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Datong reign of the Liang

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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 380–418.
Published: 01 November 2015
...Du Xiaoqin; Li E Abstract Using statistical evidence, this essay considers the differentiation of the tones of the second and fourth syllables in a pentasyllabic line during the Datong reign period 大同 (535–46) of the Liang 梁 (502–57), a crucial stage in the development of recent-style regulated...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 251–257.
Published: 01 November 2015
... experimentation of tonal prosody in the Datong 大同 reign period (535–46), forty-one years after the Yongming period. Based on an exhaustive statistical analysis of their works, Du and E argue that the leading poets of the period, Liu Xiaochuo 劉孝綽 (481–549), Liu Huan 劉緩 (fl. 549), and Xu Chi 徐攡 (471–551), cemented...
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 90–124.
Published: 01 November 2014
... to the recruitment of female students and the writing of the Suiyuan shihua that he was able to maintain his elevated status and continue to exert his great influence. Coincidentally, both these activities started in the fiftieth year of the Qianlong reign period (1785), when Yuan was seventy-one years old...
Journal Article
Journal of Chinese Literature and Culture (2018) 5 (1): 66–94.
Published: 01 April 2018
... Xuanzong's Kaiyuan 開元 and Tianbao 天寶 reigns (713–56): At the founding of the Sui, there were seven royal departments of music: the first called Western Liang Arts, the second, Qingshang Arts, the third, Goryeo Arts, the fourth, Hindustani Arts, the fifth, Anguo Arts, the sixth, Tocharian Arts...
Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 336–359.
Published: 01 November 2017
... their brushes” 操筆之士 and “compete with each other in ornate language” 以麗藻為勝 since the Xiangfu reign (1008–17) with Shi Yannian and Mu Xiu 穆修 (979–1032), who “take up the responsibility of [reviving] the ancient dao ” 自任以古道 through solid writings ( wen ) indifferent to fashion. Shi even avoids the word wen...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (2): 545–572.
Published: 01 November 2015
..., an intraline rhythm or meter (in modern prosodic terminology) comes about from a repetition of disyllabic units or an alternate use of disyllabic and trisyllabic units, with a pause after each unit. Tonal regulation of lines, introduced later during the Qi-Liang period (479–557), also works by a repetition...