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Journal Article
Hispanic American Historical Review (1994) 74 (4): 756–757.
Published: 01 November 1994
...José Cuello Songs My Mother Sang to Me: An Oral History of Mexican American Women . By Martin Patricia Preciado . Tucson : University of Arizona Press , 1992 . Photographs. Notes. Index . xxv, 224 pp. Cloth , $35.00 . Paper , $16.95 . Copyright 1994 by Duke University...
Journal Article
Hispanic American Historical Review (1981) 61 (2): 305–306.
Published: 01 May 1981
...Michael Weisser Le sang de l’autre ou l’honneur de Dieu: Indiens, juifs, morisques dans l’Espagne du siècle d’or . By Méchoulan Henry . Paris : Librairie Arthème Fayard , 1979 . Notes. Bibliography. Index . Pp. 302 . Paper. Copyright 1981 by Duke University Press 1981...
Journal Article
Hispanic American Historical Review (2000) 80 (1): 203–205.
Published: 01 February 2000
...Luis Martínez-Fernández Una utopía inconclusa: Espaillat y el liberalismo dominicano del siglo XIX . By Sang Mu-Kien Adriana . Santo Domingo : Instituto Tecnológico de Santo Domingo , 1997 . Tables. Appendixes. Notes. Glossary. Bibliography. Index . xviii , 479 pp. Paper...
Journal Article
Hispanic American Historical Review (1987) 67 (1): 149–150.
Published: 01 February 1987
... a quarter century before the Pilgrims landed in New England. America’s Hispanics had a rich and vibrant cultural tradition of seventeenth-century Spanish provenance. When New Mexicans in the 1930s sang ballads, they sang of “How Victoriously El Cid Returns from the Battles of Valencia,” of the 1072 siege...
Journal Article
Hispanic American Historical Review (1970) 50 (3): 640–641.
Published: 01 August 1970
...) their style was inspired by the crude couplets which the gauchos composed and sang to celebrate local heroes or events. Jorge Luis Borges has analysed the process of gaucho poetry with great lucidity. His conclusions are worth quoting: “Gaucho poetry is a unique phenomenon in literary history...
Journal Article
Hispanic American Historical Review (1993) 73 (3): 542–543.
Published: 01 August 1993
..., Manuel F. Ayau C., Miguel Sang Ben, Og Francisco Leme, Andrés Van Der Horst, Alberto Benegas Lynch, and Luis Bustamante Belaunde. ...
Journal Article
Hispanic American Historical Review (1996) 76 (2): 331–333.
Published: 01 May 1996
... states that the rebels of Lares (1868) sang “La Borinqueña”—“the same which at present is the anthem of the Commonwealth of Puerto Rico” (p. 298). Although bearing the same title, the present version of the anthem is very different from the original. One more example of poor research and poor historical...
Journal Article
Hispanic American Historical Review (2022) 102 (4): 755–757.
Published: 01 November 2022
..., by another Chinese Dominican historian, Mukien Adriana Sang Ben, for Sino-Dominican and Sino-Caribbean experiences of more contemporary relevance. Those who are particularly interested in theorizing Chinese diaspora in the region, however, may find Chez Checo's book more informative than argumentative...
Journal Article
Hispanic American Historical Review (1972) 52 (4): 642–644.
Published: 01 November 1972
... she informs us that toward the end of the colonial period there were about 300 white men married to sang-melées . On a white population of some 40,000 and a free colored group of some 28,000, this does not seem impressive at all. There were, of course, many more concubinates, but their off-spring...
Journal Article
Hispanic American Historical Review (2017) 97 (2): 380–381.
Published: 01 May 2017
... insistence on his subjects as “subalterns” can seem forced. Yet his argument stands: Pentecostals as subalterns, “dismissed by one country and barely tolerated in another,” spoke, sang, migrated, and demonstrated agency in their lives (p. 120). Because of the frequent resort to specialized language, I would...
