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Qing Dynasty poetic criticism

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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 515–544.
Published: 01 November 2015
... by examining the critical discourse of the Tongcheng 桐城 guwen writers of the Qing dynasty 清 (1644–1911). Liu Dakui 劉大櫆 (1698–1779), Yao Nai 姚鼐 (1731–1815), Mei Zengliang 梅曾亮 (1786–1856), Fang Dongshu 方東樹 (1772–1851), Zhang Yuzhao 張裕釗 (1823–1894), Zeng Guofan 曾國藩 (1811–1872), and Yao Yongpu 姚永樸 (?–1939) all...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 90–124.
Published: 01 November 2014
... by Duke University Press 2014 Yuan Mei Suiyuan shihua Qing Dynasty poetic criticism writing process financial motivations Yuan Mei's 袁枚 (1716–1797) literary achievements are multifaceted. As a master of poetry and poetic criticism, his influence was unmatched by anyone of his time. His...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 91–128.
Published: 01 April 2017
... in various formats in late imperial China. This practice of anthologizing pre-Tang poetic works, informed by previous tradition as well as contemporary fashion, in turn shaped perceptions of the poetry and, further, the conceptualization of literary history in the Ming and Qing dynasties. Yet precisely...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 359–382.
Published: 01 November 2019
... by the technologies of culture in Qing China. To understand the unprecedented attention and involvement of Kangxi in the compiling and circulating texts of Chinese poetic learning and Qianlong's phenomenal production of Chinese poetry, we need to situate the history of the emperors' literary enterprises...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 105–130.
Published: 01 April 2022
... to the end of the Qing dynasty in the section “Criticism.” The editors' succinct introduction shows how poetry “[opened] up a women's tradition: a well-marked social function, a group of stylistic and personal models . . . , and contexts in which the display of talent was permissible and might eventually...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 411–469.
Published: 01 November 2020
... and pursuit of “sophistication” in Du Fu's poetry became a real poetic aesthetics on both theoretical and practical levels; widely used in Song poetic criticism and theoretically summarized by Yang Shen 楊慎 (1488–1559) in the Ming, by the Qing dynasty this idea developed into an aesthetic concept showing...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (1): 273–275.
Published: 01 April 2022
... literature at McGill University. Her research focuses on classical Chinese poetry and women's literature of the Ming and Qing periods. She has directed the development of the Ming Qing Women's Writings digital archive and database ( digital.library.mcgill.ca/mingqing/ ) since 2003. She is the author...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 81–107.
Published: 01 April 2023
... decades of the Qing dynasty, Liang Qichao was among the most influential reformists to call for literary revolution. In launching his own poetic revolution, he particularly identified one type of author and literature as at odds with his reformist agenda: 7 As for what was called talented women...
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Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 448–470.
Published: 01 November 2016
...Ko Chia-cian Abstract Just a few years after the overthrow of China's last imperial dynasty, the Qing dynasty loyalist Chen Botao 陳伯陶 (1855–1930) assembled scholars at the Terrace of the Song Emperors 宋王臺 (Song Wang Tai, or Sung Wong Toi) in Hong Kong Kowloon to compose and recite poetry...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 1–10.
Published: 01 April 2023
..., working in the wake of the Qing conquest and in the established lienü 烈女 (chaste ladies) tradition, Fu placed equal emphasis on those women's virtues and their intelligence and agency. In the collection of chaste-lady stories, Fu intentionally included non-Chinese women from dynasties ruled by non-Han...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... of an entire poem. In Song and Ming-Qing poetry criticism, this belletristic emotion-visuality symbiosis becomes the highest aesthetic ideal by which poetical works are appreciated and evaluated. In “poetry talks” ( shihua 詩話), a new genre of poetry criticism developed during the Song, critics never seem...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 186–215.
Published: 01 November 2014
... as Ju Wanyu 車萬育 (1632–1705) of the Qing Dynasty, the book was actually written by Zhu Ming 祝明 (dates unknown) in the Yuan Dynasty. Such works are unique in their form and style and have established their own tradition, which we call “Primers on Shenglü ” 聲律啟蒙讀物. As far as we know, primers...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 397–424.
Published: 01 November 2022
... . 23. Xu Shen, Shuowen jiezi , 12.1:4b . 24. X. Li, Women's Poetry of Late Imperial China , 5–6 . 25. Ibid., 14–15; Robertson, “Changing the Subject,” 200 . 26. The gulf separating courtesans from gentrywomen widened in the Qing dynasty as the latter exploited the classical...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 251–257.
Published: 01 November 2015
... the global structure of expressive poetic rhythms. A recognition of this dynamic between prose and poetic rhythms, Ge contends, permits a nuanced appreciation of the artistic achievement of Du's wugu poems. Chen Yinchi and Paula Varsano's article brings us all the way to the Qing dynasty (1644–1911...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 108–136.
Published: 01 April 2023
... and Culture 3 , no. 1 ( 2016 ): 85 – 107 . Qian Chenqun 錢陳群 . Xiangshuzhai quanji 香樹齋全集 ( Complete Records from the Fragrant Trees Study ). Vols. 261–62 of Qingdai shiwenji huibian 清代詩文集彙編 (Compendium of Literary Collections from the Qing Dynasty). Shanghai : Shanghai guji chubanshe , 2009...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 30–56.
Published: 01 April 2023
... and Qing (1644–1912) dynasties. As Wai-yee Li has pointed out, “The bond between gardens and illusions vindicates a spatial self-definition that rethinks the aesthetic in relation to moral, social, and political realms of significance, especially in the context of the turmoil of the Ming-Qing transition...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 203–214.
Published: 01 November 2016
... to show signs of disintegration in the late Qing 清 (1644–1911) era, when the dynasty was faced with incessant challenges from within and without the Middle Kingdom. Gong Zizhen 龔自珍 (1792–1841) has often been regarded as the poet who anticipated the breakdown of the ancient poetic culture. Gong's poetry...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 339–381.
Published: 01 November 2020
... cosmological claims, enshrining it as the essence of the Dao. This line of reasoning is strictly adhered to by prominent prose critics of all persuasions and in all eras, from Liu Xie and Xiao Tong in the Six Dynasties to the Eight Masters of the Tang-Song prose, the Ming-Qing critic Fang Bao, and many others...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 331–358.
Published: 01 November 2019
... as an excellent starting point for a reconsideration of the spiritual authority that vernacular novels exercised in the Qing dynasty. Copyright © 2019 by Duke University Press 2019 vernacular fiction religion genre syncretism book market Guilian meng 歸蓮夢 (Returning to the Lotus Dream, hereafter...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 438–460.
Published: 01 November 2023
... by critics. Qian Zhongshu's 錢鍾書 (1910–1998) textual analysis concludes the emperor was China's “worst” poet. 2 Later scholars, mainly Qing historians, typically avoid aesthetic judgment, opting instead to emphasize the poems' rich content: “It is probably fair to say that the historical value...