In Adriana Zavala’s review of The Effects of the Nation: Mexican Art in an Age of Globalization, edited by Carl Good and John V. Waldron (83:3, pp. 590–91), the name of contributor Montserrat Galí Boadella was misspelled.
Lezzie Jo Frazier and Deborah Cohen would like to correct two oversights in their article “Defining the Space of Mexico ’68: Heroic Masculinity in the Priso and ‘Women’ in the Streets” (83:4, pp. 617–60). Their acknowledgements should have thanked Graciela Márquez, and on p. 628 they refer to Lecumberri as a “massive colonial structure,” when in fact it is a nineteenth-century structure clearly influenced by penal architecture and theories of the day.
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