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Shen Zhou

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Published: 01 April 2015
Figure 1. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum More
Image
Published: 01 April 2015
Figure 2. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink on paper, h: 30.5 cm (poems only). The Collection of the National Palace Museum, Taiwan, Republic of China More
Image
Published: 01 April 2015
Figure 3. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China More
Image
Published: 01 April 2015
Figure 4. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Preface to the transcription of Shen's poems. Portion of a handscroll, ink on paper, h: 35.9 cm. Nanjing Museum More
Image
Published: 01 April 2015
Figure 5. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Handscroll, ink on paper, 30 x 65.8 cm. Collection of the Shanghai Museum More
Image
Published: 01 April 2015
Figure 6. Shen Zhou (1427–1509). Falling Blossoms . Ming dynasty. Detail of a handscroll, ink on paper, 28.5 x 286 cm. Private collection. Photograph courtesy of Paul Moss More
Image
Published: 01 April 2015
Figure 7. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Fan, ink and colors on paper. Collection of the Shanghai Museum More
Image
Published: 01 April 2015
Figure 8. Shen Zhou, Chinese (1427–1509). Poet on a Mountain Top , 1496, series: Landscape Album: Five Leaves by Shen Zhou, One Leaf by Wen Zhengming , Ming dynasty (1368–1644). Album leaf mounted as a handscroll; ink and color on paper, 15 ¼ x 23 ¾ inches (38.7 x 60.3 cm). The Nelson-Atkins More
Image
Published: 01 April 2015
Figure 9. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum More
Image
Published: 01 April 2015
Figure 11. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China More
Image
Published: 01 April 2015
Figure 13. Shen Zhou (1427–1509). “Water Buffalo,” from “The Album of Reclining Journeys.” Album leaf, ink and color on silk. Palace Museum, Beijing. Source: Zhongguo lidai huihua , 6:12 More
Image
Published: 01 April 2015
Figure 14. Shen Zhou (1427–1509). Misty River, Layered Peaks . 1507, Ming dynasty. Handscroll, ink on paper. Liaoning Provincial Museum. Source: Zhongguo huihua quanji , 11:120–21. More
Image
Published: 01 April 2015
Figure 15. Shen Zhou (1427–1509). Misty River, Layered Peaks . 1507, Ming dynasty. Detail of a handscroll, ink on paper. Liaoning Provincial Museum. Source: Zhongguo huihua quanji , 11:120–21 More
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
...Figure 1. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum ...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... analysis, Liu's and Huang's self-representations through paintings and visual images are intrinsically and irrevocably tied to their penchant for naming, verbal puns, and literary metaphors and symbols. Thus, the visual codes of their paintings, not unlike those of Shen Zhou's falling blossom images...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
... , juan 4:8. In Peng, Lidai huashi huizhuan , Du Jin's pseudonym Qingxia ting 青霞亭 is written as Qingxia tingzhang 青霞亭長. Peng, Lidai huashi huizhuan , juan 45:4. 3. “Shen Zhou” 沈周, in Zhang, Qinghe shu , juan 12:30. 2. These works include Shiyong tu juan 十詠圖卷 (Painting...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 419–443.
Published: 01 November 2015
..., Emperor Wu of Liang (Xiao Yan 蕭衍; r. 502–48) once asked the courtier Zhou She 周捨 (469–524) this question: “What are the ‘four tones’?” 45 Zhou She was the son of Zhou Yong 周顒 (d. 488), one of Shen Yue's acquaintances who shared his reputation as a pioneer of the concept of four tones. Emperor Wu's...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 307–340.
Published: 01 November 2021
... a direct correspondence with Sun's original song, Shen Jing moves the position of Zhou Meixiang , deletes Yujing tai , Fancha chuan , and Wang Kui fu Guiying , and adds Yu Jifu's Nichang yuan 霓裳怨 (Grievance of the Rainbow Dress) and Ma Zhiyuan's Qingshan lei 青衫淚 (Tears on the Green Shirt). Shen...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
... was a deliberate rhetorical choice used by the northern court to construct a different imperial image and to exert psychological influence on the intended readers. Moreover, Shen Yue's (441–513) embedding of the letters in a historical narrative as written documents reshapes the reception of the letters...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... Press 2017 “poems on photographs of the self” (ziti xiaozhao) self as other alterity temporality In spring 1903, a young Zhou Shuren 周樹人 (later known as Lu Xun 鲁迅 [1881–1936]) had a photograph taken of himself in Japan. He wore a military-style jacket, with his queue recently cut off...
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