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Journal Article

The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing's “Preface to the Painting of Landscape”

Zong-Qi Cai, Stephen Roddy
Journal of Chinese Literature and Culture (2023) 10 (2): 297–335.
DOI: https://doi.org/10.1215/23290048-10767961
Published: 01 November 2023
... on the poetics of Chinese painting and poetry. What that Buddhist revisionism made possible, we would argue, is a new way of seeing the “myriad phenomena” of the world that opened up new avenues of artistic expression. Because of this Buddhist emphasis on physical objects, Chinese painting and poetry could now...
View articletitled, The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing&#x27;s “Preface to the <span class="search-highlight">Painting</span> of Landscape” View PDF for article titled, The Philosophical Proposition “A Piercing Glance Elevates the Mind” and the Buddhist Thought in Zong Bing&#x27;s “Preface to the <span class="search-highlight">Painting</span> of Landscape”
Journal Article

Simian Episteme, circa 1200

Jeehee Hong
Journal of Chinese Literature and Culture (2024) 11 (1): 48–90.
DOI: https://doi.org/10.1215/23290048-11118498
Published: 01 April 2024
... seeing and hearing gave rise to a complex sonic environment in pictorial medium. The unveiling of the mixed modality steers us toward an underrecognized role of painting in Chinese history as a material stimulus for multisensorial experiences, beyond the rhetoric of “soundless poetry” that has often...
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Journal Article

Sound Over Ideograph: The Basis of Chinese Poetic Art

Zong-qi Cai
Journal of Chinese Literature and Culture (2015) 2 (2): 545–572.
DOI: https://doi.org/10.1215/23290048-3324212
Published: 01 November 2015
... surreptitiously and yet unmistakably avails himself of the Fenollosa/Pound theory in defining the overarching principle of Chinese poetry and arts in general. “Inspired by the ideographic writing and determined by it,” he declares, “poetry, calligraphy, painting, and myth form a semiotic network both complex...
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Journal Article

Introduction: Emotion, Patterning, and Visuality in Chinese Literary Thought and Beyond

Zong-qi Cai, Shengqing Wu
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
DOI: https://doi.org/10.1215/23290048-7496807
Published: 01 April 2019
... as a supplemental emotive medium, despite a steady increase of literati interest in integrating poetry with painting and graphic illustrations since the Song. Likewise, we find a conspicuous neglect of emotion in Chinese art criticism. The term qing 情 (emotion), preeminent in poetry criticism, barely makes...
View articletitled, Introduction: Emotion, Patterning, and Visuality in <span class="search-highlight">Chinese</span> Literary Thought and Beyond View PDF for article titled, Introduction: Emotion, Patterning, and Visuality in <span class="search-highlight">Chinese</span> Literary Thought and Beyond
Journal Article

Contributors

Journal of Chinese Literature and Culture (2019) 6 (1): 272–273.
DOI: https://doi.org/10.1215/23290048-7568605
Published: 01 April 2019
... print and painting in Chen Hongshou's work. Recently, having become engaged in the environmental humanities, she is also working on a reevaluation of Qi Biaojia's various writings about his famous garden at Yushan. ZONG-QI CAI is professor of Chinese, comparative literature, and medieval studies...
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Journal Article

Collecting the Here and Now: Birthday Albums and the Aesthetics of Association in Mid-Ming China

Lihong Liu
Journal of Chinese Literature and Culture (2015) 2 (1): 43–91.
DOI: https://doi.org/10.1215/23290048-2887553
Published: 01 April 2015
... Eightieth Birthday: An Album of Poetry and Painting) (Wen album), 1549. Folding album leaves (two in one), ink on paper, 30 × 54 cm. Taipei: Chen Chi-te Collection. Reproduction from Cai Yixuan 蔡宜璇, ed., Yuemu: Zhongguo wanqi shuhua 悅目: 中國晚期書畫 (Enchanting Images: Late Chinese Painting and Calligraphy from...
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Contributors

Journal of Chinese Literature and Culture (2015) 2 (1): 249–250.
DOI: https://doi.org/10.1215/23290048-3314759
Published: 01 April 2015
... Copyright © 2015 by Duke University Press 2015 ANNE BURKUS-CHASSON is associate professor of art history at the University of Illinois at Urbana-Champaign. Her research generally focuses on seventeenth-century Chinese painting and woodblock-printed books. She has a special interest...
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Figure 1. Liu Yin, Misty Willows by Moonlit Dike, dated 1643. Title inscription and documentation by Qian Qianyi at the beginning of the painting, followed by Huang Jieling's landscape, and Qian's preface to Huang's poetry anthology. Ink and colors on paper, 25.1 x 126.5 cm. Palace Museum, Beijing. Palace Museum, Beijing. Source: Zhongguo gudai shuhua tumu 中國古代書畫圖目 (Illustrated Catalogue of Selected Works of Ancient Chinese Painting and Calligraphy) (Beijing: Remin meishu chubanshe, 1978–2001), 22:142