Journal Article
Hispanic American Historical Review (2019) 99 (3): 431–465.
Published: 01 August 2019
....” An excellent overview of the Heureaux regime is available in Sang, Ulises Heureaux . 10. Largey, Vodou Nation , 62; Péan, L'illusion héroïque , 128, 131. I follow Kate Ramsey in using Vodou to refer to practices as they were described (and proscribed) by authorities but also privileging...
FIGURES
Journal Article
Hispanic American Historical Review (1963) 43 (4): 538–541.
Published: 01 November 1963
... as Ricardo Rojas may one day find that his opera omnia fill less shelf space. Surely the most versatile vocalist in the history of Buenos Aires, Mariano Pablo Rosquellas sang in 1827 the title roles of Mozart’s Don Giovanni and Rossini’s Otello— after having introduced himself as the Count...
Journal Article
Hispanic American Historical Review (1980) 60 (1): 90–94.
Published: 01 February 1980
... what finally amounted to a five-hour presentation on the encomienda punctuated with his criticisms, insights, and commentaries on what the unpublished archival documentation said. My heart sang when he pronounced to a third party, who later told me, that I had been “thorough.” I first studied...
Journal Article
Hispanic American Historical Review (1992) 72 (3): 403–408.
Published: 01 August 1992
... is drying up. The field of Latin American studies owes much to Charles Wagley, whose research, empathy, and dedication to the way “little communities” have helped confront the “fundamental problems of man” earned the reward that the sympathetic Tapirapé once sang of: Lie quietly in your hammock...
Journal Article
Hispanic American Historical Review (2010) 90 (4): 591–625.
Published: 01 November 2010
... Pixinguinha’s “Pé de mulata.” Teixeira’s narrator marvels at the mulata ’s ability to make men fall at her feet and break their hearts and his. 73 Though Neves also sang about mulatas, Teixeira’s “Pé de mulata” contrasts with Neves’s pieces, which often placed him, not his female admirers, front...
FIGURES
Journal Article
Hispanic American Historical Review (2013) 93 (4): 685–690.
Published: 01 November 2013
... uncle’s important works are Hénock Trouillot, Le gouvernement du roi Henri Christophe (Port-au-Prince: Imprimerie Centrale, 1972); Hénock Trouillot, Dessalines; ou, Le sang du Pont-Rouge; Théâtre (Port-au-Prince: Imprimerie des Antilles, 1967). 1 For an excellent biographical and intellectual...
Journal Article
Hispanic American Historical Review (2013) 93 (1): 33–65.
Published: 01 February 2013
... an inspection of the site by the vicar-general, a cathedral priest sang the first Mass, with so many attending the dedication that a canopy had to be erected outside the chapel to accommodate the overflow. Construction on the new building began in July, facilitated by an unnamed acquaintance of Haro, who lent...
FIGURES
Journal Article
Hispanic American Historical Review (1963) 43 (2): 247–266.
Published: 01 May 1963
... motets. 5 In this colegio was reared the Indian musical prodigy, Cristóbal de Caranqui, 6 whose virtuosity as both singer and player was lauded in a report to Madrid. Even after 1581 the colegio continued to support Indian music maestros who with their charges still sang and played “polyphonic...
Journal Article
Hispanic American Historical Review (2012) 92 (2): 303–330.
Published: 01 May 2012
... d’Eu with the crown, and another young woman, Maria José Coimbra do Amaral, gave a speech. The Conde d’Eu responded with a speech of his own, after which the women sang the hymn “Conde d’Eu,” specifically composed for the occasion. The women then returned to the Philharmônica, where they held...
Journal Article
Hispanic American Historical Review (2000) 80 (3): 503–535.
Published: 01 August 2000
..., they “sang together the Salchichín , the Trágala , and other songs against the tyrant [ Juan Manuel de Rosas]. There were many guasos around there who were terrified when they heard us.” 31 Neither the lyrics of the Salchichín nor the Trágala were recorded in the diary. The 1921 collection...