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Su Shi
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Image
Published: 01 April 2019
Figure 5. Su Shi, “Plum Blossoms.” 1080, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji , 6:164–66.
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 248–278.
Published: 01 November 2017
...Zhu Gang; Zhao Huijun Abstract The Chan monk Huihong 惠洪 (1071–1128) constructed stories of Su Shi's 蘇軾 (1037–1101) past life as Wuzu Shijie 五祖師戒, a Chan monk in the Yunmen 雲門 lineage. In this article, we will show that Huihong not only constructed the storyline but also recorded in his Buddhist...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
...Figure 5. Su Shi, “Plum Blossoms.” 1080, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji , 6:164–66. ...
FIGURES
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Image
Published: 01 April 2019
Figure 1. Su Shi (1037–1101), Old Tree, Rock, and Bamboo . Ca. 1080–95, Northern Song period. Ink on paper, 26.3 × 50 cm. Collection unknown. Source: © 2018 Christie's Images Ltd.
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Image
Published: 01 April 2019
Figure 3. Su Shi, “Yellow Tower” (Letter to Wen Tong). 1078, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji (Wuhan: Hubei meishu chubanshe, 2002), 6:214–15.
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Image
Published: 01 April 2019
Figure 4. Su Shi, “Reading Meng Jiao's Poems, Two Verses.” 1078, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji , 6:169–70.
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Image
Published: 01 April 2019
Figure 7. Su Shi, “Cold Food Festival Poems Written at Huangzhou.” Ca. 1082, Northern Song period. Ink on paper, h: 34.2 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan.
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Image
Published: 01 April 2019
Figure 8. Su Shi, “Cold Food Festival Poems Written at Huangzhou” (detail). Ca. 1082, Northern Song period. Ink on paper, h: 34.2 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan.
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Image
Published: 01 April 2019
Figure 9. Su Shi, “Cold Food Festival Poems Written at Huangzhou” (detail). Ca. 1082, Northern Song period. Ink on paper, h: 34.2 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan.
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Image
Published: 01 April 2019
Figure 11. Inscriptions by Liu Liangzuo (right) and Mi Fu (1052–1107) (left) to Su Shi's Old Tree, Rock, and Bamboo . Ca. 1095, Northern Song period. Ink on paper, h: 26.3 cm. Collection unknown. Source: © 2018 Christie's Images Ltd.
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Image
Published: 01 April 2019
Figure 14. Su Shi (1037–1101), Old Tree, Rock, and Bamboo (detail). Ca. 1080–95, Northern Song period. Ink on paper, 26.3 × 50 cm. Collection unknown. Source: © 2018 Christie's Images Ltd.
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Image
in Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618–1664) Misty Willows by Moonlit Dike
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 9. Su Shi, “The Former Prose-poem on the Red Cliff,” dated 1082. Detail of a handscroll, ink on paper, 23.9 x 258 cm., National Palace Museum, Taipei
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 216–247.
Published: 01 November 2017
...Xiaoshan Yang Abstract Five months after he arrived at his place of exile in remote Huizhou in 1095, Su Shi 蘇軾 (1037–1101) received a letter from his son Su Mai 蘇邁 (1059–1119), then living in Yixing. The letter carrier was Zhuo Qishun 卓契順 (eleventh c.), a laborer at Dinghui Temple in Suzhou. Su Shi...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 279–305.
Published: 01 November 2017
...I Lo-fen Abstract This article discusses what is physically the longest of Su Shi's surviving calligraphic scrolls, which joins together his “Rhapsody on Dongting Spring Colors Wine” and “Rhapsody on Pine Wine of Zhongshan” (the scroll is held in the Jilin Provincial Museum). Although most...
FIGURES
Image
Published: 01 April 2019
Figure 10. Huang Tingjian (1045–1105), Inscription to Su Shi's “Cold Food Festival Poems.” Ca. 1100, Northern Song period. Ink on paper, h: 34.2 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan.
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 268–286.
Published: 01 November 2020
... home, as in Su Shi's 蘇軾 (1037–1101) “wherever my heart is at peace is my home.” The layered features of this diaspora-return ( lisan-huigui 離散—回歸) consciousness led to a unique literary style and the development of tropes that would shape Chinese writing for a millennium. Political banishment yielded...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 209–215.
Published: 01 November 2017
...Ronald Egan Copyright © 2017 by Duke University Press 2017 In this special issue devoted to Song Dynasty literature and culture, it hardly comes as a surprise that three of the eight articles take the indomitable Su Shi as their subject. To say that Su Shi is a towering figure of the age...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 420–438.
Published: 01 November 2017
... 2017 by Duke University Press 2017 Song Dynasty poetry poetic meaning Huang Tingjian Ye Mengde Su Shi Not infrequently we encounter poems in Song-period sources that have contested or competing interpretations. These are not different readings of particular poems that we ourselves might...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
..., and multimedia communication. It encompasses not only representation in visual media (painting, prints, and photography) but also visual code, metaphor, and the mental image, as well as the concept of the gaze, wherever these themes have appeared in literary texts and writing. Su Shi, the key figure...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
Published: 01 November 2014
... the cultivation of individual character, Tao was elevated to his new status as a model character. From the Song on, “idolizing Tao” became an enduring phenomenon in Chinese cultural history. In this process, Su Shi 蘇軾 (1037–1101) played a key role in assiduously promoting Tao. He writes, “As for other poets...
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