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Volume 6, Issue 1

1 April 2019

ISSN 2329-0048

EISSN 2329-0056

In this Issue

Introduction
Articles
Contributors

Emotion and Visuality in Chinese Literature and Culture

Introduction

Introduction: Emotion, Patterning, and Visuality in Chinese Literary Thought and Beyond

Zong-qi Cai; Shengqing Wu

Extract

Articles

Su Shi Renders No Emotion

Peter C. Sturman

Abstract

The Emotive Object in Medieval China

Jeffrey Moser

Abstract

Chen Hongshou's Laments

Anne Burkus-Chasson

Abstract

What Remains of Mountains and Waters: Fragments, Mutilation, and Creation in Early Qing Literature and Culture

Yingzhi Zhao

Abstract

Image, Word, and Emotion: The Persistence of the Beautiful/Lovelorn Woman in the New-Style “Hundred Beauties” Albums (1900–1920s)

Xiaorong Li

Abstract

Haunting, (In)Visibility, Filiality: Qiu Canzhi (1901–67) and Her Works of Mourning

Hu Ying

Abstract

Nostalgic Fragments in the Thick of Things: Yuan Kewen (1890–1931) and the Act of Remembering

Shengqing Wu

Abstract

Contributors

Contributors

Extract

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Image, Word, and Emotion: The Persistence of the Beautiful/Lovelorn Woman in the New-Style “Hundred Beauties” Albums (1900–1920s)

Nostalgic Fragments in the Thick of Things: Yuan Kewen (1890–1931) and the Act of Remembering

The Emotive Object in Medieval China

Su Shi Renders No Emotion

Chen Hongshou's Laments

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