Our understanding of the Moche culture has been largely derived from analysis of its ceremonial ceramics abundantly furnished to the world’s museums by the unrecorded activities of treasure seekers. Little archaeological investigation has been carried out in the looted sites which might help us place known objects in their proper context. Donnan’s clearly presented report of this 1965-67 field work offers fresh insights into Moche architecture and settlement patterns, as well as the full range of its ceramic forms and craft technology. He has provided Peruvianists with valuable tools with which to reconstruct a splendid ancient civilization.
D’Harcourt’s greatly respected book needs little comment since it has long been the basic reference in its field. The 1934 French edition and first English edition published in 1962 have been long out of print. Its re-issue in inexpensive paperback is therefore a welcome event for all who are interested in the fascinating and complex subject of ancient Peruvian textiles. As the title implies, the emphasis is on techniques. The examples illustrated are drawn from the central and south coasts and do not attempt to demonstrate the full range of ancient styles and iconography. It is, nevertheless, an indispensible reference tool.
