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in Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618–1664) Misty Willows by Moonlit Dike
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 4. Qian Qianyi, Title and Poetic inscription on Misty Willows by Moonlit Dike , dated 1643
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
...Figure 4. Qian Qianyi, Title and Poetic inscription on Misty Willows by Moonlit Dike , dated 1643 ...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (1): 232–234.
Published: 01 April 2020
... literature and director of the Research Centre for Classical Chinese Poetics at the Chinese University of Hong Kong. A specialist in classical Chinese poetry, he is the author of The Poet-Historian Qian Qianyi (2009), A Study of Qian Qianyi's “Forty-six Miscellaneous Poems to Dispel Cold on My Sickbed” 錢...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... the indispensable role the written texts assume in shaping their meanings. In the poem (with a preface) he composed to describe his hometown, portrayed by Liu Rushi, Qian Qianyi referred to Liu's painting as well as the occasion for its composition, and his poem is so specific as to guide our viewing of Liu's...
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (2): 399–421.
Published: 01 November 2021
... and transcribed the marginalia of his grandfather's uncle Qian Qianyi 錢謙益 (courtesy name Shouzhi 受之, alternative name Muzhai 牧齋, 1582–1664). Qian Qianyi was a book collector, a great poet, and a scholar, and his marginalia were filled with profound insights. Qian Qianyi's library, the Jiangyun Tower (Jiangyun lou...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 438–460.
Published: 01 November 2023
..., adding self-commentaries became common practice among Ming (1368–1644) and Qing (1636–1912) writers, especially those of higher social status. 11 Information about the writer's social network is also typical in these commentaries, as we see in the collection of Qian Qianyi 錢謙益 (1582–1664). 12 From...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
.... These are, respectively, the twenty-third, twenty-eighth, and thirtieth poems on the Nanjing scroll, corresponding to the forty-third, forty-eighth, and fiftieth poems as recorded in Shen's Shitian shixuan , 9.16b–26a . 19. Thirteen is also the number of poems on the scroll mentioned by Qian Qianyi, though...
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in Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618–1664) Misty Willows by Moonlit Dike
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Liu Yin, Misty Willows by Moonlit Dike , dated 1643. Title inscription and documentation by Qian Qianyi at the beginning of the painting, followed by Huang Jieling's landscape, and Qian's preface to Huang's poetry anthology. Ink and colors on paper, 25.1 x 126.5 cm. Palace Museum
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
...俶, 1595–1634), derived from a text by Qian Qianyi 錢謙益 (1582–1664), describes her painting flowers, plants, insects, and beautiful women ( YTHS 3.3b) but excludes Qian's description of her praiseworthy service of her father-in-law and husband. 55 The entry, however, comprises long passages from...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 312–334.
Published: 01 November 2016
... elements in Chinese poetry, see Kawai, Zhongguo de zizhuan wenxue , 1–12, 154–71 . See also Yim's discussion of “the autobiographic moment” in Qian Qianyi's poems on the self-portraitures. Yim, Qian Qianyi Bingta xiaohan zayong lunshi , 68–71 . 8. Nakatani, “Body, Sentiment, and Voice in Ming...
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Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 411–469.
Published: 01 November 2020
... to 2.1 million characters. The edition does not aim at a comprehensive collation. The working edition is still the Song ben Du Gongbu ji in Xu guyi congshu, from which three editions were selected to collate: (1) Qian Qianyi's 錢謙益 (1582–1664) Jianzhu Du Gongbu ji 箋注杜工部集 (The Collection of Vice...
Journal Article
Journal of Chinese Literature and Culture (2022) 9 (2): 397–424.
Published: 01 November 2022
... of the Ming-Qing transition, Liechao shiji 列朝詩集 (Poetry from the Dynasties) by Qian Qianyi 錢謙益 (1582–1664) and Mingyuan shiwei 名媛詩緯 (Classics of Poetry by Notable Women) by Wang Duanshu 王端淑 (1621–ca. 1706), marked the turning point in representing and disseminating Yang Wan's image. Liechao shiji...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 137–168.
Published: 01 April 2019
... orders the mountain, and the mountain is supplemented” 刼火燒空空未腐，以意命山山即補. 35 Even Qian Qianyi 錢謙益 (1582–1664), a marginal figure of this circle, rhymed with the poem in 1658, heroically dismissing the melancholic undertone of canshan shengshui . A Companion Piece for Xie'an's Song of the Hall...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 258–288.
Published: 01 November 2016
... Guowei and His Literary Criticism ). Shijiazhuang : Hebei jiaoyu chubanshe , 1997 . Yim, Lawrence C. H. The Poet-Historian Qian Qianyi . New York : Routledge , 2009 . Yu, Pauline . The Reading of Imagery in the Chinese Poetic Tradition . Princeton, NJ : Princeton University Press...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 160–179.
Published: 01 April 2017
... Qianyi 錢謙益 (1582–1664) and Wang Qishu 汪啓淑 (fl. eighteenth century) both included a considerable number of fuji poems in their anthologies. 47 Rather than anthologizing other people's poems, Qian Xi used fuji poems, both from herself and from the deities, to expand her own poetry collection, which...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 186–215.
Published: 01 November 2014
.... The translation of this term is from Owen, Readings , 313 . 74. Ruan, Shihua zonggui , part 2, juan 18. 75. “Yuan er bushang” 怨而不傷 can also be translated as “bitter yet not given to self-injury,” which is adapted from Yim's Poet-Historian Qian Qianyi , 35 . 76. “Houshan” 後山 refers...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (1): 85–107.
Published: 01 April 2016
... in Kong's letter to Bing Yuan 邴原. See Chen S., Sanguo zhi , 2:353 . 51. See Yan K., Quan shanggu sandai , 540 . 50. This poem, a duilian , was found at a temple in 49. Qian Qianyi 錢謙益 (1582–1664), “Jin ling hou guan qi” 金陵後觀棋 (After Jinling, Viewing a Game of Chess), in Fujian daxue...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 359–382.
Published: 01 November 2019
... competition and fierce debate among rival poets, had challenged the view that Tang verses were the epitome of poetry. During the early Kangxi reign, poets such as Qian Qianyi 錢謙益 (1582–1664) and Wang Shizhen 王士禎 (1634–1711) did not subscribe to the conventional view on Tang poetry. The verses by Song poets...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 411–437.
Published: 01 November 2018
... . Xunletang rilu 尋樂堂日錄 ( Diary of Hall of Seeking Pleasure ). 1712 edition . In Lidai riji congchao 歷代日記叢鈔 ( Collection of Diaries from Successive Dynasties ), vols. 5–11 . Beijing : Xueyuan chubanshe , 2006 . Du Fu 杜甫 . Du Gongbu ji 杜工部集 ( Collected Works of Du Fu ). Annotated by Qian...
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View articletitled, New Frontiers of Electronic Textual Research in the Humanities: Investigating Classical Allusions in Chinese Poetry through Digital Methods
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for article titled, New Frontiers of Electronic Textual Research in the Humanities: Investigating Classical Allusions in Chinese Poetry through Digital Methods
