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Chinese poetry and painting

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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 297–335.
Published: 01 November 2023
... effect on the poetics of Chinese painting and poetry. What that Buddhist revisionism made possible, we would argue, is a new way of seeing the “myriad phenomena” of the world that opened up new avenues of artistic expression. Because of this Buddhist emphasis on physical objects, Chinese painting...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 43–91.
Published: 01 April 2015
... Eightieth Birthday: An Album of Poetry and Painting) (Wen album), 1549. Folding album leaves (two in one), ink on paper, 30 × 54 cm. Taipei: Chen Chi-te Collection. Reproduction from Cai Yixuan 蔡宜璇, ed., Yuemu: Zhongguo wanqi shuhua 悅目: 中國晚期書畫 (Enchanting Images: Late Chinese Painting and Calligraphy from...
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Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 92–133.
Published: 01 April 2015
.... no. 154. Copyright © 2015 by Duke University Press 2015 Shen Zhou Wen Zhengming Chinese poetry and painting mortality old-age style When Shen Zhou 沈周 (1427–1509), one of the prominent figures of Suzhou culture, entered into his very late years at the turn of the sixteenth century...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
.... While the image plays an essential role in poetry, the disassociation of emotion from representational graphic forms, conspicuous in Chinese poetry criticism and painting criticism alike, dates back at least as far as Liu Xie's distinctions between qingwen (textual emotion-patterning) and xingwen...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 272–273.
Published: 01 April 2019
... YINGZHI ZHAO is a fellow of the Garden and Landscape Studies Program at Dumbarton Oaks Research Library and Collection. She specializes in classical Chinese poetry and poetics and late imperial Chinese literature and cultural history. She is currently working on her first book, Ruins...
Image
Published: 01 April 2015
Figure 1. Liu Yin, Misty Willows by Moonlit Dike , dated 1643. Title inscription and documentation by Qian Qianyi at the beginning of the painting, followed by Huang Jieling's landscape, and Qian's preface to Huang's poetry anthology. Ink and colors on paper, 25.1 x 126.5 cm. Palace Museum More
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 249–250.
Published: 01 April 2015
... Copyright © 2015 by Duke University Press 2015 ANNE BURKUS-CHASSON is associate professor of art history at the University of Illinois at Urbana-Champaign. Her research generally focuses on seventeenth-century Chinese painting and woodblock-printed books. She has a special interest...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (2): 359–382.
Published: 01 November 2019
..., enchanted by Tang poetry, had begun the tradition of inscribing his own poems on imperial publications of paintings. 51 These unique forms of Chinese arts had become an integral part of the emperors' sense of beauty and civilization. Images were constructed and distributed through media...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 221–243.
Published: 01 April 2023
... and Interiority in Chinese Painting and Poetry . Boston : Brill , 2018 . Bray, Francesca . Technology and Gender: Fabrics of Power in Late Imperial China . Berkeley : University of California Press , 1997 . Du, Fangqin , and Susan Mann . “ Competing Claims on Womanly Virtue in Late Imperial...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 137–168.
Published: 01 April 2023
... Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry . Leiden : Brill , 2018 . Brook, Timothy . The Confusions of Pleasure: Commerce and Culture in Ming China . Berkeley : University of California Press , 1998 . Brown, Claudia . “ Accomplished...
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (2): 336–378.
Published: 01 November 2023
... this long-pondered topic from a new perspective. 1. Regarding previous scholarship on this painting, see Cahill, Hills beyond a River , 17–19 ; Lee and Ho, Chinese Art under the Mongols , 92–95 ; Sturman, “Sung Loyalist Calligraphy,” 79–85 ; Hearn, “Painting and Calligraphy under the Mongols...
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Journal Article
Journal of Chinese Literature and Culture (2017) 4 (2): 439–441.
Published: 01 November 2017
... Dynasty literary culture, aesthetics, biji and supernatural tales, and the interplay of poetry and image in later Chinese painting. He is the author of The Problem of Beauty: Aesthetic Thought and Pursuits in Northern Song China (2006) and The Burden of Female Talent: The Poet Li Qingzhao and Her...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
... to Li Zhi's concept of authenticity. Like his painting, Chen's poetry was eclectic. Moreover, since Chen understood painting to be an artifice, constructed part by part through the calculated manipulation of pictorial units, it goes against the grain of his work to identify it with Li's call...
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Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 81–107.
Published: 01 April 2023
... simultaneously). As poetry on paintings ( tihua shi ) had long been an established subgenre, the training these students received was in line with the Chinese tradition that had generally valued the three high arts (poetry, calligraphy, and painting) together. Gu Xianrong's inclusion of poems resulting from...
FIGURES
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 173–206.
Published: 01 April 2015
...Figure 1. Liu Yin, Misty Willows by Moonlit Dike , dated 1643. Title inscription and documentation by Qian Qianyi at the beginning of the painting, followed by Huang Jieling's landscape, and Qian's preface to Huang's poetry anthology. Ink and colors on paper, 25.1 x 126.5 cm. Palace Museum...
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Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
Published: 01 November 2014
... Changqing Collection ). Sibu congkan 四部叢刊 edition. Berkowitz, Alan . “ The Poetry of Reclusion: Tao Qian. ” In Stories of Chinese Poetic Culture: Earliest Times through the Tang , edited by Zong-qi Cai . New York : Columbia University Press , forthcoming. Chang, Kang-i Sun...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 294–296.
Published: 01 April 2023
... Dynasty Figures of Longing and Desire: Gender and Interiority in Chinese Painting and Poetry (2018). MARAM EPSTEIN is a professor of late imperial Chinese literature at the University of Oregon. Her primary interests are xiaoshuo aesthetics, representations of gender, and histories of emotion. She...
Image
Published: 01 April 2015
Figure 3. Wen Jia 文嘉 (1499–1582), Xiuzhu Wu 修竹塢 (Slender Bamboo Cove). In “Zhu ming xian shou Yuan Fangzhai shihua ce” 諸名賢壽袁方齋詩畫冊 (Various Famous Talents Celebrating Yuan Fangzhai's Birthday: An Album of Poetry and Painting) (Yuan album), 1527. Album leaves (mounted as facing one another), ink More
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 108–136.
Published: 01 April 2023
... zhengshi ji 國朝閨秀正始集 ( Correct Beginnings: Women's Poetry of Our August Dynasty ). Hongxiangguan edition, 1831 . Weidner, Marsha . “ The Conventional Success of Ch'en Shu. ” In Flowering in the Shadows: Women in the History of Chinese and Japanese Painting , edited by Marsha Weidner , 123...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 1–10.
Published: 01 April 2023
... . 1. Furth, “Poetry and Women's Culture.” As guest editors of this special issue, we wish to thank the editors-in-chief, Yuan Xingpei and Zong-qi Cai, for inviting us to prepare this issue of the Journal of Chinese Literature and Culture . We would also like to express our appreciation...