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calligraphy
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
... reproductions of Su Shi's calligraphy contain the Two Rhapsodies Scroll, and there are also specialized studies of it, treatments of it are incomplete and inadequate. In addition, from stone engravings, calligraphy models, and historical sources, we know that before the two rhapsodies were combined in a single...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 216–247.
Published: 01 November 2017
... cousin Wuke 無可. 3. Su Shi, “Shu ‘Guiqulai ci’ zeng Qishun” 書歸去來詞贈契順 (Calligraphy of “Homeward I Hie,” Presented to Qishun), SSWJ , 69.7873–74 . Unless otherwise indicated, all translations in this article are mine. 2. Here I read 紹聖二年 (1095) for 紹聖三年 (1096). Su Mai would not have waited...
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in The Life and Afterlife of Ling Zhiyuan (1831–1852) and Her Poetry Collection
> Journal of Chinese Literature and Culture
Published: 01 November 2014
Figure 2. Title page of Cuiluoge shici gao in calligraphy by Xu Mei (1797–1870)
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in A Paper Mirror: Autobiographical Moments in Modern Chinese Poetry
> Journal of Chinese Literature and Culture
Published: 01 November 2016
Figure 2. The poem in calligraphy rewritten in 1931 (Lu, Lu Xun wenxian tuzhuan , 31)
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in Haunting, (In)Visibility, Filiality: Qiu Canzhi (1901–67) and Her Works of Mourning
> Journal of Chinese Literature and Culture
Published: 01 April 2019
Figure 1. Sun Yat-sen's calligraphy: “Hero in Kerchief,” from Wang Canzhi, Qiu Jin nüxia yiji .
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
...Peter C. Sturman Abstract The renowned artist Shen Zhou (1427–1509) began to explore the theme of falling blossoms as a subject for poetry, painting, and calligraphy in his very late years. The theme stands out both for the number of times Shen Zhou worked on it and for the quality of the poems...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 180–207.
Published: 01 April 2017
... notions of yi 意 to illuminate different phases of literary creation. Comparisons with the term's adaptations by earlier literary and calligraphy critics further accentuate Wang's unique and innovative approach. Looking into a hitherto neglected Buddhist source, the author uncovers a Buddhicized yi - xiang...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
.... This is followed by analyses of key works of calligraphy related to Su's efforts to give visual form to a discourse on emotions that ironically includes a vocal declaration of the absence of emotions as a philosophical ideal. A final section draws attention to Su's one known painting, Old Tree, Rock, and Bamboo...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
... of the Ming-Qing dynastic transition as voiced through words and images in their paintings, calligraphy, and the iconography of the willow. 42. For the preface as a literary genre in Chinese literature, the long history it enjoyed, and in particular its popularity in the late Ming and Qing, see Yu, “Yuan...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 43–91.
Published: 01 April 2015
...Lihong Liu Abstract This article examines birthday albums, a genre that combines paintings and literary texts in calligraphy, produced by a group of peer artists and writers to celebrate birthdays of elders in the Wu region (Suzhou) during the mid-Ming period (1450–1550). Each album pairs paintings...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 209–215.
Published: 01 November 2017
... interest is to see new lines of inquiry concerning familiar topics, for example, the role that the practice of calligraphy played in Su Shi's life (rather than his calligraphy style), and a new interpretation of the relationship between writing and moral values among Northern Song thinkers. Other articles...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 249–250.
Published: 01 April 2015
... Modern China” in Rethinking East Asian Languages, Vernaculars, and Literacies, 1000–1919 (ed. Benjamin Elman, 2014). PETER STURMAN is professor of art history at the University of California, Santa Barbara. He specializes in the study of Chinese painting and calligraphy with a particular focus...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 272–273.
Published: 01 April 2019
... in Lantian, Shaanxi. Recent publications include articles on comparative antiquarianism and regimes of risk in the manufacture of Chinese ceramics. PETER C. STURMAN is professor of Chinese art history at the University of California, Santa Barbara. He researches Chinese painting and calligraphy...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... the list of essential terms in painting and calligraphy scholarship. As our modern world is increasingly dominated by visual media, neither the neglect of nontextual visuality in poetry scholarship nor the marginalization of emotion in art scholarship is tenable. Hence, two related tasks emerge for us...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 19–55.
Published: 01 April 2017
... to retire, and instead rewarded him with two gifts: a work of calligraphy in the emperor's hand of the two characters for Aromal Arbor and a boat inscribed in the emperor's hand with the two characters, Floating Villa. 9 Even after this imperial audience, Xiang Ziyin continued to protest the peace treaty...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... again invited He Ziyun to transmit more messages. [According to her words,] I was in charge of the Qinghua residence, and Yiru of the Linghua residence. We were smart and talented, and we each composed ten thousand poems. My courtesy name was Yunlian, who excelled at calligraphy and painting...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... into pictorial image. Yuan demonstrates how Du Jin 杜堇 (1465–1509) rose to the occasion by engaging texts and images on several levels simultaneously. In a handscroll painting, Du Jin copies selected poems of the past in running-style calligraphy, placing each of them next to a painted image while using...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 203–235.
Published: 01 April 2021
..., as an experiential platform, and as a form of verbal magic is also found in the New Year's song by Zhao Mengfu, which has immediate ties to imperial feasting. As one of his contemporaries noted, Zhao's many talents were at times overshadowed by his unrivaled accomplishments in painting and calligraphy. 44 Among...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
... was refined and precise; he was proficient in calligraphy and exceptionally good at painting. Every one of his landscapes, figure paintings, and paintings of flora and fauna reached an exquisite level. With an elegant and simple perspective, he naturally possessed an animated vigor, and it is appropriate...
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in Collecting the Here and Now: Birthday Albums and the Aesthetics of Association in Mid-Ming China
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 11. Zhu Lang 朱朗 (active in mid-sixteenth century), Qi Men 齊門 (Qi Gate), painting on the right side; Huang Shouzeng 黃守曾 (sixteenth century), poem of “Qi Gate” in calligraphy on the left side. Wen album, 1549. Album leaves (mounted as facing one another), ink and colors on silk (painting
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