Search Results for jazz

... of this disjuncture that should be of interest to future interpreters of Hall in music disciplines and offer some value to the conversation at large. Namely, how to read the discussion of jazz in this “peculiar” memoir, and thereby how to think about the intersection of music—or perhaps slightly more broadly, musical...

... a meditation on artistic development in the Caribbean and African diaspora that turns explicitly to jazz and Caribbean literature in ways that help illuminate how his thinking with blackness informs his approach to futurity. Jazz provides Hall with an example of thinking about the articulation of structure...

..., for his part, points to the space between jazz and other forms of popular music in Hall’s writing and thinking and speaking about race and blackness. Class differences and positionalities hover over this analysis as well, never beyond their historical context of course because they are invariably symptoms...

... consumed by political activism after 1960, when the ULR club opened an office and the Partisan Café on Carlisle Street (256–57). However, there is no indication of the polyphony of black sounds emanating from Caribbean and African clubs nearby in Soho or of the South African jazz diaspora playing kwela...

... de oficio contra les simarrones,” Colonial Documents Collection (CDC), Louisiana Historical Center, New Orleans Jazz Museum, in the Old U.S. Mint. SCDIB #10–11; 806 Sp. file #3330. 2 “Criminales que se siguen de oficio contra les simarrones,” Colonial Documents Collection (CDC), Louisiana...

... are the invisible grounds of Freudian theories of sex and gender—borrows its title from a song by the jazz musician, Charles Mingus. Mingus’s improvisational tune of that name is recorded on his 1960 album, Charles Mingus Presents Charles Mingus , and includes his introductory comment at the live performance...