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Ming dynasty

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Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 375–410.
Published: 01 November 2018
...Timothy Clifford Abstract Well over one hundred classical essay anthologies were published during the printing boom in sixteenth- and seventeenth-century Ming dynasty China. These anthologies testify to a voracious appetite for “ancient-style prose” ( guwen ) among the expanding reading public...
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Published: 01 November 2014
Waist tag for eunuch of the imperial stables, Ming Dynasty. Photo by Li Ling, Haidian District Museum, Beijing More
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Published: 01 April 2015
Figure 12. Map of the western part of Suzhou City in the Ming dynasty. Modified by the author from Chen Qidi 陳其弟, Suzhou difang zhi zonglu 蘇州地方誌總錄 (Comprehensive Records of Suzhou Gazetteer) (Yangzhou: Guanglin shushe, 2008), plate (unpaginated) More
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Published: 01 April 2015
Figure 1. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum More
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Published: 01 April 2015
Figure 2. Shen Zhou (1427–1509), Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink on paper, h: 30.5 cm (poems only). The Collection of the National Palace Museum, Taiwan, Republic of China More
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Published: 01 April 2015
Figure 3. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China More
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Published: 01 April 2015
Figure 4. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Preface to the transcription of Shen's poems. Portion of a handscroll, ink on paper, h: 35.9 cm. Nanjing Museum More
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Published: 01 April 2015
Figure 5. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Handscroll, ink on paper, 30 x 65.8 cm. Collection of the Shanghai Museum More
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Published: 01 April 2015
Figure 6. Shen Zhou (1427–1509). Falling Blossoms . Ming dynasty. Detail of a handscroll, ink on paper, 28.5 x 286 cm. Private collection. Photograph courtesy of Paul Moss More
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Published: 01 April 2015
Figure 7. Shen Zhou (1427–1509). Falling Blossoms . 1503, Ming dynasty. Fan, ink and colors on paper. Collection of the Shanghai Museum More
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Published: 01 April 2015
Figure 9. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506, Ming dynasty. Portion of a handscroll, ink and color on paper, h: 35.9 cm. Nanjing Museum More
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Published: 01 April 2015
Figure 11. Shen Zhou (1427–1509). Falling Blossoms . Ca. 1506–1508, Ming dynasty. Detail of a handscroll, ink and color on silk, 30.7 x 138.6 cm (painting only). The Collection of the National Palace Museum, Taiwan, Republic of China More
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Published: 01 April 2015
Figure 14. Shen Zhou (1427–1509). Misty River, Layered Peaks . 1507, Ming dynasty. Handscroll, ink on paper. Liaoning Provincial Museum. Source: Zhongguo huihua quanji , 11:120–21. More
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Published: 01 April 2015
Figure 15. Shen Zhou (1427–1509). Misty River, Layered Peaks . 1507, Ming dynasty. Detail of a handscroll, ink on paper. Liaoning Provincial Museum. Source: Zhongguo huihua quanji , 11:120–21 More
Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 113–138.
Published: 01 April 2021
...Ye Ye; Erxin Wang Abstract When examining songs in Chinese literature, we can distinguish among literary, musical, and communal aspects of their circulation. Sanqu songs became popular in the form of musical texts in the Yuan and Ming dynasties, but the ci song lyrics, by the Southern Song dynasty...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 267–293.
Published: 01 April 2023
... imperial China. Although historical writings before the Ming dynasty frequently praise the concubine's husband for sacrificing her, a series of dramatic works starting in the Ming feature the concubine character in contention with her husband. This paper parses those materials to reveal vastly different...
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Journal Article
Journal of Chinese Literature and Culture (2021) 8 (1): 139–162.
Published: 01 April 2021
.... By identifying a number of Ming dynasty qu anthologies that prominently feature courtly sanqu songs, this article examines how these anthologies, through their organizational structure, draw the reader's attention to courtly sanqu songs. Ming anthologies also act as the major source for tracing the textual...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
... of this eminent pair of cultural figures precisely a year before the fall of the Ming dynasty. It also reflects upon a complex gender dimension in the expression of reclusion entangled with the trauma of dynastic transition. This is revealed, in part, by two additions to the scroll: a small landscape painting...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 186–215.
Published: 01 November 2014
...Jian Zhang; Dandan Chen Abstract This article examines the history of primers on shenglü (tone and rhythm) in premodern China. The first section of the article investigates the original version of Zhu Ming's (Yuan Dynasty) Shenglü fameng (A Primer of Shenglü ), as well as its sequel and revisions...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 195–220.
Published: 01 April 2023
... was often linked to political loyalism to the fallen Ming, Fu uses these biographies in a very different way: he presents chastity exemplars of conquered dynasties as foils to the decadent society around them. His commentary is thus recognizably tailored to his audience's circumstances as Manchu...