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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 239–260.
Published: 01 November 2021
...Xinda Lian Abstract The secret of the “cumulative structure,” one of Zhuangzi's favorite rhetorical devices, is “adding.” To add is not to repeat but to arrange meanings of different shapes in various incremental parallel structures. This effective tool is used in his chapter titled “The Great...
Image
Published: 01 April 2019
Figure 8. Anonymous, “Summoned to the Palace” (Zhaoru changmen 詔入長門) from Wang Jide 王驥德 (d. 1623), [ Chongjiao Han furen ] Ti hong ji 重校韓夫人題紅記 (Story about Lady Han, Who Inscribed a Poem on a Red Leaf, with Added Corrections), Wanli 萬歷 period (1573–1620). Woodblock print on paper, 26.8 × 17 cm More
Image
Published: 01 April 2019
Published with Added Revisions and Illustrations; Attachment: Explanatory Marginal and Interlineal Commentaries), Wanli 萬歷 period (1573–1620). Woodblock print on paper, 21.6 × 12.8. Nanjing, Shide tang 世德堂. National Central Library, Taipei, Taiwan, Republic of China. Reference number 407.221/15083. More
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 155–185.
Published: 01 November 2014
... (“loving antiquity”) project at Chengdi's court led by the three most impressive thinkers of the two Han dynasties, Liu Xiang 劉向 (79–8 BC), Liu Xin 劉歆 (53 BC–AD 23), son of Liu Xiang, and Yang Xiong 揚雄 (53 BC–AD 18). Yang Xiong, the Han philosophical master, remarks at one point in his Fayan 法言...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 438–460.
Published: 01 November 2023
... criticism in the late eighteenth century? Previous scholarship suggests that the practice of adding commentaries to one's poetry evolved from the Six Dynasties (222–589) tradition of self-commentary on historical writings. 4 But it is also possible that the practice evolved as a variation...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
..., / White upon white, red upon red, trees entirely without!” 一園桃李只須臾,白白朱朱徹樹無. 17. The inscription appears to be missing a character here, as added in brackets in the Chinese. I am grateful to Hua Rende for this suggestion. 18. These are, respectively, the twenty-third, twenty-eighth...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 289–308.
Published: 01 November 2014
... and Authority in Qin and Han. ” In Early Chinese Religion, Part One: Shang through Han (1250 BC–220 AD) , edited by John Lagerwey and Marc Kalinowski , 720 – 76 . Leiden : Brill , 2009 . Nylan, Michael . The Five “Confucian” Classics . New Haven, CT : Yale University Press , 2001...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 89–112.
Published: 01 April 2021
...] According to the score of the tune Wuye ' er (3/3/5/3/3/3/7), the fourth, fifth, and sixth lines are basically three syllables. 5 In this song, Zhang Kejiu added two extrametrical words (in parentheses) in all of the three-syllable lines. As a result, caesuras fall after the second syllables in all...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 341–370.
Published: 01 November 2021
... is, is in part attributable to the selection and institutionalization or replication of chance occurrences.” Wellbery, “Contingency,” 255 . 97. Plum , 2:32.249 . Emphasis added. 98. JPMCH , 32.5b. 99. 說著,都一齊笑了。月娘坐在炕上聽著他,說:「你每說了這一日,我不懂。不知說的是那家話!」 JPMCH , 32.5b. Yuming He also discusses Wu...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
... to these is Su Shi's own colophon, which consists of 10 columns and 85 characters, bringing the total for the entire scroll to 684 characters. Together with later colophons added on, the scroll measures 450.3 centimeters long. The scroll has been recorded in juan 2 of Gu Fu's 顧復 (fl. 1662–1692) Pingsheng...
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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 139–162.
Published: 01 April 2021
... and dramatic arias on “spring thoughts” or romance that appear to have been consciously added by the compiler of the anthology to distance it from the “imperial flavor” in Shengshi . 24 One preface in Cilin refers to the compiler Zhang Lu 張祿 (fl. 1522–1566) as “a scholar who is devoted to ancient...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 382–410.
Published: 01 November 2020
... written in small characters that summarizes the main ideas discussed in the text. Thereafter, an outline of the source passage is provided, followed by a space, then commentary relevant to the source and the annotations of the collected commentaries is added. Here it can be seen that the Dunhuang edition...
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 514–516.
Published: 01 November 2023
... and “shaped subsequent critical understanding of all pre-Tang poems” (71). The author selected three major poets, Zuo Si, Tao Yuanming 陶淵明 (ca. 365–427), and Xie Zhan 謝瞻 (385–421), and ordered them chronologically, each exemplifying a distinctive aspect of the yongshi shi . He then added a last chapter...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 399–421.
Published: 01 November 2021
... 顧廣圻 (courtesy name Qianli 千里, alternative name Jianpin 澗蘋, 1770–1839) also circulated in this way. Transcribing earlier scholars' marginalia, reading them closely, and even adding new comments, as we have seen, formed a critical part of scholarly activity for Qing scholars. They shaped ancient...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
... Tang's choice, given that Wang Yuansun may have added his comments after her death, is unclear, but the effect is the same: the manuscript emphasizes men's commentary on women painters, and evidently, the compiler's husband supported her endeavor. Tang's concern with virtue is less apparent...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 487–513.
Published: 01 November 2023
... to explain (often in a scholarly fashion) an earlier text. 19 Nor are they modern Chinese translations ( baihua fanyi 白話翻譯); they are an extensive rewriting of the original text, paraphrasing, reordering, and often adding imaginative details. Perhaps it is most appropriate to describe Sun Jiankun's notes...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 137–174.
Published: 01 April 2016
... Characters), Xu Shen 許慎 added, “Apocrypha is writing with verification. The writing that came from the He and Luo is called apocrypha.” 39 In Li Shan's annotations to the phrase “ xie He tu zhi ling ” 協河圖之靈 (harmonizing with the divine power of the He tu ) in Ban Gu's 班固 “Xidu fu” 西都賦 (Rhapsody...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 491–501.
Published: 01 November 2020
..., adding superscript references that indicate which appellation appears in the original. This makes it much easier to follow the Zuozhuan narratives while still allowing inquisitive readers to spot different references to the same person. 4 There are countless other decisions that the translators had...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 90–124.
Published: 01 November 2014
.... If openly recruiting female students added a tinge of romance to his implicit status as the poetic guru of the time, the compilation and writing of the Suiyuan shihua was sufficient to ensure his continued grip on the power and discourse of poetic criticism of the time, as he had been in that dominant...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 170–194.
Published: 01 April 2022
... variants in words and odd phrases of the written text; more important variants, by which considerable stretches of text may be added, suppressed, modified, or transposed; and major variants in the number and order of structural elements of the text, could not but conspire to prevent the early formation...