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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 2. Anthology network visualization, with edges weighted by number of titles shared
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 3. Anthology network visualization, with nodes sized by betweenness centrality
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 4. Anthology modularity classes, with a resolution of 1.1. For colors, see text.
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 5. Anthology modularity classes, with a resolution of 1.0. For colors, see text.
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 6. Anthology modularity classes, with a resolution of 0.9. For colors, see text.
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 195–220.
Published: 01 April 2023
...). In this anthology commissioned by the Shunzhi emperor on behalf of his mother, Fu's commentary emphasizes both the agency of individual women and the mutual resonance of personal virtue and political order. He not only praises the exemplars' virtue but also their agency, intelligence, and strategy. He explicitly...
Journal Article
In Praise of This Prosperous and Harmonious Empire: Sanqu , Ming Anthologies, and the Imperial Court
Journal of Chinese Literature and Culture (2021) 8 (1): 139–162.
Published: 01 April 2021
.... By identifying a number of Ming dynasty qu anthologies that prominently feature courtly sanqu songs, this article examines how these anthologies, through their organizational structure, draw the reader's attention to courtly sanqu songs. Ming anthologies also act as the major source for tracing the textual...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 371–398.
Published: 01 November 2021
... intervene in contemporary political and cultural dynamics. These anthologies were commissioned by Manchu emperors, compiled by Han scholar-officials, and then published with Imperial prefaces. Both take the inhabitants of the palace as their central readership—the palace women as exemplars of female virtue...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 91–128.
Published: 01 April 2017
...Jing Chen Abstract This article examines how the making of pre-Tang poetry anthologies in sixteenth-century Ming China led to a reinvention of the pre-Tang poetic tradition. From the Zhengde period 正德 (1506–21) well into the Wanli reign 萬曆 (1573–1620), the compilation and publication of new pre...
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 7. Pre-Ming anthologies. Orange, xiaopin anthologies; purple, transdynastic anthologies; green, Qin-Han anthologies.
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 8. Pre-Ming anthologies and Ming anthologies printed before 1600. Colors are as in figure 7 .
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 9. Pre-Ming anthologies and Ming anthologies printed after 1600. Colors are as in figure 7 .
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 10. Sixteenth-century anthologies, distinguishing government (green) and commercial (pink) imprints.
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in Visualizing Alternative Literary Canons in Ming Dynasty China (1368–1644): A Preliminary Case Study
> Journal of Chinese Literature and Culture
Published: 01 November 2018
Figure 11. Seventeenth-century anthologies, distinguishing government (green) and commercial (pink) imprints.
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in Reinventing the Pre-Tang Tradition: Compiling and Publishing Pre-Tang Poetry Anthologies in Sixteenth-Century China
> Journal of Chinese Literature and Culture
Published: 01 April 2017
Figure 1. The quantity of pre-Tang poetry anthologies from 1511 to 1600.
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in Reinventing the Pre-Tang Tradition: Compiling and Publishing Pre-Tang Poetry Anthologies in Sixteenth-Century China
> Journal of Chinese Literature and Culture
Published: 01 April 2017
Figure 3. The citation network of fourteen anthologies in the 1500s. Data retrieved from the prefaces and titles of the Ming anthologies. Graph made with Gephi.
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in Reinventing the Pre-Tang Tradition: Compiling and Publishing Pre-Tang Poetry Anthologies in Sixteenth-Century China
> Journal of Chinese Literature and Culture
Published: 01 April 2017
Figure 4. The citation network of pre-Tang literary anthologies in the 1500s. Data derived from prefaces, titles, and tables of contents of the anthologies. Graph made with Gephi.
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Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
...Figure 1. Anthology network visualization, with edges weighted by percentage of titles shared ...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 306–335.
Published: 01 November 2017
...Anna M. Shields Abstract In the reception of Tang literature during the Song Dynasty, the anthology Wen cui 文粹 (Literature's Finest), compiled by the Northern Song scholar Yao Xuan 姚鉉 (968–1020) in 1011, survives as the earliest attempt by an individual scholar to provide a comprehensive overview...
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