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Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 608–609.
Published: 01 August 2000
...David William Foster Bad Language, Naked Ladies, and Other Threats to the Nation: A Political History of Comic Books in Mexico. By anne rubenstein. Durham: Duke University Press, 1998. 210 pp. Cloth, $49.95. Paper, $17.95. 2000 by Duke University Press 2000 HAHR 80.3_08 BookReview(569-648...
Journal Article
Hispanic American Historical Review (1 November 2018) 98 (4): 758–759.
Published: 01 November 2018
...William H. Beezley Comics and Memory in Latin America . Edited By Jorge Catalá Carrasco , Paulo Drinot , and James Scorer . Illuminations: Cultural Formations of the Americas . Pittsburgh, PA : University of Pittsburgh Press , 2017 . Photograph. Figures. Notes. Bibliographies...
Journal Article
Hispanic American Historical Review (1 February 2014) 94 (1): 35–75.
Published: 01 February 2014
...Isabella Cosse In this article I reconstruct the history of Mafalda , the famous comic strip by the Argentine cartoonist Quino that was read, discussed, and viewed as an emblematic representation of Argentina’s middle class. With the aim of contributing to discussions on the interpretation of the...
Journal Article
Hispanic American Historical Review (1 May 2017) 97 (2): 366–368.
Published: 01 May 2017
... after World War I and the ambivalent responses of Latin Americans and Chileans to American influences. The changing ideas, images, and perceptions in Chile regarding the United States are documented profusely, citing stereotypes and representations of “the Yankee” in newspapers, magazines, movies, comic...
Journal Article
Hispanic American Historical Review (1 August 2017) 97 (3): 572–573.
Published: 01 August 2017
... analyzes the popular black comic book character Memín Pinguín as an example of the distorted views and negative stereotypes that Mexican mainstream culture holds about Afro-Mexicans, utilizing postcolonial deconstruction and visual rhetoric analysis. Ramsay persuasively debunks the argument that this...
Journal Article
Hispanic American Historical Review (1 May 2014) 94 (2): 333–335.
Published: 01 May 2014
... characters in comic strips and film, who gain acceptance as stand-ins for Argentine everymen. One unusual way in which networks can link Jews to a wider public domain is demonstrated by Argentines who experience their conversion to ultra-Orthodox Judaism as therapeutic, in sync with the long-standing...
Journal Article
Hispanic American Historical Review (1 May 2018) 98 (2): 343–345.
Published: 01 May 2018
... attracted the regime's repressive gaze, Cowan uses these sources to paint a more nuanced picture of the regime itself. Throughout, although he clearly disagrees with its right-wing ideology himself and often finds it comical (as many readers will), he treats it appropriately seriously, as an ideological and...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 569–573.
Published: 01 August 2000
... houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 573–574.
Published: 01 August 2000
... houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 574–575.
Published: 01 August 2000
.... Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs, radio sketches, and irreverent nicknames for famous downtown streets. The comic relief...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 576–577.
Published: 01 August 2000
.... Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs, radio sketches, and irreverent nicknames for famous downtown streets. The comic relief...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 577–578.
Published: 01 August 2000
.... Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs, radio sketches, and irreverent nicknames for famous downtown streets. The comic relief...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 578–580.
Published: 01 August 2000
.... His tour of the interior decoration of belle epoque houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 580–582.
Published: 01 August 2000
... houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 582–583.
Published: 01 August 2000
.... Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs, radio sketches, and irreverent nicknames for famous downtown streets. The comic relief...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 583–584.
Published: 01 August 2000
... houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 584–586.
Published: 01 August 2000
... houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 586–588.
Published: 01 August 2000
... houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 588–589.
Published: 01 August 2000
.... His tour of the interior decoration of belle epoque houses and apartments, for example, never reaches the kitchens or the servant’s quarters. Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension...
Journal Article
Hispanic American Historical Review (1 August 2000) 80 (3): 589–592.
Published: 01 August 2000
.... Elias Thome Saliba provides a welcome change of pace in his investigation of the “comic dimension” of private life. Parody was the favorite form, appearing in songs, radio sketches, and irreverent nicknames for famous downtown streets. The comic relief...