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palace-style poetry

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Journal Article
Journal of Chinese Literature and Culture (1 April 2016) 3 (1): 1–25.
Published: 01 April 2016
... Changling jueju poetry palace-style poetry subjectivity focalization A couple of decades ago, Yu-kung Kao published an article in which he laid out in clear, workmanlike terms the technical changes undergone by ancient Chinese poetry as it evolved from relatively impersonal, archetype-based songs and...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 286–323.
Published: 01 November 2015
...Zhao Minli; Benjamin Ridgway Abstract China's earliest poetic genres formed in direct relationship with music, and pentasyllabic shi poetry is no exception. This was a new poetic genre that formed after tetrasyllabic poetry and the sao style associated with the Chuci 楚辭 (Lyrics of Chu), and it...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 335–356.
Published: 01 November 2016
... was thrice denounced—as a member of the Hu Feng clique in 1955, as a rightist in 1957, and as a counterrevolutionary in 1967 for his critique of the extreme political measures of the time. Political persecution spurred Nie's serious interest in writing classical-style poetry, in which he redefined the...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 276–321.
Published: 01 November 2018
... historical viewpoints. Analytic tools help researchers uncover information concealed in poetic works that are related to aesthetic expressions, personal styles, social networks, societal influences, and temporal changes in Chinese poetry. The increasing accessibility of digitized texts, along with...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 312–334.
Published: 01 November 2016
... century but also spread to different levels of society and extended well into the 1940s. Members of major classical-style poetry societies such as the Southern Society 南社 (1909–23) and the Yu Society 虞社 (1920–37) in Changshu loved to compose poems on photos of themselves or others, and circulated them...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 186–215.
Published: 01 November 2014
... Wanyu 車萬育 (1632–1705) of the Qing Dynasty, the book was actually written by Zhu Ming 祝明 (dates unknown) in the Yuan Dynasty. Such works are unique in their form and style and have established their own tradition, which we call “Primers on Shenglü ” 聲律啟蒙讀物. As far as we know, primers on shenglü...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 429–447.
Published: 01 November 2016
...” ( zishengkuang 自聖狂), 31 his haughty dignity was, both before and after 1949, a positive force, thanks to his sense of morality. In terms of poetic style, Chen approaches the melodies of the Song dynasty. Qian Zhongshu 錢鍾書 (1910–88) noted the distinction between Tang and Song in poetry, which is “not just a...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 322–359.
Published: 01 November 2018
... in red. Figure 2. Detail of the network graph in figure 1. Note the centrality of Buddhist monks, whose nodes and edges are highlighted in red. However, the results of a data visualization may vary tremendously depending on which program is used, which layout style is employed, what kinds of...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 289–311.
Published: 01 November 2016
.... The fact that Shi chose classical-style poetry, the form he had worked on since youth, as the vehicle for reflecting on his life is worth noting. 88 Having witnessed the transition from tradition to modernity, he might have meant to use classical poetry as a way of connecting with the cultural past...
Journal Article
Journal of Chinese Literature and Culture (1 April 2018) 5 (1): 95–118.
Published: 01 April 2018
... tendency toward a more immersive mode of composition that would become a defining feature of the new style of Song poetry. Through closely comparing the technical innovations and rhetorical strategies of the Xikun poets against those used by Li Shangyin, the author demonstrates how these poetic and...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 65–89.
Published: 01 November 2014
... years of his life. He also named both his sons with the character jie 節 (loyalty) to indicate his loyalty to the Ming Dynasty. Following his father's will, Jiang Shijie never aspired to pass the civil service exam held by the Qing court, instead devoting his time to the study of poetry and old-style...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 90–124.
Published: 01 November 2014
... directly inherited the self-promoting and self-appreciating style of Wang's work, only in a more blatant fashion. The image that emerges from reading the Suiyuan shihua is of a Yuan Mei whose prodigious poetic talent was recognized early by his elders, whose outstanding poetic taste was appreciated and...
Journal Article
Journal of Chinese Literature and Culture (1 April 2015) 2 (1): 92–133.
Published: 01 April 2015
... Chinese poetry and painting mortality old-age style When Shen Zhou 沈周 (1427–1509), one of the prominent figures of Suzhou culture, entered into his very late years at the turn of the sixteenth century, he embarked on a creative project that absorbed an undue amount of attention. According to Shen...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 380–418.
Published: 01 November 2015
.... 6 These scholars all apply later criteria on tonal patterns to gauge the poetry of the Yongming (and even the Han and Wei), anachronistically using the requirement for tonal contrast between the second and fourth syllables in recent-style regulated verse to analyze the prosody of Yongming poetry...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 545–572.
Published: 01 November 2015
... the subject+predicate order. This undoubtedly contributes to the building of forward momentum, highly desirable for an extended narration or description. It is perhaps for this reason that these sao -style lines are heavily used not only in the Chuci but also in the fu 賦 poetry (rhapsodies) of...
Journal Article
Journal of Chinese Literature and Culture (1 April 2017) 4 (1): 180–207.
Published: 01 April 2017
... views of literary creation, with an emphasis on creativity, have largely dominated the discussion. The formal expository style of their writings has been prized, especially by modern critics, over various unsystematic forms chosen by most later critics, such as a cataloguing of critical terms and...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 250–275.
Published: 01 November 2018
... Chinese poetry, they can show some of the paradigmatic groups of images and their distribution between concepts of happiness and sadness, loneliness and companionship. Finally, topical grouping of poems on things is discussed and explored with the help of fingerprints to look for formal principles behind...
Journal Article
Journal of Chinese Literature and Culture (1 April 2015) 2 (1): 8–42.
Published: 01 April 2015
..., painted in shades of black ink, measuring 28 cm (vertically) by 1,079.5 cm (horizontally), now stored at the Palace Museum in the Forbidden City Figure 1 . It lacks a seal stamp. At the end of the scroll, there is a postscript by Jin Cong 金琮 (1449–1501), which notes that he copied twelve ancient-style...
Journal Article
Journal of Chinese Literature and Culture (1 April 2016) 3 (1): 108–136.
Published: 01 April 2016
... humanity and also a triumph for nature. The mysterious, pure, and quiet style of Chinese guqin music is connected to the natural character and bearing preferred by the gentleman of culture in China. From the names of the qin songs listed above, one can barely see any Sturm und Drang , as might be...
Journal Article
Journal of Chinese Literature and Culture (1 April 2017) 4 (1): 56–90.
Published: 01 April 2017
...: this framing stipulates a stylized mode of “seeing” and “being seen” prevailing in the spatial configuration that dominates the Six Dynasties anthology of palace-style poetry, the Yutai xinyong (New Songs from a Jade Terrace). 18 We see the beauty sitting or placed to sit in the poetically charged...