Liu Yin, Misty Willows by Moonlit Dike , dated 1643. Title inscription and...

in Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618–1664) Misty Willows by Moonlit Dike > Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Liu Yin, Misty Willows by Moonlit Dike , dated 1643. Title inscription and documentation by Qian Qianyi at the beginning of the painting, followed by Huang Jieling's landscape, and Qian's preface to Huang's poetry anthology. Ink and colors on paper, 25.1 x 126.5 cm. Palace Museum More
Journal Article

Identities and Literary Culture in Qing China: Manchu Emperors as Chinese Poets, Readers, and Publishers

Kai-Wing Chow
Journal of Chinese Literature and Culture (2019) 6 (2): 359–382.
DOI: https://doi.org/10.1215/23290048-8041957
Published: 01 November 2019
... in fact was a conscious act of emulation or habitual response to his grandfather Kangxi, who, enchanted by Tang poetry, had begun the tradition of inscribing his own poems on imperial publications of paintings. 51 These unique forms of Chinese arts had become an integral part of the emperors' sense...
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Journal Article

Presenting Mortality: Shen Zhou's Falling Blossoms Project

Peter C. Sturman
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
DOI: https://doi.org/10.1215/23290048-2887565
Published: 01 April 2015
... shiji 參寥子詩集 ( Collected Poetry of Canliao ). Siku quanshu edition . Chaves, Jonathan . “ The Chinese Painter as Poet. ” In Words and Images: Chinese Poetry, Calligraphy, and Painting , edited by Alfreda Murck and Wen C. Fong , 431 – 58 . New York : Metropolitan Museum of Art...
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Journal Article

Virtue and Women's Authorship in Chinese Art History: A Study of Yutai huashi (History of Painting from Jade Terrace)

Lara C. W. Blanchard
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
DOI: https://doi.org/10.1215/23290048-10362457
Published: 01 April 2023
... and Interiority in Chinese Painting and Poetry . Boston : Brill , 2018 . Bray, Francesca . Technology and Gender: Fabrics of Power in Late Imperial China . Berkeley : University of California Press , 1997 . Du, Fangqin , and Susan Mann . “ Competing Claims on Womanly Virtue in Late Imperial...
View articletitled, Virtue and Women&#x27;s Authorship in <span class="search-highlight">Chinese</span> Art History: A Study of Yutai huashi (History of <span class="search-highlight">Painting</span> from Jade Terrace) View PDF for article titled, Virtue and Women&#x27;s Authorship in <span class="search-highlight">Chinese</span> Art History: A Study of Yutai huashi (History of <span class="search-highlight">Painting</span> from Jade Terrace)
Journal Article

From Convention to Subversion: Case Studies on the Female Gaze in Premodern China

Grace S. Fong
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
DOI: https://doi.org/10.1215/23290048-10362418
Published: 01 April 2023
... Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry . Leiden : Brill , 2018 . Brook, Timothy . The Confusions of Pleasure: Commerce and Culture in Ming China . Berkeley : University of California Press , 1998 . Brown, Claudia . “ Accomplished...
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Journal Article

Horse Language and Improvised Memorials: Gong Kai's Equine Paintings and Song Loyalism

Najung Kim
Journal of Chinese Literature and Culture (2023) 10 (2): 336–378.
DOI: https://doi.org/10.1215/23290048-10767856
Published: 01 November 2023
... this long-pondered topic from a new perspective. 1. Regarding previous scholarship on this painting, see Cahill, Hills beyond a River , 17–19 ; Lee and Ho, Chinese Art under the Mongols , 92–95 ; Sturman, “Sung Loyalist Calligraphy,” 79–85 ; Hearn, “Painting and Calligraphy under the Mongols...
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View articletitled, Horse Language and Improvised Memorials: Gong Kai&#x27;s Equine <span class="search-highlight">Paintings</span> and Song Loyalism View PDF for article titled, Horse Language and Improvised Memorials: Gong Kai&#x27;s Equine <span class="search-highlight">Paintings</span> and Song Loyalism
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Contributors

Journal of Chinese Literature and Culture (2017) 4 (2): 439–441.
DOI: https://doi.org/10.1215/23290048-4179997
Published: 01 November 2017
... Dynasty literary culture, aesthetics, biji and supernatural tales, and the interplay of poetry and image in later Chinese painting. He is the author of The Problem of Beauty: Aesthetic Thought and Pursuits in Northern Song China (2006) and The Burden of Female Talent: The Poet Li Qingzhao and Her...
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Journal Article

