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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 8. Pre-Ming anthologies and Ming anthologies printed before 1600. Colors are as in figure 7 .
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 9. Pre-Ming anthologies and Ming anthologies printed after 1600. Colors are as in figure 7 .
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 167–191.
Published: 01 April 2020
...Siao-chen Hu Abstract This article explores how chieftains on the southwest periphery during the Ming-Qing transition conducted long-term plans to formulate cultural and literary heritages that had an affinity with Han Chinese mainstream culture but also retained indigenous qualities. The author...
Journal Article
In Praise of This Prosperous and Harmonious Empire: Sanqu , Ming Anthologies, and the Imperial Court
Journal of Chinese Literature and Culture (2021) 8 (1): 139–162.
Published: 01 April 2021
.... By identifying a number of Ming dynasty qu anthologies that prominently feature courtly sanqu songs, this article examines how these anthologies, through their organizational structure, draw the reader's attention to courtly sanqu songs. Ming anthologies also act as the major source for tracing the textual...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
...Ye Ye; Erxin Wang Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 483–486.
Published: 01 November 2019
...Katherine Carlitz Zhang Yingyu . The Book of Swindles: Selections from a Late Ming Collection . Translated by Christopher Rea and Bruce Rusk . New York : Columbia University Press , 2017 . xxxvi , 226 pp. ISBN 9780231178631 (paperback); ISBN 9780231178624 (hardcover...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
...Figure 8. Pre-Ming anthologies and Ming anthologies printed before 1600. Colors are as in figure 7 . ...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 43–91.
Published: 01 April 2015
...Lihong Liu Abstract This article examines birthday albums, a genre that combines paintings and literary texts in calligraphy, produced by a group of peer artists and writers to celebrate birthdays of elders in the Wu region (Suzhou) during the mid-Ming period (1450–1550). Each album pairs paintings...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
...Xingpei Yuan Abstract This article takes up the topic of shiyi hua 詩意畫 (lyrical pictures) and introduces notable examples of the genre produced by ink painters and woodblock-print artists from the Ming era. It explores the links between the poetic text and its related image and argues that lyrical...
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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 367–396.
Published: 01 November 2022
... as a complex issue. The professional relations suggest a more plebian, but not simple, outlook on the fundamental Confucian value of trustworthiness. sschneewind@ucsd.edu Copyright © 2022 by Duke University Press 2022 Ming daily life humor occupational sociology xin 信 A man...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 397–424.
Published: 01 November 2022
...Jiani Chen Abstract This article examines the poetic collections of the Ming woman writer Yang Wan 楊宛 (ca. 1600–ca. 1647), whose transformation of identity from a courtesan celebrity to a gentry wife was one of the most representative in the category of courtesan turned concubine/wife. Her marriage...
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Published: 01 November 2014
Waist tag for eunuch of the imperial stables, Ming Dynasty. Photo by Li Ling, Haidian District Museum, Beijing
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in Collecting the Here and Now: Birthday Albums and the Aesthetics of Association in Mid-Ming China
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Peng Nian 彭年 (1505–1566), preface to “Zhu Ming xian shou Wen Zhengming bashi shihua ce” 諸明賢壽文徵明八十詩畫册 (Various Ming Talents Celebrating Wen Zhengming's Eightieth Birthday: An Album of Poetry and Painting) (Wen album), 1549. Folding album leaves (two in one), ink on paper, 30 × 54 cm
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in Collecting the Here and Now: Birthday Albums and the Aesthetics of Association in Mid-Ming China
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 3. Wen Jia 文嘉 (1499–1582), Xiuzhu Wu 修竹塢 (Slender Bamboo Cove). In “Zhu ming xian shou Yuan Fangzhai shihua ce” 諸名賢壽袁方齋詩畫冊 (Various Famous Talents Celebrating Yuan Fangzhai's Birthday: An Album of Poetry and Painting) (Yuan album), 1527. Album leaves (mounted as facing one another), ink
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in Collecting the Here and Now: Birthday Albums and the Aesthetics of Association in Mid-Ming China
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 12. Map of the western part of Suzhou City in the Ming dynasty. Modified by the author from Chen Qidi 陳其弟, Suzhou difang zhi zonglu 蘇州地方誌總錄 (Comprehensive Records of Suzhou Gazetteer) (Yangzhou: Guanglin shushe, 2008), plate (unpaginated)
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in Presenting Mortality: Shen Zhou's Falling Blossoms Project
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum
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in Presenting Mortality: Shen Zhou's Falling Blossoms Project
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 2. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink on paper, h: 30.5 cm (poems only). The Collection of the National Palace Museum, Taiwan, Republic of China
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in Presenting Mortality: Shen Zhou's Falling Blossoms Project
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 3. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China
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in Presenting Mortality: Shen Zhou's Falling Blossoms Project
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 4. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Preface to the transcription of Shen's poems. Portion of a handscroll, ink on paper, h: 35.9 cm. Nanjing Museum
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in Presenting Mortality: Shen Zhou's Falling Blossoms Project
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 5. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Handscroll, ink on paper, 30 x 65.8 cm. Collection of the Shanghai Museum
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