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Volume 31, Issue Supplement
December 1, 1999
Issue Cover
Issue Editors
Craufurd D Goodwin
Craufurd D Goodwin
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ISSN 0018-2702
EISSN 1527-1919

Economic Engagements with Art

Introduction
Neil De Marchi
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I. Art and Economic Theory

Francisco Pacheco: Economist for the Art World
Zarinés Negrón
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The Problem of Unique Goods as Factors of Production: Rousseau on Art and the Economy
Bertil Fridén
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Obscure Objects of Desire?: Nineteenth-Century British Economists and the Price(s) of “Rare Art”
Michael V. White
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Pacifying the Workman: Ruskin and Jevons on Labor and Popular Culture
Harro Maas
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Jevons's Music Manuscript and the Political Economy of Music
Bert Mosselmans; Ernest Mathijs
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The Economics of Art through Art Critics’ Eyes
Craufurd D. Goodwin
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Ii. Art and Economic Policy

Art Exports and the Construction of National Heritage in Late-Victorian and Edwardian Great Britain
Helen Rees
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International Commerce in the Fine Arts and American Political Economy, 1789–1913
William J. Barber
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“Sweet Are the Uses of Adversity”: Federal Patronage of the Arts in the Great Depression
William J. Barber
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Positive Science, Normative Man: Lionel Robbins and the Political Economy of Art
Márcia Balisciano; Steven G. Medema
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Economy, Architecture and Politics: Colonialist and Cold War Hotels
Annabel Wharton
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Iii. the Business of Art

The Economics of Art in Early Modern Times: Some Humanist and Scholastic Approaches
Toon Van Houdt
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Liberalitas, Magnificentia, Splendor: The Classic Origins of Italian Renaissance Lifestyles
Guido Guerzoni
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Ingenuity, Preference, and the Pricing of Pictures: The Smith-Reynolds Connection
Neil De Marchi; Hans J. Van Miegroet
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Production and Reproduction: Commerce in Images in Late-Eighteenth-Century London
Sara Zablotney
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Dealer in Magic: James Cox's Jewelry Museum and the Economics of Luxurious Spectacle in Late-Eighteenth-Century London
Marcia Pointon
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“Seeing Is Believing” Otto Neurath, Graphic Art, and the Social Order
Robert J. Leonard
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Contributors

Contributors
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