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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 169–204.
Published: 01 April 2019
...” ( guiyuan 閨怨) continues to dominate the new-style hundred beauties albums under fashionable appearances. The author aims to shed light not only on the technical construction, through words and images, of gendered emotions but also on the perspective and historical milieu of the creators. The hundred...
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![Yang Lingfu, The Last Remaining <span class="search-highlight">Image</span> of Xiangcheng [Yuan Shikai] , Banyu...](https://dup.silverchair-cdn.com/dup/Content_public/Journal/jclc/6/1/10.1215_23290048-7497297/4/s_jclc7497297figure6.png?Expires=2147483647&Signature=B8QFefqcATJm-efO9fpH29vnaucSNjlwJU4LIvJVLUoL0Mr61Cs~ty7OKU1tqx3qnyFzMiPH9GU~ISmCQOIrwaxLZb6HWcSg-GmkaXew2gbM95xze6UFroiZBozGsAgPOa5wdq8ms3eNCCxdkn8ZG3fmMxp8wSzyoSKuygo2xfwK8kei10UAsFYpVPgLV~ixwMtYgqpVTcxlLOJEBdOT~HymcdrFI32s0DUYiSYQ0yATLNkEaG-Mq6DPAhe1sq3g8i~b3Bm2MN0aoN9R9IRDta7~1upwKQo-sqFfuKG6GLG5kGpBuP80kyopXsKfoNRCIfI-NZsxj~KpJtIt3p6czQ__&Key-Pair-Id=APKAIE5G5CRDK6RD3PGA)
in Nostalgic Fragments in the Thick of Things: Yuan Kewen (1890–1931) and the Act of Remembering
> Journal of Chinese Literature and Culture
Published: 01 April 2019
Figure 6. Yang Lingfu, The Last Remaining Image of Xiangcheng [Yuan Shikai] , Banyue 1, no. 13 (1922).
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in Image, Word, and Emotion: The Persistence of the Beautiful/Lovelorn Woman in the New-Style “Hundred Beauties” Albums (1900–1920s)
> Journal of Chinese Literature and Culture
Published: 01 April 2019
Figure 21. Chen Yanning, “The Green Window” ( Lü chuang 綠窗), 1999. Image reproduced with the artist's permission.
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... implications of “poems on photographs of the self” ( ziti xiaozhao 自題小照) and the issue of temporality involved in the confrontation with a self-image and subsequent writing about the image. Second, it focuses on the issue of the self as other, as well as fractures and the instability of modern subjectivity...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 248–278.
Published: 01 November 2017
... collections all the elements that would shape Wuzu Shijie's image. This article argues that Huihong's accounts should be viewed in the context of a shift of lineage affiliation that occurred in the Northern Song: Huanglong Huinan 黃龍慧南 (1002–69), founding master of the Huanglong branch to which Huihong belongs...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 461–482.
Published: 01 November 2019
... appreciated as a poet, and his literary vocabulary was widely borrowed and imitated. However, a close reading of epitaphs illustrates that Tao's image as a moral exemplar was perhaps even more prominent than his role as esteemed poet. He was invoked to suggest the comparable personal traits of the tomb owner...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
...Figure 6. Yang Lingfu, The Last Remaining Image of Xiangcheng [Yuan Shikai] , Banyue 1, no. 13 (1922). ...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
Published: 01 November 2014
...Xingpei Yuan Abstract A writer of enormous impact on Chinese literary history, Tao Yuanming 陶淵明 (ca. 365–427) became a cultural symbol through his deep and pervasive influence on generations of scholar-officials. What emerged was the image of an individual pure and high-minded, freethinking...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... and disregarding the ritual of wielding the planchette as bizarre, superstitious, or even mad, the author argues that it played a meaningful role in shaping Qian's literary images and enhancing her literary productivity. More important, Qian Xi's strategies of using spirit writing to stimulate her literary...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 180–207.
Published: 01 April 2017
... - yan 意-象-言 (conception-image-word) paradigm, one that allows Wang to move beyond the theories of Lu Ji (261–303) and Liu Xie (ca. 465–ca. 522). Borrowing the Buddhist sense of yi and yishi 意識, Wang demonstrates the creative mind's receptivity to the richness and nuances of the world, followed by its...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 359–382.
Published: 01 November 2019
... of Manchu culture: the Manchu language and hunting skills? This articles argues that, despite deliberate staging through various fashions of his image as the ruler of a multiethnic empire, Qianlong failed in sending his message to his diverse subjects because, truly enthralled by Chinese poetry, he could...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 108–136.
Published: 01 April 2016
... of the traditional Chinese musical instrument, the guqin . It brings to light the interconnections of ideas and images of this instrument with the expressive resources of Chinese culture, and it studies the symbolism of this music in terms of its orientations toward cosmological views of life, human comportment...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 250–275.
Published: 01 November 2018
... Chinese poetry, they can show some of the paradigmatic groups of images and their distribution between concepts of happiness and sadness, loneliness and companionship. Finally, topical grouping of poems on things is discussed and explored with the help of fingerprints to look for formal principles behind...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
...Anne Burkus-Chasson Abstract Historians of Chinese literature and philosophy have written extensively about the significance of emotion ( qing 情) in late Ming times (1522–1644). But how did a pictorial image manifest emotion, and how were its visible signs of emotion conceptualized? This article...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
... was a deliberate rhetorical choice used by the northern court to construct a different imperial image and to exert psychological influence on the intended readers. Moreover, Shen Yue's (441–513) embedding of the letters in a historical narrative as written documents reshapes the reception of the letters...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 108–136.
Published: 01 April 2023
... an independent life and a self-image, echoed by observers, of Daoist detachment from the proverbial dust of the world while cultivating relationships with prominent male mentors and female artists across Jiangnan. As poet, painter, and player of the zither and the game of Go, Wang Liang at times articulated...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 438–460.
Published: 01 November 2023
... was not reflected in the compilation of the Complete Library of the Four Treasuries because the emperor was more concerned about protecting his impartial image as a Han Chinese cultural arbiter. [email protected] Copyright © 2023 by Duke University Press 2023 Evidential research covers an almost...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 297–335.
Published: 01 November 2023
... shows that as early as the Liu-Song dynasty (420–479) writers already went beyond the limitations of the native Chinese conception of “image” ( xiang ) and consciously applied Buddhist concepts to come to new understandings of the objects, methods, and effects of the visual sense and to probe...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 336–378.
Published: 01 November 2023
...) to uphold moral rigor and masculine heroics, couched metaphorically in the suffering ji horse, which was at once physiognomically ideal and metaphysically meaningful. The polysemy and ambiguity of Gong's art invited his colleagues to interiorize equine imagery, thus helping reconstitute an ideal moral image...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
... of the Ming-Qing dynastic transition as voiced through words and images in their paintings, calligraphy, and the iconography of the willow. 11. See n. 9. For Qian's poems celebrating the eight views of his mountain villa, see “Shanzhuang bajing shi” 山莊八景詩 (Poems on the Eight Views of the Mountain Villa...
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