Search Results for cancion

...Robert Stevenson Copyright 1961 by Duke University Press 1961 Canción nacional de Chile: edición crítica de la letra . By Toro Clemente Canales . Santiago de Chile , 1960 . Editorial Andrés Bello . Colección Emblemas de la Patria . Notes. Bibliography . Pp. 185 . Paper . ...

...Robert Stevenson La canción mexicana. Ensayo de clasificación y antología . By Mendoza Vicente T. . México , 1961 . Instituto de Investigaciones Estéticas. Universidad Nacional Autónoma de México . Estudios de Folklore. No. 1 . Illustrations. Indices . Pp. 672 . Paper...

... the musicians identified with the Nueva Canción developed their work. She defines the Nueva Canción in the preface as “poetic, combative, lyrical, militant, romantic, committed, idealistic, inspirational, and hauntingly beautiful” (p. xvii). Her main objective is to emphasize the moment in which the Nueva...

..., “Medio radial”, 26-27. 57. Sobre la Nueva Canción Chilena, véase Salas Zúñiga, Primavera terrestre , 55-98; González, Ohlsen y Rolle, Historia social , 255-67, 337-434. 58. Largo Farías, Fue hermoso vivir contigo , 16-17. 59. Sobre la peña de Largo Farías y otras similares, véase...

... a glimpse of the lives of white women of the pampas region, especially in Chapter 11, “Bailes y canciones.” The work concludes with the three final chapters devoted to gaucho vocabulary, bibliography, and iconography. ...

... event. The author, however, uses these facts as a text for extensive and often incoherent divagations on official secrecy, razón de estado , colonialism, imperialism, capitalism, and even ranges so far afield as to discuss the sixteenth-century requerimiento , the Inquisition, La canción del Cid...

... Quiroz Otero, Vallenato . 45. Oñate Martínez, El ABC , 226. 46. Araújo Noguera, Vallenatología ; López Michelsen, “Elogio.” 47. Araújo Noguera, Vallenatología , 30–33. 48. Gilard, “¿Crescencio o don Toba?”; Posada Giraldo, “Canción vallenata”; González Henríquez, “Los estudios...

... of modernization and rural-urban migration. Scholar and musician Juan Carlos Ureña examines nueva canción movements of Central America through the lens of folklore. Like Cortijo y Su Combo in Puerto Rico, trovadores created songs centered on the marginalized: in their case, workers, revolutionaries, peasants...

..., are made in a passionate, impressively erudite, and occasionally playful manner. I found especially engaging a chapter on popular music that, with the exception of the Nueva Canción movement of the 1970s and 1980s, finds the idea of Latin America almost completely absent from popular songs and musical...

... dressed in white offers him an olive branch. But he orders four sharpshooters, two brown shirts and two black shirts to execute him against the clouds for being an imbecile. 18 In “Canción de la primavera del año 1934” (Song of the Spring of the Year 1934), Portogalo singles out for special...

... buscaram abafar os acordes politizados da nueva canción ; reflexões sobre a memória e o legado das ditaduras, entremeados por informações sobre a história da região; um ensaio sobre a experiência de centros de tratamento para vítimas da tortura criados nos Estados Unidos a partir de 1980, que acolhem...

... Espectador (Bogotá), 5 Aug. 1938, p. 7; “La murga huilense,” El Espectador (Bogotá), 7 Aug. 1938, p. 4; “Sobre festividades populares,” El Espectador (Bogotá), 8 Aug. 1938, pp. 1, 10; “La murga negra,” El Espectador (Bogotá), 19 Aug. 1938, p. 7. 57 See Restrepo Duque, Las cien mejores canciones; Wade...

.... See König, En el camino hacia la nación: Nacionalismo en el proceso de formación del estado y de la nación de la Nueva Granada, 1750 a 1856 (Bogotá: Banco de la República, 1994), 250; and José María Salazar, La campaña de Bogotá (Bogotá, 1820). 26 Canción al Primer Congreso del Perú, Mira...

... helping Allende supporters escape the country, Soria was murdered by the Dirección de Inteligencia Nacional, or DINA.) 85 This dissident cultural memory of the Spanish Civil War and its aftermath also made its presence heard. The singer-songwriters of the Nueva Canción movement, who provided...

... was the spark rather than the conclusion for his work. This sensibility was perhaps best captured in the title and theme of his essay “Canción de otoño en primavera,” reprinted in El espejo de la historia (1986). While Argentina was his central passion, Halperin was deeply engaged with broader debates...

...) to call for a congress that would discuss “the causes of our music’s backwardness and the best ways to fight that decadence.” 4 Ponce was one of the early advocates of musical nationalism. In 1913, as part of the activities of El Ateneo de la Juventud, he had given a lecture on “La música y la canción...

... , 201 – 4; for a deeper exploration of this theme, see Vera Kutzinski, Sugar’s Secrets: Race and the Erotics of Cuban Nationalism (Charlottesville: Univ. Press of Virginia, 1993), 1 – 42, 163 – 98. 25 Los Pobres Negros Orientales, “Tango,” in El Carnaval: Coleccion de canciones de la mayor...

... Ibarguren, La inquietud de esta hora (Buenos Aires, 1934). 25 Examples of writings with a liberal nationalist point of view which further developed the earlier themes of cultural nationalism are: Carlos Vega, Danzas y canciones argentinas (Buenos Aires, 1936) ; Ismael Moya, Romancero (Buenos...

..., or their contemporary legacies for Cuban identity. In one such transcript, Rosa Oliva Hernández discussed with her second-grade class at Rubén Bravo Elementary School a poem titled “La canción de la mocha” (The song of the machete), about the principal tool for cane cutting used first by slaves and then by mostly black...

... . Chandran R. , and Azeez P. A. “ Stray Dog Menace: Implications and Management .” Economic and Political Weekly 51 , no. 48 ( 2016 ): 58 – 65 . Chávez Bárcenas Ireri Elizabeth . “ Voz, afecto y representación nahua en la canción vernácula del siglo XVI .” Historia Mexicana 70...