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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 169–204.
Published: 01 April 2019
...” ( guiyuan 閨怨) continues to dominate the new-style hundred beauties albums under fashionable appearances. The author aims to shed light not only on the technical construction, through words and images, of gendered emotions but also on the perspective and historical milieu of the creators. Figure 15...
Image
Published: 01 April 2019
Figure 21. Chen Yanning, “The Green Window” ( Lü chuang 綠窗), 1999. Image reproduced with the artist's permission. Figure 21. Chen Yanning, “The Green Window” (Lü chuang 綠窗), 1999. Image reproduced with the artist's permission. More
Image
Published: 01 April 2019
Figure 6. Yang Lingfu, The Last Remaining Image of Xiangcheng [Yuan Shikai] , Banyue 1, no. 13 (1922). Figure 6. Yang Lingfu, The Last Remaining Image of Xiangcheng [Yuan Shikai], Banyue 1, no. 13 (1922). More
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... implications of “poems on photographs of the self” ( ziti xiaozhao 自題小照) and the issue of temporality involved in the confrontation with a self-image and subsequent writing about the image. Second, it focuses on the issue of the self as other, as well as fractures and the instability of modern subjectivity as...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 248–278.
Published: 01 November 2017
... collections all the elements that would shape Wuzu Shijie's image. This article argues that Huihong's accounts should be viewed in the context of a shift of lineage affiliation that occurred in the Northern Song: Huanglong Huinan 黃龍慧南 (1002–69), founding master of the Huanglong branch to which Huihong belongs...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 461–482.
Published: 01 November 2019
... appreciated as a poet, and his literary vocabulary was widely borrowed and imitated. However, a close reading of epitaphs illustrates that Tao's image as a moral exemplar was perhaps even more prominent than his role as esteemed poet. He was invoked to suggest the comparable personal traits of the tomb owner...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
...Figure 6. Yang Lingfu, The Last Remaining Image of Xiangcheng [Yuan Shikai] , Banyue 1, no. 13 (1922). Figure 6. Yang Lingfu, The Last Remaining Image of Xiangcheng [Yuan Shikai], Banyue 1, no. 13 (1922). ...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
...Anne Burkus-Chasson Abstract Historians of Chinese literature and philosophy have written extensively about the significance of emotion ( qing 情) in late Ming times (1522–1644). But how did a pictorial image manifest emotion, and how were its visible signs of emotion conceptualized? This article...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
...Xingpei Yuan Abstract This article takes up the topic of shiyi hua 詩意畫 (lyrical pictures) and introduces notable examples of the genre produced by ink painters and woodblock-print artists from the Ming era. It explores the links between the poetic text and its related image and argues that lyrical...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
Published: 01 November 2014
...Xingpei Yuan Abstract A writer of enormous impact on Chinese literary history, Tao Yuanming 陶淵明 (ca. 365–427) became a cultural symbol through his deep and pervasive influence on generations of scholar-officials. What emerged was the image of an individual pure and high-minded, freethinking in...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... disregarding the ritual of wielding the planchette as bizarre, superstitious, or even mad, the author argues that it played a meaningful role in shaping Qian's literary images and enhancing her literary productivity. More important, Qian Xi's strategies of using spirit writing to stimulate her literary...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 180–207.
Published: 01 April 2017
... - yan 意-象-言 (conception-image-word) paradigm, one that allows Wang to move beyond the theories of Lu Ji (261–303) and Liu Xie (ca. 465–ca. 522). Borrowing the Buddhist sense of yi and yishi 意識, Wang demonstrates the creative mind's receptivity to the richness and nuances of the world, followed by its...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 250–275.
Published: 01 November 2018
... Chinese poetry, they can show some of the paradigmatic groups of images and their distribution between concepts of happiness and sadness, loneliness and companionship. Finally, topical grouping of poems on things is discussed and explored with the help of fingerprints to look for formal principles behind...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 108–136.
Published: 01 April 2016
... traditional Chinese musical instrument, the guqin . It brings to light the interconnections of ideas and images of this instrument with the expressive resources of Chinese culture, and it studies the symbolism of this music in terms of its orientations toward cosmological views of life, human comportment...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
... the Ming-Qing dynastic transition as voiced through words and images in their paintings, calligraphy, and the iconography of the willow. As for the two-story architectural structure that figures so prominently in Liu Yin's painting, this must be Flower Message Pavilion. In fact, Water-Stroking...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 359–382.
Published: 01 November 2019
... Manchu culture: the Manchu language and hunting skills? This articles argues that, despite deliberate staging through various fashions of his image as the ruler of a multiethnic empire, Qianlong failed in sending his message to his diverse subjects because, truly enthralled by Chinese poetry, he could...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
... deliberate rhetorical choice used by the northern court to construct a different imperial image and to exert psychological influence on the intended readers. Moreover, Shen Yue's (441–513) embedding of the letters in a historical narrative as written documents reshapes the reception of the letters and...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 43–91.
Published: 01 April 2015
... express the makers' and honorees' nuanced collective sensibility of “our time.” 59. Ibid., 294. 60. Ibid., 306, n. 64. Copyright © 2015 by Duke University Press 2015 birthday album collecting text and image place and time Wen Zhengming The Chinese album represents many subtle...
Image
Published: 01 April 2019
Figure 14. Su Shi (1037–1101), Old Tree, Rock, and Bamboo (detail). Ca. 1080–95, Northern Song period. Ink on paper, 26.3 × 50 cm. Collection unknown. Source: © 2018 Christie's Images Ltd. Figure 14. Su Shi (1037–1101), Old Tree, Rock, and Bamboo (detail). Ca. 1080–95, Northern Song period More
Image
Published: 01 April 2019
Figure 1. Su Shi (1037–1101), Old Tree, Rock, and Bamboo . Ca. 1080–95, Northern Song period. Ink on paper, 26.3 × 50 cm. Collection unknown. Source: © 2018 Christie's Images Ltd. Figure 1. Su Shi (1037–1101), Old Tree, Rock, and Bamboo. Ca. 1080–95, Northern Song period. Ink on paper, 26.3 More