Matthew B. Karush; The Melodramatic Nation: Integration and Polarization in the Argentine Cinema of the 1930s. Hispanic American Historical Review 1 May 2007; 87 (2): 293–326. doi: https://doi.org/10.1215/00182168-2006-131
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I would like to thank the participants of the Washington Seminar on Latin American History, as well as Alison Landsberg, Mary Kay Vaughan, and the anonymous readers of the HAHR for their insightful comments on earlier drafts of this article.