Chen Hongshou's Laments

Anne Burkus-Chasson
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
DOI: https://doi.org/10.1215/23290048-7496846
Published: 01 April 2019
.... Translations of Xie's poem appear in Birrell, New Songs from a Jade Terrace , 105 ; and Watson, Columbia Book of Chinese Poetry , 176 . 52. For the term liu huang , see Morohashi, Dai Kan-Wa jiten , 6:17431–89 . I have emended the translation that appears in White, Repentant Monk , 173 , which...
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Journal Article

Where Have All the Guixiu Gone? Chinese “Women of Talent” at the Turn of the Twentieth Century

Xiaorong Li
Journal of Chinese Literature and Culture (2023) 10 (1): 81–107.
DOI: https://doi.org/10.1215/23290048-10362392
Published: 01 April 2023
.... Even the French missionary school, Qiming Nüxiao, offered a course on classical poetry. 45 It is also noteworthy that Chengdong Nüxiao was originally founded by Yang Baimin 楊白民 (1874–1924) in 1904. Its addition, the School (or Branch) of Traditional Chinese Painting ( Guohua ke ), where Gu taught...
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Image
Figure 3. Wen Jia 文嘉 (1499–1582), Xiuzhu Wu 修竹塢 (Slender Bamboo Cove). In “Zhu ming xian shou Yuan Fangzhai shihua ce” 諸名賢壽袁方齋詩畫冊 (Various Famous Talents Celebrating Yuan Fangzhai's Birthday: An Album of Poetry and Painting) (Yuan album), 1527. Album leaves (mounted as facing one another), ink and colors on silk (painting), ink on paper (calligraphy), each leaf 22.2 × 26.7 cm. Beijing: Palace Museum. Painting reproduction from Zhongguo gudai shuhua jiandingzu 中國古代書畫鑒定組 (Connoisseurial Team of Ancient Chinese Painting and Calligraphy), ed., Zhongguo huihua quanji 中國繪畫全集 (Complete Collection of Chinese Paintings) (Hangzhou: Zhejiang renmin meizhu chubanshe, 2000), 13:191, plate 180. Calligraphy reproduction from Li Yueyun 李月雲, “Ming zhongye Jiangnan wenren shanshui zhushou tu yuyi yanjiu” 明中葉江南文人山水祝壽圖寓意研究 (Study on the Implications of Birthday-Congratulatory Landscape Paintings by mid-Ming Literati in Jiangnan) (MA thesis, Nanjing Yishu Xueyuan, 2013), 67, plate 43

Wen Jia 文嘉 (1499–1582), Xiuzhu Wu 修竹塢 (Slender Bamboo Cove). In “Zhu ming...

in Collecting the Here and Now: Birthday Albums and the Aesthetics of Association in Mid-Ming China > Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 3. Wen Jia 文嘉 (1499–1582), Xiuzhu Wu 修竹塢 (Slender Bamboo Cove). In “Zhu ming xian shou Yuan Fangzhai shihua ce” 諸名賢壽袁方齋詩畫冊 (Various Famous Talents Celebrating Yuan Fangzhai's Birthday: An Album of Poetry and Painting) (Yuan album), 1527. Album leaves (mounted as facing one another), ink More
Journal Article

Voices from the Crimson Clouds Library: Reading Liu Rushi's (1618–1664) Misty Willows by Moonlit Dike

Hui-Shu Lee
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
DOI: https://doi.org/10.1215/23290048-2887589
Published: 01 April 2015
...Figure 1. Liu Yin, Misty Willows by Moonlit Dike , dated 1643. Title inscription and documentation by Qian Qianyi at the beginning of the painting, followed by Huang Jieling's landscape, and Qian's preface to Huang's poetry anthology. Ink and colors on paper, 25.1 x 126.5 cm. Palace Museum...
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Journal Article

Tao Yuanming: A Symbol of Chinese Culture

Xingpei Yuan
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
DOI: https://doi.org/10.1215/23290048-2749419
Published: 01 November 2014
...木虎雄, Tō Enmei shi kai 陶淵明詩解 (Tao Yuanming's Poetry Explained) (Kōbundō, 1948). 44. Cui, Tao Yuanming , 29–127 . 45. This information was contributed by Zhao Yulan 趙玉蘭 (pers. comm.). 46. Budd, Chinese Poems (1912); Waley, A Hundred and Seventy Chinese Poems (1918); Lowell...
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Journal Article

Contributors

Journal of Chinese Literature and Culture (2023) 10 (1): 294–296.
DOI: https://doi.org/10.1215/23290048-10365902
Published: 01 April 2023
..., woodblock printmaking, photography, and video—from the Song dynasty (960–1279) through the contemporary era. She is the author of Song Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry (2018). Copyright © 2023 by Duke University Press 2023 ...
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