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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 287–306.
Published: 01 November 2021
...David Chai Abstract For the Song dynasty painter and theorist Guo Xi, Daoism runs like veins through his Lofty Appeal of Forests and Streams , helping it become one of the greatest works of landscape painting theory in China. This essay explores the influence Laozi and Zhuangzi had on Guo Xi's...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
...Lara C. W. Blanchard Abstract Yutai huashi (History of Painting from Jade Terrace), published in 1837, is rare among Chinese art-historical texts, not only for its focus on women painters of the imperial period but also for its female authorship. While the text preserves information on women who...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 297–335.
Published: 01 November 2023
... their transcendental religious significance. Utilizing this proposition as a framework of analysis, this article rereads Zong Bing's (375–443) “Preface to the Painting of Landscape” in terms of the visual sense, to show how the terms, concepts, propositions, and discourse of the text's five sections form a logically...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 476–480.
Published: 01 November 2020
...William Ma Ping Foong . The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court . Cambridge, MA : Harvard University Asia Center , 2015 . 318 pp., 63 color illustrations, 12 line illustrations, 7 × 10 in. ISBN 9780674417151 (hardcover). Copyright ©...
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in Image, Word, and Emotion: The Persistence of the Beautiful/Lovelorn Woman in the New-Style “Hundred Beauties” Albums (1900–1920s)
> Journal of Chinese Literature and Culture
Published: 01 April 2019
Figure 8. Michelangelo Merisi da Caravaggio, Narcissus . Oil painting. Courtesy of the National Galleries of Ancient Art, Palazzo Barberini. Photo by Mauro Coen.
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Published: 01 April 2019
Figure 6. Zhang Lu (c. 1490–c. 1563), Studying a Painting , sixteenth century. Hanging scroll, ink and color on silk, 148.9 × 98.7 cm. Metropolitan Museum of Art, New York. Ex coll.: C. C. Wang Family, Purchase, Bequest Dorothy Graham Bennett, 1990. 1990.6.
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in Gender and Violence: The Multivalent Voices of a Cannibalized Concubine in Late Imperial Chinese Literature
> Journal of Chinese Literature and Culture
Published: 01 April 2023
Figure 1. Theater painting featuring the scene of the concubine's death from Battle of the Pu Pass .
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in From Convention to Subversion: Case Studies on the Female Gaze in Premodern China
> Journal of Chinese Literature and Culture
Published: 01 April 2023
Figure 4. Chen Yunlian (ca. 1800–after 1860). Fan painting. 50 × 17 cm. Private collection. Source: Chen Yaolin 陳耀林 and Jin Lihua 金利華, Qianhua daise: Huayazhai cang guixiu shuhuaji 鉛華黛色:華雅齋藏閨秀書畫集 (Colors of Cosmetics: Collection of Calligraphy and Painting by Talents of the Boudoir Held
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in Truth Becomes Fiction When Fiction Is True: The Story of the Stone and the Visual Culture of the Manchu Court
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 4. The illusionistic painting on the upper story of the Juanqin zhai. Provided by the Palace Museum, Beijing
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
More
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
More
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Detail (Du Jin, Lyrical Painting on the Poems by the Worthies of the Past . 杜堇，古賢詩意圖卷 Provided by the Palace Museum)
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 2. Xiang Shengmo, Painting on Du Fu's “Hidden Footprints ” 項聖謨，《屏跡》 The painting is currently preserved in the Shanghai Museum.
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 3. Xiang Shengmo, Painting on Lu Zhaolin's “The Heights of Mount Wu” 項聖謨，《巫山高》 The painting is currently preserved in the Shanghai Museum.
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in The Possibilities and Limits of a Genre: Lyrical Pictures from the Ming
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 4. Xiang Shengmo, Painting on Bai Juyi's “A Poem in Response to Yuan Zhen's Fifty Rhymes on Lodging in the Bright Heavenly Grotto on a Spring Day ” 項聖謨，《和微之春日投簡陽明洞天五十韻》 The painting is currently preserved in the Shanghai Museum.
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