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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 216–247.
Published: 01 November 2017
...舒胸中結滯,敢云與古人並駕寰區也耶!東坡居士並識。 82 This colophon, if its authenticity can be accepted , clearly connects Su Shi's exile to Huizhou with his calligraphy of “Homeward I Hie.” 83 Copyright © 2017 by Duke University Press 2017 Su Shi calligraphy Tao Yuanming Zhuo Qishun sociality...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
... reproductions of Su Shi's calligraphy contain the Two Rhapsodies Scroll, and there are also specialized studies of it, treatments of it are incomplete and inadequate. In addition, from stone engravings, calligraphy models, and historical sources, we know that before the two rhapsodies were combined in a single...
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in Haunting, (In)Visibility, Filiality: Qiu Canzhi (1901–67) and Her Works of Mourning
> Journal of Chinese Literature and Culture
Published: 01 April 2019
Figure 1. Sun Yat-sen's calligraphy: “Hero in Kerchief,” from Wang Canzhi, Qiu Jin nüxia yiji .
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in The Life and Afterlife of Ling Zhiyuan (1831–1852) and Her Poetry Collection
> Journal of Chinese Literature and Culture
Published: 01 November 2014
Figure 2. Title page of Cuiluoge shici gao in calligraphy by Xu Mei (1797–1870)
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in A Paper Mirror: Autobiographical Moments in Modern Chinese Poetry
> Journal of Chinese Literature and Culture
Published: 01 November 2016
Figure 2. The poem in calligraphy rewritten in 1931 (Lu, Lu Xun wenxian tuzhuan , 31)
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
...Peter C. Sturman Abstract The renowned artist Shen Zhou (1427–1509) began to explore the theme of falling blossoms as a subject for poetry, painting, and calligraphy in his very late years. The theme stands out both for the number of times Shen Zhou worked on it and for the quality of the poems...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 180–207.
Published: 01 April 2017
... notions of yi 意 to illuminate different phases of literary creation. Comparisons with the term's adaptations by earlier literary and calligraphy critics further accentuate Wang's unique and innovative approach. Looking into a hitherto neglected Buddhist source, the author uncovers a Buddhicized yi - xiang...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
.... This is followed by analyses of key works of calligraphy related to Su's efforts to give visual form to a discourse on emotions that ironically includes a vocal declaration of the absence of emotions as a philosophical ideal. A final section draws attention to Su's one known painting, Old Tree, Rock, and Bamboo...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
... of the Ming-Qing dynastic transition as voiced through words and images in their paintings, calligraphy, and the iconography of the willow. 11. See n. 9. For Qian's poems celebrating the eight views of his mountain villa, see “Shanzhuang bajing shi” 山莊八景詩 (Poems on the Eight Views of the Mountain Villa...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 43–91.
Published: 01 April 2015
...Lihong Liu Abstract This article examines birthday albums, a genre that combines paintings and literary texts in calligraphy, produced by a group of peer artists and writers to celebrate birthdays of elders in the Wu region (Suzhou) during the mid-Ming period (1450–1550). Each album pairs paintings...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 209–215.
Published: 01 November 2017
... in several different genres. Nor are they contributions to scholarship on the circumstances of Su Shi's life. So we know immediately that these three articles stand apart from the large number of Su Shi studies in recent decades. Two of the three concern Su Shi's involvement with calligraphy. Neither...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 249–250.
Published: 01 April 2015
... Modern China” in Rethinking East Asian Languages, Vernaculars, and Literacies, 1000–1919 (ed. Benjamin Elman, 2014). PETER STURMAN is professor of art history at the University of California, Santa Barbara. He specializes in the study of Chinese painting and calligraphy with a particular focus...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 272–273.
Published: 01 April 2019
... in Lantian, Shaanxi. Recent publications include articles on comparative antiquarianism and regimes of risk in the manufacture of Chinese ceramics. PETER C. STURMAN is professor of Chinese art history at the University of California, Santa Barbara. He researches Chinese painting and calligraphy...
Journal Article
Journal of Chinese Literature and Culture (2024) 11 (1): 172–198.
Published: 01 April 2024
...，能活著弄弄毛筆的,或者倒是幸福也難說。 18 Lu Xun flips the nationalist narrative, the one in which brushes are valued because of their association with painting and calligraphy, the hallmarks of Chinese literati culture, and instead suggests China refuses to promote the use and domestic production of pens...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... the list of essential terms in painting and calligraphy scholarship. As our modern world is increasingly dominated by visual media, neither the neglect of nontextual visuality in poetry scholarship nor the marginalization of emotion in art scholarship is tenable. Hence, two related tasks emerge for us...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
Published: 01 April 2023
... as viewers and connoisseurs of the elite arts of painting and calligraphy. The Ming painter and arbiter of taste Dong Qichang 董其昌 (1555–1636) disparagingly counted the “presence of women” among “things” for literati to avoid when viewing calligraphy and painting: “In displaying calligraphy and painting...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 19–55.
Published: 01 April 2017
... him with two gifts: a work of calligraphy in the emperor's hand of the two characters for Aromal Arbor and a boat inscribed in the emperor's hand with the two characters, Floating Villa. 9 Even after this imperial audience, Xiang Ziyin continued to protest the peace treaty by refusing to receive...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... residence, and Yiru of the Linghua residence. We were smart and talented, and we each composed ten thousand poems. My courtesy name was Yunlian, who excelled at calligraphy and painting, and that is why I composed the line “Compiling a new poetry collection of Yunlian.” My cousin's courtesy name was Bingqin...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
... . Judge, Joan , and Ying Hu . “ Introduction. ” In Beyond Exemplar Tales: Women's Biography in Chinese History , edited by Joan Judge and Ying Hu , 1 – 14 . Berkeley : University of California Press , 2011 . Li E 厲鶚 . Yutai shushi 玉臺書史 ( History of Calligraphy from Jade Terrace...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 336–378.
Published: 01 November 2023
... and Yuan: Ritual, Ethnicity, and Style in Painting , edited by Cary Y. Liu and Dora C. Y. Ching , 12 – 37 . Princeton, NJ : Art Museum, Princeton University , 1999 . Bian Yongyu 卞永譽 , ed. Shigutang shuhua huikao 式古堂書畫匯考 ( Examination on Calligraphy and Painting from the Hall of Learning...
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