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Datong reign of the Liang

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Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 380–418.
Published: 01 November 2015
...Du Xiaoqin; Li E Abstract Using statistical evidence, this essay considers the differentiation of the tones of the second and fourth syllables in a pentasyllabic line during the Datong reign period 大同 (535–46) of the Liang 梁 (502–57), a crucial stage in the development of recent-style regulated...
Journal Article
Journal of Chinese Literature and Culture (1 November 2014) 1 (1-2): 90–124.
Published: 01 November 2014
... exclusively to the recruitment of female students and the writing of the Suiyuan shihua that he was able to maintain his elevated status and continue to exert his great influence. Coincidentally, both these activities started in the fiftieth year of the Qianlong reign period (1785), when Yuan was...
Journal Article
Journal of Chinese Literature and Culture (1 November 2017) 4 (2): 336–359.
Published: 01 November 2017
... common to all Guwen proponents when Shi contrasts “those who wield their brushes” 操筆之士 and “compete with each other in ornate language” 以麗藻為勝 since the Xiangfu reign (1008–17) with Shi Yannian and Mu Xiu 穆修 (979–1032), who “take up the responsibility of [reviving] the ancient dao ” 自任以古道 through solid...
Journal Article
Journal of Chinese Literature and Culture (1 April 2018) 5 (1): 66–94.
Published: 01 April 2018
... Dynasties, achieved official support in the court of the Sui, and reached its zenith during Xuanzong's Kaiyuan 開元 and Tianbao 天寶 reigns (713–56): At the founding of the Sui, there were seven royal departments of music: the first called Western Liang Arts, the second, Qingshang Arts, the third, Goryeo...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 545–572.
Published: 01 November 2015
... In Chinese poetry, an intraline rhythm or meter (in modern prosodic terminology) comes about from a repetition of disyllabic units or an alternate use of disyllabic and trisyllabic units, with a pause after each unit. Tonal regulation of lines, introduced later during the Qi-Liang period (479–557...
Journal Article
Journal of Chinese Literature and Culture (1 November 2015) 2 (2): 251–257.
Published: 01 November 2015
... yamaka influence the rise of the “eight defects” theory in Chinese poetry. Zhang's article is likely to ignite a new debate on the provenance of Chinese tonal prosody. Du Xiaoqin and Li E's article focuses on the new experimentation of tonal prosody in the Datong 大同 reign period (535–46), forty-one...