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Search Results for Liu Rushi
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in Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618–1664) Misty Willows by Moonlit Dike
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
...Figure 5. Liu Rushi, Misty Willows by Moonlit Dike with signature ...
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View articletitled, Voices from the Crimson Clouds Library: Reading <span class="search-highlight">Liu</span> <span class="search-highlight">Rushi's</span> (1618–1664) Misty Willows by Moonlit Dike
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for article titled, Voices from the Crimson Clouds Library: Reading <span class="search-highlight">Liu</span> <span class="search-highlight">Rushi's</span> (1618–1664) Misty Willows by Moonlit Dike
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 1–7.
Published: 01 April 2015
... the indispensable role the written texts assume in shaping their meanings. In the poem (with a preface) he composed to describe his hometown, portrayed by Liu Rushi, Qian Qianyi referred to Liu's painting as well as the occasion for its composition, and his poem is so specific as to guide our viewing of Liu's...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 429–447.
Published: 01 November 2016
... the manuscripts entrusted to the care of Chen's disciples were two works in praise of female litterateurs: Lun Zaisheng yuan 論再生緣 (On Destiny after Rebirth ) and Liu Rushi bie zhuan 柳如是別傳 (An Alternative Biography of Liu Rushi). Yü Ying-shih 余英時 claims that these two works express everything Chen wished...
Journal Article
Journal of Chinese Literature and Culture (2016) 3 (2): 258–288.
Published: 01 November 2016
... grip on Du Fu's poetics—or for that matter, whether he did justice to Mao's ideology. On the other hand, it would take years for readers to realize the rich allegorical implications of Chen Yingke's work on Love in Two Lives . In the following decade, Chen wrote Liu Rushi biezhuan 柳如是別傳...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (2): 276–321.
Published: 01 November 2018
...Chao-Lin Liu; Thomas J. Mazanec; Jeffrey R. Tharsen Abstract Digital tools provide instrumental services to the study of Chinese poetry in an era of big, open data. The authors employed nine representative collections of Chinese poetry, covering the years 1046 BCE to 1644 CE...
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 30–56.
Published: 01 April 2023
... of garden literature as a male-dominant genre. Many educated women of different social categories, such as principal wife Wang Duanshu 王端淑 (1621–ca. 1701, courtesy name Yuying 玉映), courtesan-turned-concubine Liu Rushi 柳如是 (1618–1664, aka Hedong jun 河東君), and the gentry woman painter and poet Huang Yuanjie 黃...
Journal Article
Nobody's Genre, Everybody's Song: Sanqu Songs and the Expansion of the Literary Sphere in Yuan China
Journal of Chinese Literature and Culture (2014) 1 (1-2): 29–64.
Published: 01 November 2014
... was a key player in the creation of the imperial music repertoire. For Yan's songs originally collected in the Yangchun baixue , see Sui, Quan Yuan sanqu , 1:70–71 . 23. In 1271, when Khubilai Khan commissioned Liu Bingzhong to design court rituals, Liu was instrumental in the development...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 148–178.
Published: 01 April 2018
...: alternative forms of eremitism, chaoyin 朝隱 (court recluses, recluses serving at court) and shiyin 市隱 (urban recluses), have been recorded since the Eastern Jin (317–420) and Liu Song (420–79) periods in China. 77 As the names suggest, they represent a paradox of withdrawal and social engagement...