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Song dynasty

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Published: 01 April 2015
Figure 10. Anonymous. The Return . Ca. 1110–1120, Song dynasty. Detail of a portion of a handscroll, ink on silk. Freer Gallery of Art, Smithsonian Institution, Washington, DC. Gift of Charles Lang Freer, F1919.119 Figure 10. Anonymous. The Return. Ca. 1110–1120, Song dynasty. Detail More
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 306–335.
Published: 01 November 2017
...Anna M. Shields Abstract In the reception of Tang literature during the Song Dynasty, the anthology Wen cui 文粹 (Literature's Finest), compiled by the Northern Song scholar Yao Xuan 姚鉉 (968–1020) in 1011, survives as the earliest attempt by an individual scholar to provide a comprehensive overview...
Image
Published: 01 April 2019
Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. More
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
...Ye Ye; Erxin Wang Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 383–419.
Published: 01 November 2017
... manuscript of Yifanfeng has allowed researchers to revisit the last decade of sinophone scholarship on this text. The current essay, based on close reading of the entire Yifanfeng , illuminates the broader use of occasional poetry within Buddhist monastic communities of the Song Dynasty (960–1279...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 448–470.
Published: 01 November 2016
...Ko Chia-cian Abstract Just a few years after the overthrow of China's last imperial dynasty, the Qing dynasty loyalist Chen Botao 陳伯陶 (1855–1930) assembled scholars at the Terrace of the Song Emperors 宋王臺 (Song Wang Tai, or Sung Wong Toi) in Hong Kong Kowloon to compose and recite poetry...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
...Lu Kou Abstract The Northern Wei dynasty (386–534) unified north China in the fifth century CE and stood as a powerful rival to the Liu Song dynasty (420–479) in the south. As military campaigns and diplomatic exchange between the two dynasties became more frequent, both courts strove to deploy...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 19–55.
Published: 01 April 2017
... of the Northern Song dynasty in 1126–27. Investigating the dialogue of major figures such as Li Gang (1083–1140), Hu Hong (1105–61), Zhou Bida (1126–1204), Fan Chengda (1126–93), Lou Yue (1137–1213), and Zhu Xi (1130–1200) writing in a range of genres ( shi poetry, song lyrics, personal letters, travel diaries...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 95–118.
Published: 01 April 2018
...Yugen Wang Abstract Despite its tremendous influence in the early eleventh century, Xikun poetry was essentially written out of the main literary historical narratives of the Northern Song dynasty. When it does appear in such narratives, it is usually used as a foil to set up the reputedly real...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 420–438.
Published: 01 November 2017
...Ronald Egan Abstract This article explores the phenomenon of Song dynasty poems that have contested meanings in early (Song period) sources. Examples in both the shi and ci poetic forms are given. Each highlights a different aspect of poetic meaning as created and re-created through the interplay...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 186–215.
Published: 01 November 2014
... books) dui'ou (paired phrases) Among the literacy primers produced since the Song and Yuan Dynasties, books on yundui 韻對 (rhyme and paired phrasing) were among the most popular. With yun 韻 (rhyme) as a guiding principle, and combining dui'ou 對偶 (paired phrases) with shenglü 聲律 (tone...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 66–94.
Published: 01 April 2018
... dynasty (960–1279) poets later describe ci poetry as the yuefu of the Song, and Yuan poets describe “melodies” ( qu 曲) as the yuefu of the Yuan, here Yuan argues that yuefu are the Airs and Elegantiae of the Han, Wei, Six Dynasties, and Tang. 23 Why were Du Fu, Bai Juyi, Yuan Zhen...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 439–441.
Published: 01 November 2017
... Dynasty literary culture, aesthetics, biji and supernatural tales, and the interplay of poetry and image in later Chinese painting. He is the author of The Problem of Beauty: Aesthetic Thought and Pursuits in Northern Song China (2006) and The Burden of Female Talent: The Poet Li Qingzhao and Her...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 313–338.
Published: 01 November 2020
... of the Southern Song. Ye Mengde 葉夢得 (1077–1148), for example, comments on Six Dynasties poet Xie Lingyun's 謝靈運 (385–433) famous line, “Spring grass grows by the pond” 池塘生春草: “The refinement of these words lies in its lack of self-consciousness. The poet unexpectedly runs into the scene and borrows it for his...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 163–202.
Published: 01 April 2021
...,” translation into another language can be an opportunity to reinvent that musicality in different ways. The six short essays that follow consider sanqu songs from the corpus of diasporic writers from the Yuan dynasty, with a view toward enriching the repertoire of translation strategies for sanqu in terms...
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Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 214–249.
Published: 01 November 2018
...Evan Nicoll-Johnson Abstract During the Liu-Song 劉宋 dynasty (420–79), Pei Songzhi 裴松之 (372–451) compiled an elaborate set of annotations to the history of the Three Kingdoms era, Sanguozhi 三國志. Several decades later, during the Liang 梁 dynasty (502–57), Liu Xiaobiao 劉孝標 (462–521) compiled similar...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 461–482.
Published: 01 November 2019
... with his rising poetic reputation through the Tang but also accumulated enough “energy” for the enduring “idolizing Tao” phenomenon ( mu tao 慕陶) in the Song dynasty. In the following section, we reproduce these forty-seven epitaph fragments and further demonstrate how Tao Yuanming was constructed...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 573–576.
Published: 01 November 2015
... literature, with a particular focus on the poetry and poetics of the Song dynasty. SHENGLI FENG is professor of Chinese linguistics at the Chinese University of Hong Kong and Yangtze Scholar Chair professor at the Beijing Language and Culture University. He received his PhD in linguistics from...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 139–162.
Published: 01 April 2021
.... By identifying a number of Ming dynasty qu anthologies that prominently feature courtly sanqu songs, this article examines how these anthologies, through their organizational structure, draw the reader's attention to courtly sanqu songs. Ming anthologies also act as the major source for tracing the textual...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 438–440.
Published: 01 November 2018
... research interests include Tang-Song poetry, literary communication, and digital humanities. His publications include The Chronicle of the Life of Zhang Yuangan (1989), Studies on the Diasporic Song Ci Poets (1992), Chronicles of the Lives of Song Dynasty Ci Poets (1994), A History of Tang-Song...