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Northern Song

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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 306–335.
Published: 01 November 2017
...Anna M. Shields Abstract In the reception of Tang literature during the Song Dynasty, the anthology Wen cui 文粹 (Literature's Finest), compiled by the Northern Song scholar Yao Xuan 姚鉉 (968–1020) in 1011, survives as the earliest attempt by an individual scholar to provide a comprehensive overview...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 360–382.
Published: 01 November 2017
...Cong Ellen Zhang Abstract This case study examines the central role that xiao (filial piety) played in defining character for all the members of the Bao family in the Northern Song (960–1127). It shows that while ritual and ethical codes required children to care for the welfare of their parents...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 476–480.
Published: 01 November 2020
...William Ma Copyright © 2020 by Duke University Press 2020 Ping Foong . The Efficacious Landscape: On the Authorities of Painting at the Northern Song Court . Cambridge, MA : Harvard University Asia Center , 2015 . 318 pp., 63 color illustrations, 12 line illustrations, 7 × 10...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 95–118.
Published: 01 April 2018
...Yugen Wang Abstract Despite its tremendous influence in the early eleventh century, Xikun poetry was essentially written out of the main literary historical narratives of the Northern Song dynasty. When it does appear in such narratives, it is usually used as a foil to set up the reputedly real...
Image
Published: 01 April 2019
Figure 2. Tomb inscription of Lü Daya, with capstone. Stone. Northern Song. 71 × 71 × 9 cm. Excavated from Tomb M1. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 2. Tomb inscription of Lü Daya, with capstone. Stone. Northern Song. 71 × 71 × 9 cm. Excavated from Tomb M1 More
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Published: 01 April 2019
Figure 4. Celadon bowl with lid. Yaozhou stoneware. Northern Song. 10.4 × 5–10.7 cm. Excavated from Tomb M7. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 4. Celadon bowl with lid. Yaozhou stoneware. Northern Song. 10.4 × 5–10.7 cm. Excavated from Tomb M7. Collection More
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Published: 01 April 2019
Figure 5. Warming vessel ( jixu ). Lishan stone. Northern Song. 11.8 × 16.4 cm. Excavated from Tomb M26. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 5. Warming vessel (jixu). Lishan stone. Northern Song. 11.8 × 16.4 cm. Excavated from Tomb M26. Collection More
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Published: 01 April 2019
Figure 6. Inkstone. Helan stone. Northern Song. 18.5 × 11.1–12.1 × 2.1–2.4 cm. Excavated from Tomb M6. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 6. Inkstone. Helan stone. Northern Song. 18.5 × 11.1–12.1 × 2.1–2.4 cm. Excavated from Tomb M6. Collection of the Shaanxi More
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Published: 01 April 2019
Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. Figure 7. Han dynasty ding cauldron with Northern Song inscription. Bronze. Dated 1111. 17 × 15.5 cm. Collection of the Shaanxi History Museum. More
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Published: 01 April 2019
Figure 9. Incense burner with pale, bluish-white glaze. Qingbai ware. Northern Song. 13 × 8.7–10.1 cm. Excavated from Tomb M2. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 9. Incense burner with pale, bluish-white glaze. Qingbai ware. Northern Song. 13 × 8.7–10.1 cm More
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Published: 01 April 2019
Figure 2. Wen Tong (1018–79), Ink Bamboo . Ca. 1075, Northern Song period. Ink on silk, 131.6 × 105.4 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan. Figure 2. Wen Tong (1018–79), Ink Bamboo. Ca. 1075, Northern Song More
Image
Published: 01 April 2019
Figure 3. Su Shi, “Yellow Tower” (Letter to Wen Tong). 1078, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji (Wuhan: Hubei meishu chubanshe, 2002), 6:214–15. Figure 3. Su Shi, “Yellow Tower” (Letter to Wen Tong). 1078, Northern Song period. Rubbing from Xilou More
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Published: 01 April 2019
Figure 4. Su Shi, “Reading Meng Jiao's Poems, Two Verses.” 1078, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji , 6:169–70. Figure 4. Su Shi, “Reading Meng Jiao's Poems, Two Verses.” 1078, Northern Song period. Rubbing from Xilou Su tie. Source: Zhongguo fatie More
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Published: 01 April 2019
Figure 5. Su Shi, “Plum Blossoms.” 1080, Northern Song period. Rubbing from Xilou Su tie . Source: Zhongguo fatie quanji , 6:164–66. Figure 5. Su Shi, “Plum Blossoms.” 1080, Northern Song period. Rubbing from Xilou Su tie. Source: Zhongguo fatie quanji, 6:164–66. More
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (1): 19–55.
Published: 01 April 2017
...Benjamin Ridgway Abstract Taking an interdisciplinary perspective from cultural memory studies, this article examines how the garden of the northern refugee Xiang Ziyin 向子諲 (1085–1152), Aromal Arbor 薌林, became a site of memory for two generations of Southern Song literati following the collapse...
Journal Article
Journal of Chinese Literature and Culture (2020) 7 (2): 313–338.
Published: 01 November 2020
... from that of the late Northern Song's Jiangxi school, with its emphasis on learning and book knowledge, were only partly the result of his personal experience. The shift away from textual traditions and longing for wilderness must also be understood in the context of an emerging urban culture...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 248–278.
Published: 01 November 2017
... collections all the elements that would shape Wuzu Shijie's image. This article argues that Huihong's accounts should be viewed in the context of a shift of lineage affiliation that occurred in the Northern Song: Huanglong Huinan 黃龍慧南 (1002–69), founding master of the Huanglong branch to which Huihong belongs...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 336–359.
Published: 01 November 2017
..., and that between culture and nature in our understanding of Guwen . Situating the activity of writing in mid-Northern Song political culture and its civil examination system, the author also argues that the priority of dao over wen , sometimes seen in the Guwen proponents' works, should be understood...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 56–95.
Published: 01 April 2019
...Figure 2. Tomb inscription of Lü Daya, with capstone. Stone. Northern Song. 71 × 71 × 9 cm. Excavated from Tomb M1. Collection of the Shaanxi Provincial Institute of Archaeology. Figure 2. Tomb inscription of Lü Daya, with capstone. Stone. Northern Song. 71 × 71 × 9 cm. Excavated from Tomb M1...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 15–55.
Published: 01 April 2019
...Figure 2. Wen Tong (1018–79), Ink Bamboo . Ca. 1075, Northern Song period. Ink on silk, 131.6 × 105.4 cm. National Palace Museum, Taiwan, Republic of China. Source: open data, website of the National Palace Museum, Taiwan. Figure 2. Wen Tong (1018–79), Ink Bamboo. Ca. 1075, Northern Song...
FIGURES | View All (14)