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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
...Lara C. W. Blanchard Abstract Yutai huashi (History of Painting from Jade Terrace), published in 1837, is rare among Chinese art-historical texts, not only for its focus on women painters of the imperial period but also for its female authorship. While the text preserves information on women who...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 289–308.
Published: 01 November 2014
.... This composite nature of the text suggests that its compilers drew upon a wide range of sources, which only enhances the value of the Liji as a source for early ritual. The article then moves on to trace the history of the Liji 's transmission through written versions on bamboo and silk, carved stelae, paper...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 515–544.
Published: 01 November 2015
... the composition of essays capable of producing a perfectly empathic response in a reader. Furthermore, in a demonstration that this was not an unprecedented development in the history of Chinese literature, the authors trace the relationship between musical and poetic aesthetics from the Shijing up to the Qing...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 448–470.
Published: 01 November 2016
... Kowloon as a place of exile in Chinese history and the lyrical symbolism of its representation in the compilation's classical poetry. More than merely a commemoration to a long-lost past, Chen's efforts instigated a collective response from loyalist scholars that created a literary space in early...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 322–359.
Published: 01 November 2018
...Thomas J. Mazanec Abstract This article combines qualitative and quantitative methods to rethink the literary history of late medieval China (830–960 CE). It begins with an overview of exchange poetry in the Tang dynasty and its role in the construction of the poetic subject, namely, the poetic...
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in Drawing Out the Essentials: Historiographic Annotation as a Textual Network
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 12. Network of texts cited in Sanguozhi and Shishuo xinyu annotations, shaded here to highlight texts from Suishu bibliographic treatise subcategories that use the word Za 雜 (Miscellaneous): green nodes are “Miscellaneous Histories,” blue nodes are “Miscellaneous Accounts
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Published: 01 April 2019
Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum.
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Published: 01 April 2019
Figure 10. Three-legged inkstone with inscription dedicated to Lü Zhishan. She stone. Dated 1111. 23 × 7.4 cm. Collection of the Shaanxi History Museum.
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Published: 01 April 2019
Figure 8. Celadon bowl with incised, underglaze decor and silver-foil-wrapped rim. Yaozhou ware. Northern Song. 8 × 17 cm. Collection of the Shaanxi History Museum.
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in Drawing Out the Essentials: Historiographic Annotation as a Textual Network
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 13. Network of texts cited in Sanguozhi and Shishuo xinyu annotations, without “Standard Histories.” The entire network has been recalculated and redrawn without the influence of citations of “Standard Histories.” Nodes representing chapters from the Wei (green), Wu (blue), and Shu
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 7–33.
Published: 01 April 2020
... hegemonic ambition. The author examines the uses of history to manipulate notions of shared roots and radical difference. (3) Since the negative qualities attributed to barbarians come up in speeches, we need to consider the rhetorical context of moralizing otherness. Whether the issue is debates...
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Published: 01 April 2019
Figure 12. Ladies and Attendants under Trees . Murals from the western wall, tomb at Nanliwang Village, Xi'an, Shaanxi Province. 159 × 360 cm. Tang dynasty, eighth century. Shaanxi History Museum. Source: Tang mu bihua zhenpin (Xi'an: San Qin tubanshe, 2011), 138.
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Published: 01 April 2019
Figure 13. Ladies and Attendants under Trees (detail). Murals from the western wall, tomb at Nanliwang Village, Xi'an, Shaanxi Province. 159 × 360 cm. Tang dynasty, eighth century. Shaanxi History Museum. Source: Tang mu bihua zhenpin (Xi'an: San Qin tubanshe, 2011), 141.
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
Published: 01 November 2014
...Xingpei Yuan Abstract A writer of enormous impact on Chinese literary history, Tao Yuanming 陶淵明 (ca. 365–427) became a cultural symbol through his deep and pervasive influence on generations of scholar-officials. What emerged was the image of an individual pure and high-minded, freethinking...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
..., and their contents represent a valuable resource for studying the formation of taste during this crucial moment in literary history. But how are we to compare the contents of such a large group of anthologies, when each individual anthology contains at least a few hundred individual selections? How might...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 56–95.
Published: 01 April 2019
...Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. ...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
... understanding of the original work. This article seeks to sort out the basic documentation concerning the Two Rhapsodies Scroll and clarify its history of filiation, to provide a broad framework for understanding it. The article then goes on to analyze the content of the scroll's various colophons and examine...
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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
..., and they have been widely appreciated as a “literary-cultural phenomenon” unrelated to music per se. Standard histories of Chinese literature typically interpret the interaction between Song dynasty ci song lyrics and Yuan dynasty sanqu songs and song-drama as a natural evolution of literary forms. To be sure...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 382–410.
Published: 01 November 2020
... Liu Yucai; Carl Gene Fordham Abstract This article discusses changes in the legacy of the Huang Kan 皇侃 (488–545) commentary on the Analects , or the Lunyu yishu 論語義疏, and outlines its textual history in China, specifically its bibliography and the various extant and nonextant editions. The author...
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in Drawing Out the Essentials: Historiographic Annotation as a Textual Network
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 2. Sanguozhi citations, Shu cluster detail. While many texts are cited only once per chapter, several local and regional histories like Huayang guozhi and Xiangyang ji 襄陽記 (The Record of Xiangyang) are cited almost exclusively in Shu chapters, while certain texts whose titles
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