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Chen Hongshou
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Published: 01 April 2019
Figure 1. Chen Hongshou (1598–1652), leaf from Album of Birds, Flowers, and Landscapes , 1630–32. Ink and colors on silk, 20.95 × 15.24 cm. University of California, Berkeley Art Museum and Pacific Film Archive, Gift of James Cahill. 1996.49.2.d. Photographed for the University of California
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Image
Published: 01 April 2019
Figure 7. Chen Hongshou (1598–1652), leaf from Landscapes, Figures, and Flowers , 1618–22. Ink and color on paper, 22.23 × 9.2 cm. Metropolitan Museum of Art, New York. Purchase, Friends of Far Eastern Art Gifts, 1985. 1985.121a-l.
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Image
Published: 01 April 2019
Figure 12. Chen Hongshou (1598–1652), leaf from Figures, Flowers, and Landscapes , dated 1627. Ink and color on silk, 22.23 × 21.75 cm. Metropolitan Museum of Art, New York. Gift of Mr. and Mrs. Wan-go H. C. Weng, 1999. 1999.521a-k.
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Image
Published: 01 April 2019
Figure 16. Chen Hongshou (1598–1652), Su Wu and Li Ling with Attendants , c. 1635. Hanging scroll, ink and colors on silk, 127 × 48.26 cm. University of California, Berkeley Art Museum and Pacific Film Archive. Purchase made possible through a gift from an anonymous donor. 2003.2.4. Photographed
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in Like Not Like: Writing Portraits in The Peony Pavilion
> Journal of Chinese Literature and Culture
Published: 01 April 2015
Figure 1. Chen Hongshou (1598 or 1599–1652), Paintings after Ancient Masters: A Lady . Album leaf, ink and color on silk. 24.5 x 22.6 cm. The Cleveland Museum of Art, John L. Severance Fund 1979.27.2.16
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 96–136.
Published: 01 April 2019
...Figure 1. Chen Hongshou (1598–1652), leaf from Album of Birds, Flowers, and Landscapes , 1630–32. Ink and colors on silk, 20.95 × 15.24 cm. University of California, Berkeley Art Museum and Pacific Film Archive, Gift of James Cahill. 1996.49.2.d. Photographed for the University of California...
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Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 272–273.
Published: 01 April 2019
... print and painting in Chen Hongshou's work. Recently, having become engaged in the environmental humanities, she is also working on a reevaluation of Qi Biaojia's various writings about his famous garden at Yushan. ZONG-QI CAI is professor of Chinese, comparative literature, and medieval studies...
Journal Article
Journal of Chinese Literature and Culture (2019) 6 (1): 1–14.
Published: 01 April 2019
... was prevalent in the practices of traditional Chinese writers and artists; however, in local practices the integration was not always realized in a harmonious way. Two of the articles in this special issue, “Su Shi Renders No Emotion” by Peter C. Sturman and “Chen Hongshou's Laments” by Anne Burkus-Chasson...
Journal Article
Journal of Chinese Literature and Culture (2015) 2 (1): 134–172.
Published: 01 April 2015
...Figure 1. Chen Hongshou (1598 or 1599–1652), Paintings after Ancient Masters: A Lady . Album leaf, ink and color on silk. 24.5 x 22.6 cm. The Cleveland Museum of Art, John L. Severance Fund 1979.27.2.16 ...
FIGURES
Journal Article
Journal of Chinese Literature and Culture (2014) 1 (1-2): 216–240.
Published: 01 November 2014
... (1494–1552), Zhang Feng 張風, Chen Hongshou 陳洪綬 (1598–1652), Wang Hui 王翬 (1632–1717), Shi Tao 石濤 (1642–1707), and Huang Shen 黃慎 (1687–1772). The Song Dynasty Longmian jushi 龍眠居士 (Layman of Longmian), Li Gonglin 李公麟 (also called Boshi 伯時), seems to have had a personality in some ways close to Tao's...
Journal Article
Journal of Chinese Literature and Culture (2023) 10 (1): 267–293.
Published: 01 April 2023
... face showing unmistakable sadness. The Chinese caption on the illustration reads: “The posture of San Mazi performing as a servant hiding his sword while assassinating the lady” 三麻子演家人暗殺主母時藏劍之姿勢. The caption underscores that the illustration's focus is the male performer Wang Hongshou 王鴻壽 (1850–1925...
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