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Figure 3. The citation network of fourteen anthologies in the 1500s. Data retrieved from the prefaces and titles of the Ming anthologies. Graph made with Gephi. More

Figure 4. The citation network of pre-Tang literary anthologies in the 1500s. Data derived from prefaces, titles, and tables of contents of the anthologies. Graph made with Gephi. More

Figure 1. Overview of network graph of poems exchanged between contemporaries in the late medieval period. Buddhist monks are highlighted in red. Nodes have been filtered by degree (≥2) and sized according to betweenness centrality (on which see below). Several small clusters of fewer than five More

Figure 2. Detail of the network graph in figure 1 . Note the centrality of Buddhist monks, whose nodes and edges are highlighted in red. More

Figure 4. Network graph of exchange poems (including those on the past). It has been filtered so that it includes only nodes with a degree greater than 2 and in-degree (number of poems received) greater than 1. Nodes are sized according to in-degree. Jia Dao and his connections are highlighted More

Figure 7. Network map of poems exchanged with contemporaries, colored according to the poetic schools to which they were assigned by later critics Li Huaimin, Li Gui, and Luo Wanwei. The schools do not form coherent groups, reflecting the fact that Tang poets did not think of themselves More

Figure 8. Network map of poems exchanged with contemporaries, colored according to algorithmically assigned communities (uses the built-in modularity algorithm of Gephi 0.9.2, with a resolution of 1.2). The clusters are more coherent, corresponding to groups of closely associated poets within More

Figure 4. N-gram similarity, n = 7, visualized as a network graph. Colorization follows the grouping of table 1 : light blue, chapters 1–7; dark green, 8–37; dark blue, 40–45; light green, 46–51; orange, 52–71. Only nodes with nonzero similarity relationships on this metric are shown. More

Figure 8. Parallel passage similarity visualized as a network graph. Colorization follows figure 4 . More

Figure 12. Poets' social network for High Tang (Luo, “ Quan Tangshi de chubu fenxi”) More

Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared More

Figure 2. Anthology network visualization, with edges weighted by number of titles shared More

Figure 3. Anthology network visualization, with nodes sized by betweenness centrality More

Figure 4. Shishuo xinyu network center detail. Orange nodes represent Shishuo xinyu chapters, and cited texts are purple nodes. Texts cited frequently in multiple Shishuo xinyu chapters appear at the center of the network. Other conventions are as for figure 1 . More

Figure 5. Network of citations in Sanguozhi and Shishuo xinyu . Green nodes represent Wei chapters, blue nodes represent Wu chapters, and purple nodes represent Shu chapters. Nodes representing chapters in the first volume of Shishuo xinyu are yellow, those in volume 2 are orange, and those More

Figure 12. Network of texts cited in Sanguozhi and Shishuo xinyu annotations, shaded here to highlight texts from Suishu bibliographic treatise subcategories that use the word Za 雜 (Miscellaneous): green nodes are “Miscellaneous Histories,” blue nodes are “Miscellaneous Accounts More

Figure 13. Network of texts cited in Sanguozhi and Shishuo xinyu annotations, without “Standard Histories.” The entire network has been recalculated and redrawn without the influence of citations of “Standard Histories.” Nodes representing chapters from the Wei (green), Wu (blue), and Shu More