.... Northcote , James . [1819] 1971 . Life of Sir Joshua Reynolds . Vol. 1 of 2. London: Cornmarket Press. Pointon , Marcia . 1984 . Portrait Painting as a Business Enterprise in London in the 1780s. Art History 7 . 2 (June): 187 -201. Reilinger , Gerald . 1961 . The Economics of Taste...

... was an important and influential figure in the art world of Seville. In 1616 he was elected dean of the painters’ guild, and two years later he was chosen as overseer of reli- gious painting for the local Inquisition. He was involved with the intel- lectual elite of the city and oversaw an unofficial academy...

... that is mostly white except for a few bands of color flowing down at each side. Adjacent hangs a colorful collage by Robert Rauschenberg. The sight of these paintings must be perplexing to anyone who has the imprint of the nineteenth century art on his mind. The inevitable ques­ tions are “What...

... peinture par principes . Paris. English edition: The Principles of Painting. London, 1743. Galiani , Ferdinando . [1751] 1923 . Della Moneta , Book 1. Translated and edited by Arthur Eli Monroe. Early Economic Thought. Cambridge: Harvard University Press. Grampp , William D. 1989...

... of Art. Buchanan , William . 1824 . Memoirs of Painting . 2 vols. London. Burnet , John . 1852 . Turner and His Works . London. Chernow , Ron . 1990 . The House of Morgan: An American Banking Dynasty and the Rise of Modern Finance . New York: Simon & Schuster. Concise...

... . A Rage for Exhibitions: The Display and Viewing of Wedgwood's Frog Service. In The Genius of Wedgwood , edited by Hilary Young. London: Victoria & Albert Museum. Barrell , John . 1986 . The Political Theory of Painting from Reynolds to Hazlitt . New Haven, Conn.: Yale University Press...

... Press . Spear Richard E. Sohm Philip , eds. 2010 . Painting for Profit: The Economic Lives of Seventeenth-Century Italian Painters . New Haven : Yale University Press . Velthuis Olav . 2005 . Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art...

... of Virginia Woolf, Lytton Strachey, and Roger Fry (all deceased at time of painting). National Por- trait Gallery. With the kind permission of Angelica Garnett. silent . . . and manage to create an atmosphere in which all is possible.” But, Bell (1907–36) added wryly, in her April 1914 letter...

... , Prosper . In press. De bibliotheek van P. P. Rubens. De Gulden Passer 78 . Austin , R. G. 1944 . Quintilian on Painting and Statuary. Classical Quarterly 38 : 17 -26. Baxandall , Michael . 1971 . Giotto and the Orators: Humanist Observers of Painting in Italy and the Discovery...

... painting. The painter, impecunious but unwilling to part permanently with this, a favorite piece, offers to place the painting with a dealer in return for a loan of money. The painter agrees to pay interest on this loan and perhaps a storage fee (as one would for grain “parked...

... that artists in Mexico had “produced the greatest national school of mural painting since the Ital- ian Renaissance” and, though working at “plumber’s wages,” they had “express[ed] on the walls of the government buildings the social ideals of the Mexican revolution.” Biddle (1939, 268) advanced a program...

... remedy, intended more for the common people: frequent attempts “to amuse and divert [them] by painting, poetry, musick, dancing; by all sorts of dramatic represen- tations and exhibitions,” provided these be “without scandal or inde- cency” (796). Such diversions, Smith believed, would “easily...

... . The Correspondence of Alfred Marshall . 3 vols. Cambridge: Cambridge University Press. Obscure Objects of Desire?: Nineteenth-Century British Economists and the Price(s) of “Rare Art” Michael V. White There is more similarity in a precious painting by Degas and a frosted...

... and Keynes Traditionally, aesthetics is that branch of philosophy dealing with the study and evaluation of beauty. Beauty is taken as occurring in two (possibly intersecting) domains-works of nature, such as landscapes, flora, fauna, and human forms; and works of humun culture, such as painting...

... Life and Work . London : Faber and Faber . Main Presentation The Political Economy of Art: Ruskin and Contemporary Cultural Economics David Throsby It is not only that [Ruskin] has written charmingly on painting, on architecture, and on scenery...

... Table 1.) Table 1 Highlights of Official Treatments of Imported Paintings and Sculpture, 1789–1865 Approximate Duty on Average rate Paintings on Dutiable and Statuary Imports (ad valorem) (ad valorem) Year...

... the book that Ruskin’s socio-economic theories were a logical out- growth of his earlier writings on painting and architecture which had established his reputation as an influential Victorian master of prose and art critic. Professor Anthony shows that Ruskin consistently kept one test...

... anniversary, in December 2016; and a study of how paint- ings from communities with no Western or Eastern aesthetic have been curated, look- ing specifically at Australian Aboriginal paintings. José Edwards is assistant professor of economics at the School of Government of the Universidad Adolfo...

... the fine arts. He often discussed painting with terminology drawn from music. For exam- ple, “In addition to his feelings about life and what he sees, every artist has inside him a few controlling rhythms which are really him, and to which he has to make his vision of the external world conform if he...

...). Historically there were plenty of examples to the contrary; to quote again from his notes for his talk: “Architecture notorious. Paint- ing & sculpture. Church. State (Venice). Kings & Despots. Charles V & Medici. Just not true that good products [are] only response to pri- vate demand in sense that much...