1-20 of 84 Search Results for

Shen Zhou

Follow your search
Access your saved searches in your account

Would you like to receive an alert when new items match your search?
Close Modal
Sort by
Image
Published: 01 April 2015
Figure 1. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum Figure 1. Shen Zhou (1427–1509), Falling Blossoms. Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm More
Image
Published: 01 April 2015
Figure 2. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink on paper, h: 30.5 cm (poems only). The Collection of the National Palace Museum, Taiwan, Republic of China Figure 2. Shen Zhou (1427–1509), Falling Blossoms. Ca. 1506–1508, Ming dynasty More
Image
Published: 01 April 2015
Figure 3. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China Figure 3. Shen Zhou (1427–1509). Falling Blossoms. Ca. 1506 More
Image
Published: 01 April 2015
Figure 4. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Preface to the transcription of Shen's poems. Portion of a handscroll, ink on paper, h: 35.9 cm. Nanjing Museum Figure 4. Shen Zhou (1427–1509). Falling Blossoms. Ca. 1506, Ming dynasty. Preface to the transcription More
Image
Published: 01 April 2015
Figure 5. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Handscroll, ink on paper, 30 x 65.8 cm. Collection of the Shanghai Museum Figure 5. Shen Zhou (1427–1509). Falling Blossoms. 1503, Ming dynasty. Handscroll, ink on paper, 30 x 65.8 cm. Collection of the Shanghai Museum More
Image
Published: 01 April 2015
Figure 6. Shen Zhou (1427–1509). Falling Blossoms . Ming dynasty. Detail of a handscroll, ink on paper, 28.5 x 286 cm. Private collection. Photograph courtesy of Paul Moss Figure 6. Shen Zhou (1427–1509). Falling Blossoms. Ming dynasty. Detail of a handscroll, ink on paper, 28.5 x 286 cm More
Image
Published: 01 April 2015
Figure 7. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Fan, ink and colors on paper. Collection of the Shanghai Museum Figure 7. Shen Zhou (1427–1509). Falling Blossoms. 1503, Ming dynasty. Fan, ink and colors on paper. Collection of the Shanghai Museum More
Image
Published: 01 April 2015
Figure 8. Shen Zhou, Chinese (1427–1509). Poet on a Mountain Top , 1496, series: Landscape Album: Five Leaves by Shen Zhou, One Leaf by Wen Zhengming , Ming dynasty (1368–1644). Album leaf mounted as a handscroll; ink and color on paper, 15 ¼ x 23 ¾ inches (38.7 x 60.3 cm). The Nelson-Atkins More
Image
Published: 01 April 2015
Figure 9. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum Figure 9. Shen Zhou (1427–1509). Falling Blossoms. Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm More
Image
Published: 01 April 2015
Figure 11. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China Figure 11. Shen Zhou (1427–1509). Falling Blossoms. Ca. 1506 More
Image
Published: 01 April 2015
Figure 13. Shen Zhou (1427–1509). “Water Buffalo,” from “The Album of Reclining Journeys.” Album leaf, ink and color on silk. Palace Museum, Beijing. Source: Zhongguo lidai huihua , 6:12 Figure 13. Shen Zhou (1427–1509). “Water Buffalo,” from “The Album of Reclining Journeys.” Album leaf, ink More
Image
Published: 01 April 2015
Figure 14. Shen Zhou (1427–1509). Misty River, Layered Peaks . 1507, Ming dynasty. Handscroll, ink on paper. Liaoning Provincial Museum. Source: Zhongguo huihua quanji , 11:120–21. Figure 14. Shen Zhou (1427–1509). Misty River, Layered Peaks. 1507, Ming dynasty. Handscroll, ink on paper More
Image
Published: 01 April 2015
Figure 15. Shen Zhou (1427–1509). Misty River, Layered Peaks . 1507, Ming dynasty. Detail of a handscroll, ink on paper. Liaoning Provincial Museum. Source: Zhongguo huihua quanji , 11:120–21 Figure 15. Shen Zhou (1427–1509). Misty River, Layered Peaks. 1507, Ming dynasty. Detail More
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
...Figure 1. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum Figure 1. Shen Zhou (1427–1509), Falling Blossoms. Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm...
FIGURES | View All (15)
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... analysis, Liu's and Huang's self-representations through paintings and visual images are intrinsically and irrevocably tied to their penchant for naming, verbal puns, and literary metaphors and symbols. Thus, the visual codes of their paintings, not unlike those of Shen Zhou's falling blossom images...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 8–42.
Published: 01 April 2015
...”; Tingmei's 廷美 [Liu Jue 劉玨] “The willow-green of the palace gates stretches far into the misty distance; / The warbling of orioles in the luxuriant park springs up after the rain”; and Qinan's 啟南 [Shen Zhou 沈周] “The calls of orioles on a spring day sound from within the tall and robust bamboo; / The sound...
FIGURES | View All (14)
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 419–443.
Published: 01 November 2015
..., Emperor Wu of Liang (Xiao Yan 蕭衍; r. 502–48) once asked the courtier Zhou She 周捨 (469–524) this question: “What are the ‘four tones’?” 45 Zhou She was the son of Zhou Yong 周顒 (d. 488), one of Shen Yue's acquaintances who shared his reputation as a pioneer of the concept of four tones. Emperor Wu's...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 307–340.
Published: 01 November 2021
... skill in literary wordplay. While some of the lines retain a direct correspondence with Sun's original song, Shen Jing moves the position of Zhou Meixiang , deletes Yujing tai , Fancha chuan , and Wang Kui fu Guiying , and adds Yu Jifu's Nichang yuan 霓裳怨 (Grievance of the Rainbow Dress) and Ma...
FIGURES
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 34–59.
Published: 01 April 2020
... was a deliberate rhetorical choice used by the northern court to construct a different imperial image and to exert psychological influence on the intended readers. Moreover, Shen Yue's (441–513) embedding of the letters in a historical narrative as written documents reshapes the reception of the letters...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... meaning by referring to the image as guxiang 骨相 (prophetic body) and xiagu 俠骨 (chivalrous bone). Tan Sitong, like the young Zhou Shuren, expansively envisions a higher self and articulates a heroic sentiment. Figures 4 and 5 show photos juxtaposed with poems in magazines, further revealing...
FIGURES | View All (7)