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Published: 01 April 2015
Figure 7. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Fan, ink and colors on paper. Collection of the Shanghai Museum More
Image
Published: 01 April 2023
Figure 4. Chen Yunlian (ca. 1800–after 1860). Fan painting. 50 × 17 cm. Private collection. Source: Chen Yaolin 陳耀林 and Jin Lihua 金利華, Qianhua daise: Huayazhai cang guixiu shuhuaji 鉛華黛色:華雅齋藏閨秀書畫集 (Colors of Cosmetics: Collection of Calligraphy and Painting by Talents of the Boudoir Held More
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 268–286.
Published: 01 November 2020
...Ma Zili; Fan Pik Wah; Wendy Hor Abstract Originating in the experience of geographical dispersion and survival, the concept of diaspora ( lisan 離散) can be extended to diaspora consciousness ( lisan yishi 離散意識) and its correlate, return consciousness ( huigui yishi 回歸意識). The famous group of Tang...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 19–55.
Published: 01 April 2017
... of the Northern Song dynasty in 1126–27. Investigating the dialogue of major figures such as Li Gang (1083–1140), Hu Hong (1105–61), Zhou Bida (1126–1204), Fan Chengda (1126–93), Lou Yue (1137–1213), and Zhu Xi (1130–1200) writing in a range of genres ( shi poetry, song lyrics, personal letters, travel diaries...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
...Figure 7. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Fan, ink and colors on paper. Collection of the Shanghai Museum ...
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Journal Article
Journal of Chinese Literature and Culture (2024) 11 (2): 265–291.
Published: 01 November 2024
.... This article will focus on those pieces dedicated to man-made artifacts: fans, tables, musical instruments, and the like. The goal is to understand what things were doing for these poets and how they functioned as part of poetic discourse. The poets responsible for these pieces drew on material culture...
Journal Article
Journal of Chinese Literature and Culture (2024) 11 (2): 395–400.
Published: 01 November 2024
...Qiang (Jason) Li 3. Copy text refers to the original Chinese version of the Dream published by the People's Literature Publishing House in 1964. 4. Fan, “Lost Translator's Copy.” References Cao Xueqin 曹雪芹 . The Story of the Stone , edited and collated by Shengyu Fan...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 275–330.
Published: 01 November 2019
... *tsaŋɁ *geŋ *mrû *dzâh *tsrêts Those of Fan, Jiang, Xing, Mao, Zuo, and Zhai 周 公 之 胤 也。 *tiu *klôŋ *tə *ləns *laiɁ were the Duke of Zhou's descendants. 召 39 穆 公 思 周 德 之 不 類, *dauh *muk *klôŋ *sə *tiu *tə̂k *tə *pə *rus Duke Mu of Shao...
FIGURES
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 167–191.
Published: 01 April 2020
... of the Origins of the Peach Blossom Fan ), Kong said that “the lyrics in my previous chuanqi play Xiao hulei were penned by Gu Tianshi, because I was afraid that my knowledge in music was not adequate to achieve harmony in singing. Unfortunately, when I was writing The Peach Blossom Fan , Tianshi had...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 448–454.
Published: 01 November 2021
... of the community of often mutually dependent lord and vassal, or host and retainer. After examining the cultural construction of the Jian'an period, chapter 3, “The Southern Perspective: ‘Fan Writing,’” breaks away from the traditional Wei (220–265) and Shu (221–265) perspectives and instead explores the Three...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 137–174.
Published: 01 April 2016
... as to the veracity of their sources; nonetheless, their literary value was always affirmed. The rhapsodic prose-poetic tradition of the Han dynasty was itself fostered by the exaggerated descriptive style of apocryphal texts. 13. Fan W., Wenxin diaolong zhu , 41 . 14. Quan, Jieqiting jiwaipian , 84...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 383–411.
Published: 01 November 2019
... Zhu of Tao 陶朱公, that is, Fan Li 范蠡. 74 However, Fuzhu is a very different kind of hero than the Fan Li that frequently appeared in late Ming and early Qing literature. In the most popular late imperial depictions of Fan Li, his second career as a traveling merchant functions as a romantic gesture...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
Published: 01 April 2023
...Figure 4. Chen Yunlian (ca. 1800–after 1860). Fan painting. 50 × 17 cm. Private collection. Source: Chen Yaolin 陳耀林 and Jin Lihua 金利華, Qianhua daise: Huayazhai cang guixiu shuhuaji 鉛華黛色:華雅齋藏閨秀書畫集 (Colors of Cosmetics: Collection of Calligraphy and Painting by Talents of the Boudoir Held...
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
...–2a) and must date from 1836 or later. Moreover, the text includes a comment by Wang dating no earlier than 1834. His comment relates to a fan painting by Chen Shu 陳書 (1660–1736) in the Wang family art collection; Chen's son, Qian Chenqun 錢陳群 (1686–1774), inscribed it for Wang Xian in 1768, attesting...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 504–508.
Published: 01 November 2019
... by the deferential ritual of preparing a special table and meal for him and inviting him to take the stage, and of course there was never a hint of mercenary professionalism. We also learn that eighteenth- and early nineteenth-century fans of zidishu supported a lively trade in both printed and handwritten copies...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 216–247.
Published: 01 November 2017
... to private life, comparing it to the incongruity of silk fans—fixtures of urbanity—with the forlorn landscapes painted on them: “However, Guozhen is not a man of the woods. This is like the silk fans these days on which are often painted cold woods and snowy bamboo. What is hard to obtain in this world...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 336–359.
Published: 01 November 2017
... more salient on the subject of celun . A later source records that one candidate who composed “long rhapsodies of several thousand words” with only fuci 浮辭 (hollow words) was expelled by Zhang Fangping. 34 Examinees' unorthodox writing did not seem to cease with the end of Fan Zhongyan's reform...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 515–544.
Published: 01 November 2015
..., structure, regulation, sound, and expression have been analyzed by Yao Yongpu (?–1939). See his Wenxue yanjiu fa , 109–43 . 43. Liu D., Lunwen ouji , 6 . 44. Ibid., 8–9. 45. Fan, Guo ting lu , 1038:250 . 46. Zhang Y., Zhang Yuzhao shiwen ji , 85 . 47. Liu and Yue, Han...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 289–311.
Published: 01 November 2016
... Xiandai 現代 (also known as Les contemporains ), Shi developed unprecedented influence in Shanghai's literary circles. As scholar Leo Ou-fan Lee writes, Xiandai marks “the beginning of Chinese modernist literature. . . . In many ways, Shi seemed to lead the life of a typical Shanghai writer, but he had...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 7–33.
Published: 01 April 2020
... central domains. The context is a diplomatic meeting Jin convenes to reassert its leadership. The Jin leader Fan Gai 范匄 (d. 548 BCE) reprimands the Rong leader Juzhi 駒支 for leaking information that undermines Jin. Citing past Rong dependence on Jin, Fan excoriates Rong ingratitude and threatens to cancel...