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emotion
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... Xie's conception of an ideal emotion-visuality symbiosis has in effect transformed the old, simple emotion-verbalization model (exemplified by the shi yan zhi formulation) into a dynamic three-stage process: the poet is emotionally stirred by a scene, conjures up mental images, and then projects...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 169–204.
Published: 01 April 2019
...” ( guiyuan 閨怨) continues to dominate the new-style hundred beauties albums under fashionable appearances. The author aims to shed light not only on the technical construction, through words and images, of gendered emotions but also on the perspective and historical milieu of the creators. Figure 9...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
...Peter C. Sturman Abstract A complex triangular relationship of ideas, naturalness, and emotion is distinctly evident in the artistic practice and theory of Su Shi 蘇軾 (1037–1101), the leading figure exploring ways to expand the expressive capabilities of the graphic arts in the late Northern Song...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 115–148.
Published: 01 April 2020
... of the world and the demand on a novelist to animate his characters (even barbarians) through conversation, action, and emotion facilitate a process of imagining the other that could end up, however subtly, connecting “us” and “them”? By focusing on the war scenes and the voyagers' journey to the underworld...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 56–95.
Published: 01 April 2019
...Jeffrey Moser Abstract This article considers the emotional status of grave goods in medieval China. Its purpose is twofold. First, the author investigates the conceptual structures available for interpreting the emotional processes involved in medieval burials. He argues that it is possible...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 65–89.
Published: 01 November 2014
... to Susu. The Red Pear Blossom uses the claim that the pear blossom is a ghost's flower to deceive [the hero] into taking the exam, which reveals precisely [the hero's] lack of emotions. Here [Xu Xiu] moves [his master with] perfected emotions. The power [of persuasion] is a hundredfold superior...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
...Anne Burkus-Chasson Abstract Historians of Chinese literature and philosophy have written extensively about the significance of emotion ( qing 情) in late Ming times (1522–1644). But how did a pictorial image manifest emotion, and how were its visible signs of emotion conceptualized? This article...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... writings? What inspired Qian to participate in spirit writing? What role did this practice play in Qian's life and writing? Regarding the emotions, thoughts, and works of Qian, what types of information can spirit writing and corresponding poetic and prosaic compositions provide? Instead of simplifying...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 169–194.
Published: 01 April 2023
... with proper order, this article discusses tanci novels as a unique outlet for women's explorations of autonomous will ( zhi 志) and imaginings of emotional justice. [email protected] Copyright © 2023 by Duke University Press 2023 Qing tanci novels affective archives women's counterpublic...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 215–232.
Published: 01 November 2016
... it has to emotion and motion have yet to attract enough critical attention in the English-speaking world. This article explains how these scholars built on or challenged Hu Shi's findings to provide new ways of assessing the production of sound and meaning in Chinese language and literature. Copyright...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 335–356.
Published: 01 November 2016
... of intellectual writers in the socialist state. His poems were generated from ideological crisis, emotional vexation, and a moral imperative to record unvarnished truth; in an age obsessed with the future, they bore witness to the suffering of the present and the past. Copyright © 2017 by Duke University Press...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
... picture artists achieved varying degrees of success in adapting poems into pictures. While some were able to capture the emotional experience contained in the poem, most lyrical pictures are merely descriptive illustrations of the poetic text. Copyright © 2015 by Duke University Press 2015 lyrical...
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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 397–424.
Published: 01 November 2022
... lasted for decades, and her role as a family woman fully developed over time. By approaching her writings from the perspective of space, it reveals how a woman perceived and interpreted her changing status by framing her self-representation and emotional expression within two feminine spaces...
Journal Article
Journal of Chinese Literature and Culture (2024) 11 (2): 235–264.
Published: 01 November 2024
... the tetrasyllabic Book of Poetry employs topic-comment sentences, in combination with simple subject-predicate syntax (one verb in a line), to convey rich content and vivid emotions with minimal word usage. By contrast, the pentasyllabic “Nineteen Old Poems” leverages a flexible line-by-line variation of complex...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 239–271.
Published: 01 April 2019
... Cao Zhi 曹植 (192–232) and Cao Pi's 曹丕 (187-226) political rivalry, the Chou role of Tang Qin, and contemporary events relating to Yuan Shikai. 46 In other words, the poem establishes these historical experiences in an analogous, referential relationship. Its emotive power relies on the relevance...
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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 425–457.
Published: 01 November 2022
... players to remain composed and calm by learning to restrain themselves from being emotionally overwhelmed. The reason for such aesthetic preference is that guqin playing cares more about the manifestation of ambition than about the expression of emotions, and we return to this point in the next section...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 262–288.
Published: 01 November 2014
... interpretation. Like fushi practitioners, he shows little regard for a poem's original meaning and has no qualms cannibalizing it in ways that fit his purpose. Just as fushi practitioners “cut off a section to get a desired meaning,” he often reduces a poem of emotional intensity to a colorless abstract...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 481–514.
Published: 01 November 2015
... and resignation, and the narrative sequence reaches an end naturally amid the exchange between joy and sorrow such that it becomes impossible to determine whether the poem is expository or emotional. In addition, a number of the more stirring lines concerned with human emotion have become a regular part...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 180–207.
Published: 01 April 2017
... Wang Changling has done in “Lun Wen Yi”: §20 Poetry has its basis in the heart's intent. What lies in the heart is intent, and when intent is uttered it becomes poetry. Emotion stirs inside and finds form in words. A masterful poet can create momentum, bringing forth an envisagement ( yi...
Journal Article
Journal of Chinese Literature and Culture (2024) 11 (1): 232–233.
Published: 01 April 2024
... in the locality of visual cultures. She is author of Theater of the Dead: A Social Turn in Chinese Funerary Art, 1000–1400 (2016) and coeditor of Affect and Materiality: Emotion in Chinese Art (forthcoming). She is currently working on the ontological understanding of the face as a field of negotiations among...
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