... Exploration on Chinese Prosodic Grammar (2015). He currently serves as associate editor for Language and Linguistics . GE XIAOYIN is professor of Chinese at Peking University. She specializes in medieval Chinese poetry from the Wei dynasty through the Tang dynasty, roughly from the third through...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 444–480.
Published: 01 November 2015
... syntacticians. 5. Liu X., The Literary Mind and the Carving of Dragons , 475 . 6. Ibid., 481. Copyright © 2016 by Duke University Press 2016 parallel prose four-six prose poetic prosody prosaic prosody spatiotemporal-free syntax prosodic grammar To understand how early four...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 545–572.
Published: 01 November 2015
... read or understand it. So what we have is something like sound ⇒ prosodic pattern ⇒ semantic grouping ⇒ syntax ⇒ structure. A multilayered integration of all these elements seems to represent the gestalt of Chinese poetic form, with monosyllabic sound as its foundation. At its best, this gestalt...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 380–418.
Published: 01 November 2015
... verse. The increased use of 2–2–1 prosodic structure of the pentasyllabic lines of this period indicates that the fourth syllable in the line had become a defining caesural point. Furthermore, the emergence of this new regulation will be shown in relation to the growing need for semantic and aesthetic...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 324–346.
Published: 01 November 2015
...” ; Wang G., Zhongguo shi ci ; Wu W., “Ping-ze lu.” 25. Halle and Kayser, “Chaucer,” 218 ; Beaver, “Grammar of Prosody,” 311 . 26. Sui, Gushi shijiu shou jishi , 22 . 27. Ibid., 21. 28. Fan, Hou Han shu , 616 . 29. Fussell, Poetic Meter , 35 ; Hanson and Kiparsky...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 215–232.
Published: 01 November 2016
..., various prosodic requirements, or the grammar and semantics of a poetic line could not give a satisfying explanation of the emotion conveyed by poetry. Here, we can surmise that Chen was possibly in search of an underlying rhythm that goes beyond tonal requirements and semantics. In Chen Shih-hsiang's...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 275–330.
Published: 01 November 2019
... of tripartite analyses have long been well utilized in the many studies of prosodic forms in early Chinese poetry and of early Chinese rhyme prose, Han-era pian wen 駢文 “parallel prose” (or pian ti wen 駢體文 “parallel-style prose”) in particular; see Hightower, “Some Characteristics of Parallel Prose...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 286–323.
Published: 01 November 2015
... the monosyllabic unit to freely take the third or fifth position in a poetic line. From the perspective of linguistics, the three syllables could take the form of a trisyllabic word, constructed in “1 + 2” or “2 + 1” fashion, or could be formed of three independent words. From the perspective of grammar...