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Tang Xianzu

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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 134–172.
Published: 01 April 2015
...Anne Burkus-Chasson Abstract In this essay, the author examines the portraits that are featured in Tang Xianzu's The Peony Pavilion . The textual portraits are mixed in nature. They contain semiotic elements that can be readily described in language and understood through iconographical...
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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 236–238.
Published: 01 April 2021
... Essays 康海散曲集校箋 (2011), coauthor of Passion, Romance, and Qing: The World of Emotions and States of Mind in Peony Pavilion (2014), and coeditor of Text, Performance, and Gender in Chinese Literature and Music: Essays in Honor of Wilt Idema (2009), An Anthology of Critical Studies on Tang Xianzu...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... the futility, of using words to interpret a picture.” Furthermore, Burkus-Chasson probes the elements in the textual portrait that elude words but apparently fascinated Tang Xianzu in writing his play. By demonstrating how Du Liniang's self-portrait is subject to a wide range of differing interpretations...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 65–89.
Published: 01 November 2014
... to [that of] Linchuan? 81 / Most definitely it will transmit just like the books on mind by [masters from] Lian[xi] and Luo[yang]” 為多情開生面, 何常講學讓臨川, 少不得 與濂洛心書一樣傳. 82 Here the playwright is quite unabashedly promoting his play as nothing less than Tang Xianzu's Mudan ting 牡丹亭 (The Peony Pavilion...
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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 476–482.
Published: 01 November 2022
...-p'a chi (1980). Unlike zaju 雜劇, or Yuan drama, and chuanqi 傳奇, or Ming drama, which have had a good number of English translations of their representative works and studies of their famous playwrights, such as Guan Hanqing 關漢卿 (ca. 1241–1320), Wang Shifu 王實甫 (ca. 1250–1337), Tang Xianzu 湯顯祖 (1550...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 225–255.
Published: 01 April 2022
... preoccupation with tragedy has overshadowed the recognition of the comic genius of Chinese drama, such a nuanced consideration of Chinese humor challenges longstanding clichés. 36 In her analysis of the seminal piece of the chuanqi 傳奇 (mature Southern drama) tradition, Tang Xianzu's 湯顯祖 (1550–1616...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 169–194.
Published: 01 April 2023
... reference to Tang Xianzu's 湯顯祖 (1550–1616) cult of qing masterpiece Mudan ting 牡丹亭 (Peony Pavilion) is complicated by the fact that, in contrast to Liu Mengmei 柳夢梅, who has his own dream of Du Liniang 杜麗娘 in Mudan ting , Shaohua has no knowledge of this dream or of Yingxue's romantic bond to him. 33...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 129–159.
Published: 01 April 2017
...?–1875?) names Qin “The leading person in charge of the heaven of passion” 管領情天第一人 in a commentary poem. See Yisu, Honglou meng juan , 498 . 59. Epstein, Competing Discourses , 163 . 60. Scholars have explored the influence of Tang Xianzu's 湯顯祖 (1550–1616) The Peony Pavilion ( Mudan...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 149–166.
Published: 01 April 2020
... of the Collected Publications of Ancient Editions of Drama ), compiled by Guben xiqu congkan bianji weiyuanhui 古本戲曲叢刊編輯委員會, vol. 60 . Shanghai : Shangwu yinshuguan , 1954 . Tang Xianzu 湯顯祖 (1550–1616). Mudan ting 牡丹亭 ( Peony Pavilion ). Edited by Xu Shuofang 徐朔方 and Yang Xiaomei 楊笑梅...
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Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 256–272.
Published: 01 April 2022
... .” Journal of Asian Studies 61 , no. 2 ( 2002 ): 609 – 62 . de Certeau, Michel . The Practice of Everyday Life . Translated by Steven Rendall . Berkeley : University of California Press , 1984 . Des Forges, Alexander . “ Industry and Its Motivations: Reading Tang Xianzu's Examination...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 341–370.
Published: 01 November 2021
... of Plum in the Golden Vase ), edited by Liu Zhongshu 劉中樹 , 307 – 18 . Changchun : Jilin daxue , 1991 . Tan Zhengbi 譚正璧 , ed. Qingping shantang huaben 清平山堂話本 ( Stories Printed by the Qingping Mountain Studio ). Shanghai : Gudian wenxue chubanshe , 1957 . Tang Xianzu 湯顯祖 (1550–1615...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 331–358.
Published: 01 November 2019
... of Ancient Editions of Novels ). Shanghai : Shanghai guji chubanshe , 1994 . Tan Songlin 譚松林 . Zhongguo mimi shehui 中國秘密社會 ( Secret Societies in China ), vol. 2 . Fuzhou : Fujian renmin chubanshe , 2002 . Tang Xianzu 湯顯祖 (1550–1616). The Peony Pavilion . Translated by Cyril Birch...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
Published: 01 April 2023
.... Yizi is clearly paraphrasing Tang Xianzu's 湯顯祖 (1550–1616) Mudan ting 牡丹亭 when Du Liniang 杜麗娘 was about to paint her self-portrait and her maid said, “Easy enough to sketch her aspect in hues red or dark; harder to portray the rare individual self” 丹青女易描,真色人難學. Translated in Birch, Peony Pavilion...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 207–248.
Published: 01 April 2015
... Baoyus to the final part of the novel while giving it an ironic twist. In addition, according to the comment made by Red Inkstone Studio, the ceremonial greeting to Lady Yuan in chapter 18 of Stone consists of a theatrical performance of the scene “The Destiny of the Immortal” from Tang Xianzu's...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 248–278.
Published: 01 November 2017
... . 19. Hong, Qingping shantang huaben jiaozhu , 236 . 20. Ibid., 230. 21. Ibid., 237. 22. Ibid., 230. 23. Qian et al., Xianchun linan zhi , 4058 . 24. Gao Ming 高明, Pipa ji 琵琶記 (Tale of the Pipa Lute), in Mao, Liushi zhong qu , 1:128 . 25. Tang Xianzu 湯顯祖...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 31–58.
Published: 01 April 2021
.... 30. See Luo, “Sui Jingchen Gaozu huan xiang jianzheng,” 243 . 31. Sui, Quan Yuan sanqu , 544 . 32. Ibid., 545. 33. The partitioning of a character into distinct elements appears in more elaborate forms in Ming and Qing theater. For an exploration of this phenomenon in Tang...
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