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palace-style poetry

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Journal Article
Journal of Chinese Literature and Culture (1 April 2016) 3 (1): 1–25.
Published: 01 April 2016
... this exercise. Wang Changling jueju poetry palace-style poetry subjectivity focalization A couple of decades ago, Yu-kung Kao published an article in which he laid out in clear, workmanlike terms the technical changes undergone by ancient Chinese poetry as it evolved from relatively...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 286–323.
Published: 01 November 2015
...Zhao Minli; Benjamin Ridgway Abstract China's earliest poetic genres formed in direct relationship with music, and pentasyllabic shi poetry is no exception. This was a new poetic genre that formed after tetrasyllabic poetry and the sao style associated with the Chuci 楚辭 (Lyrics of Chu), and it...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 335–356.
Published: 01 November 2016
... was thrice denounced—as a member of the Hu Feng clique in 1955, as a rightist in 1957, and as a counterrevolutionary in 1967 for his critique of the extreme political measures of the time. Political persecution spurred Nie's serious interest in writing classical-style poetry, in which he redefined the...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 276–321.
Published: 01 November 2018
... historical viewpoints. Analytic tools help researchers uncover information concealed in poetic works that are related to aesthetic expressions, personal styles, social networks, societal influences, and temporal changes in Chinese poetry. The increasing accessibility of digitized texts, along with...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 186–215.
Published: 01 November 2014
... (dates unknown) in the Yuan Dynasty. Such works are unique in their form and style and have established their own tradition, which we call “Primers on Shenglü ” 聲律啟蒙讀物. As far as we know, primers on shenglü originated with Zhu Ming's 祝明 Shenglü fameng 聲律發蒙. Zhu Ming (style name [ zi 字]: Wenqing...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 312–334.
Published: 01 November 2016
... early twentieth century but also spread to different levels of society and extended well into the 1940s. Members of major classical-style poetry societies such as the Southern Society 南社 (1909–23) and the Yu Society 虞社 (1920–37) in Changshu loved to compose poems on photos of themselves or others, and...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 429–447.
Published: 01 November 2016
... framework and conceit” 唐詩多以豐神情韻擅長,宋詩多以筋骨思理見勝. 33 He also comments, “In the course of one's life, when one is young and vigorous, one will naturally compose in the style of the Tang. Later in life, one's thoughts turn profound, and one's poetry is thus tinged with the tones of the Song” 一生之中,少年才氣發揚,遂為唐體,晚...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 322–359.
Published: 01 November 2018
... style is employed, what kinds of filters are applied, and many other choices. For this reason, to really understand the distributed personhood of poets in the late medieval period, it is important to focus on the second function of social-network software: to analyze properties of the network...
Journal Article
Journal of Chinese Literature and Culture (1 November 2016) 3 (2): 289–311.
Published: 01 November 2016
... his Miscellaneous Poems of a Floating Life , the poet can tell the story of his past with such energy, while always probing for life lessons. The fact that Shi chose classical-style poetry, the form he had worked on since youth, as the vehicle for reflecting on his life is worth noting. 88 Having...
Journal Article
Journal of Chinese Literature and Culture (1 April 2018) 5 (1): 95–118.
Published: 01 April 2018
... tendency toward a more immersive mode of composition that would become a defining feature of the new style of Song poetry. Through closely comparing the technical innovations and rhetorical strategies of the Xikun poets against those used by Li Shangyin, the author demonstrates how these poetic and...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 65–89.
Published: 01 November 2014
... Shining upon the Qin Tower), 3 was printed in the first half of the Kangxi 康熙 period (1662–1722) by Wenxi Tang 文喜堂 (Literature-Relishing Studio), a commercial publisher of Suzhou. 4 This deluxe edition 5 in high-end style 6 features a rich assortment of paratextual elements, including a...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 90–124.
Published: 01 November 2014
... some of Wang's ideas, 7 and he directly inherited the self-promoting and self-appreciating style of Wang's work, only in a more blatant fashion. The image that emerges from reading the Suiyuan shihua is of a Yuan Mei whose prodigious poetic talent was recognized early by his elders, whose...
Journal Article
Journal of Chinese Literature and Culture (1 April 2015) 2 (1): 92–133.
Published: 01 April 2015
... Zhengming Chinese poetry and painting mortality old-age style When Shen Zhou 沈周 (1427–1509), one of the prominent figures of Suzhou culture, entered into his very late years at the turn of the sixteenth century, he embarked on a creative project that absorbed an undue amount of attention...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 380–418.
Published: 01 November 2015
... criteria on tonal patterns to gauge the poetry of the Yongming (and even the Han and Wei), anachronistically using the requirement for tonal contrast between the second and fourth syllables in recent-style regulated verse to analyze the prosody of Yongming poetry. Guo Shaoyu 郭紹虞 (1893–1984) is among those...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 545–572.
Published: 01 November 2015
... building of forward momentum, highly desirable for an extended narration or description. It is perhaps for this reason that these sao -style lines are heavily used not only in the Chuci but also in the fu 賦 poetry (rhapsodies) of later times. So far I have discussed the interrelatedness between...
Journal Article
Journal of Chinese Literature and Culture (1 April 2017) 4 (1): 180–207.
Published: 01 April 2017
... their views of literary creation, with an emphasis on creativity, have largely dominated the discussion. The formal expository style of their writings has been prized, especially by modern critics, over various unsystematic forms chosen by most later critics, such as a cataloguing of critical terms and...
Journal Article
Journal of Chinese Literature and Culture (1 November 2018) 5 (2): 250–275.
Published: 01 November 2018
... , Chu-Ting Hsu 許筑婷 , Wen-Huei Cheng 鄭文惠 , Hongsu Wang 王宏甦 , and Wei-Yuan Chiu 邱偉雲 . “‘ Quantangshi ’ de fenxi, tankan yu yingyong—fengge, duizhang, shehuiwanglu yu duilian” 《全唐詩》的分析、探勘與應用-風格、對仗、社會網路與對聯 ( Textual Analysis of Complete Tang Poems for Discoveries and Applications—Style...
Journal Article
Journal of Chinese Literature and Culture (1 April 2015) 2 (1): 8–42.
Published: 01 April 2015
... (1449–1501), which notes that he copied twelve ancient-style poems in calligraphy and requested that Du Jin paint on the same scroll to provide visual comments on them. The poems that Jin Cong inscribed include Li Bai's 李白 “Youjun long e” 右軍籠鵝 (The Dragons and Geese of the Military of the Right...
Journal Article
Journal of Chinese Literature and Culture (1 April 2016) 3 (1): 108–136.
Published: 01 April 2016
... and also a triumph for nature. The mysterious, pure, and quiet style of Chinese guqin music is connected to the natural character and bearing preferred by the gentleman of culture in China. From the names of the qin songs listed above, one can barely see any Sturm und Drang , as might be...
Journal Article
Journal of Chinese Literature and Culture (1 April 2017) 4 (1): 56–90.
Published: 01 April 2017
... ci voyeurism with an ingenious epigram—最好是帳中見, “Best of all is to see her inside the curtain.” Here we witness a spatial motion whose vector reverses that of palace-style poetry. The shi voyeurs know by virtue of their conversance with the norms of their genre that the “window” is open, to...