Figure 1 Guaman Poma depicts an Andean notary, identified as both escribano de cabildo and quilcaycamayoc . Artwork in the public domain. Photograph supplied by The Royal Library, Copenhagen, Denmark, from manuscript GKS 2232 4o. More

Figure 2 Guaman Poma depicts a choirmaster and schoolmaster teaching indigenous pupils, one of whom writes “Sepan quantos” (“Be it known to all”). Artwork in the public domain. Photograph supplied by The Royal Library, Copenhagen, Denmark, from manuscript GKS 2232 4o. More

Figura 1. Representaciones de Huáscar Inca: a) Guamán Poma, descalzo y sin emblemas de autoridad, Guamán Poma de Ayala, Primer nueva corónica , fols. 115-18; b) con el cantar de memoria, en quechua y castellano, en la parte superior de la foja, Murúa, Historia del origen o Manuscrito Galvin More

Figure 1 “La otava Coia. Mama Iunto Caian.” From Felipe Guamán Poma de Ayala, Nueva corónica i buen gobierno (Mexico City: Siglo Veintiuno Editores, 1992), 112. More

Figure 2 “La novena Coia. Mama Anavarqve.” From Felipe Guamán Poma de Ayala, Nueva corónica i buen gobierno (Mexico City: Siglo Veintiuno Editores, 1992), 114. More

Figure 1 Indios criollos. From Felipe Guaman Poma de Ayala, Nueva corónica i buen gobierno (Mexico City: Siglo Veintiuno Editores, 1992), 802. Reprinted with permission from Siglo Veintiuno Editores. More

Figure 2 Buen cristiano principal. From Felipe Guaman Poma de Ayala, Nueva corónica i buen gobierno (Mexico City: Siglo Veintiuno Editores, 1992), 710. Reprinted with permission from Siglo Veintiuno Editores. More

Figure 2. Drawing of Santiago, Chile, in Felipe Guamán Poma de Ayala, El primer nueva corónica y buen gobierno , 1615/16, Royal Danish Library, Copenhagen, GKS 2232 4o, p. 1075. Image used with permission of Manuscript and Rare Books, Royal Danish Library. More

Figure 5. The movement of Guaman and his fellow Chachapoyas in late 1532, immediately before and after receiving news of Atawallpa's capture in Cajamarca. More