Skip Nav Destination
Search Results for visual culture
1-20 of 516 Search Results for
GLQ (2011) 17 (2-3): 309–329.
Published: 01 June 2011
...Whitney Davis The essay presents a model of “queer family romance” (adapted from Freud's concept of family romance) in historical practices of collecting visual culture in the eighteenth and nineteenth centuries. Though queer collections of visual culture and queer family romance are independent...
GLQ (2019) 25 (1): 85–90.
Published: 01 January 2019
...Andy Campbell Beginning with a brief rumination on a series of works produced by the artist Glenn Ligon in the late 1990s, this article considers a special double-issue of GLQ edited by Richard Meyer and David Román dedicated to unspooling “visual objects and cultural episodes as a queer way...
GLQ (2022) 28 (4): 617–637.
Published: 01 October 2022
... and precarity of visual culture and everyday life throughout Mexico. Thus, while focused on Mexico and more specifically Mexico City, this article poses and seeks to answer a larger question on queer and transfeminist aesthetics and world making, namely, whether dissident art forms can lose their ability...
GLQ (2021) 27 (4): 603–627.
Published: 01 October 2021
... with Pride puts forth a model of longevity that is personally and collectively grounded in black sexual difference and queer of color resistant social practices that trouble public health life expectancy discourses. Drawing on queer of color critique, black sexuality studies, and visual cultural studies...
GLQ (2017) 23 (3): 359–390.
Published: 01 June 2017
...Whitney Strub As a gay man directing straight hardcore pornographic films in the 1970s, Zebedy Colt smuggled a certain queer eros into the visual culture of heterosexuality. Indeed, he belonged to a queer cohort of hetero-pornographers whose subversive flourishes have gone largely unrecognized...
GLQ (2019) 25 (4): 513–543.
Published: 01 October 2019
... and cultural and political contextualization, the article positions her work vis-à-vis the tensions between global and local, rural and urban, traditional and marginal, and argues that her images form a visual archive of local queer aesthetics that positions itself in opposition to both national discourses...
GLQ (2016) 22 (4): 637–639.
Published: 01 October 2016
... significant epis- temological contributions to black feminist thought on pornography. First, by refus- ing to hold fast to the understanding that black women’s sexual bodies are per- petually hypervisible in visual culture, Nash attends to the sustained absences of black women...
GLQ (2006) 12 (2): 347–348.
Published: 01 April 2006
...: Photography and Bodies of Desire (1998), was a finalist for the 1999 Lambda Book Award in Visual Arts. In addition, her essays on photography and cultural issues have appeared in Art Journal, Afterimage, exposure, Views, and Michigan Quarterly. Her photographic works have been shown internationally...
GLQ (2006) 12 (2): 167–169.
Published: 01 April 2006
... of photography, visual culture, theater, performance, film, video, and new media to argue for the primacy of the arts to queer life and culture. Two questions define its central concerns: How have the visual and performing arts reshaped the governing terms of gender and sexuality? How have the arts...
GLQ (2008) 14 (4): 569–597.
Published: 01 October 2008
...Lisa Henderson This essay seeks a new language, rooted in the concept of relay, for the politics of queer cultural production and representation. Relay refers to a cultural process of catching and passing on across the divides of sexual difference and capital. To make its operation concrete...
GLQ (2020) 26 (3): 617–620.
Published: 01 June 2020
... of English and Depart- ment of Media and Cultural Studies at the University of California, Riverside. His primary research interests are visual culture and gender and race, and ethical constructs of gender and race found in visual cultural production. He has guest edited issues in Wide Angle and Black Camera...
GLQ (2008) 14 (4): 623–637.
Published: 01 October 2008
... crucially, in their national and cultural origins, these films constitute a cinematic “counterpublic” along the lines Michael Warner prescribes for human and textual communities, recalibrating the relations among sexuality, visuality, and representation as they play out for public audiences...
GLQ (2002) 8 (1-2): 241–249.
Published: 01 April 2002
...-identiﬁed queer art exhibitions such as In a Different Light: Visual Culture, Sexual Identity, Queer Practice, which opened at the University Art Museum in Berkeley, California, in January 1995. Curated by Nayland Blake, a San Francisco–based artist, and by Lawrence Rinder, the museum’s...
GLQ (2015) 21 (2-3): 457–458.
Published: 01 June 2015
... and is affiliated with the Centers for Visual Cultures and East Asian Studies. Kim has published articles on disability films, asexuality, humanitarian visual cultures, and intersectional minority politics in Korea. Dana Luciano is associate professor of English at Georgetown University...
GLQ (2010) 16 (1-2): 243–252.
Published: 01 April 2010
...Louis Esme Cruz; Qwo-Li Driskill In the formative years of the developing cultural relations between the Mi'kmaq of the Maritime Provinces of Canada and European Judeo-Christian missionaries, Father Chrestien Le Clercq systematized Mi'kmaq written language in order to convert the Original People...
GLQ (2012) 18 (1): 207–210.
Published: 01 January 2012
... include phenomenology, feminist and queer theory, psychoanalysis, and visual culture. Salamon is the author of Assuming a Body: Transgender and Rhetorics of Materiality (2010) and is cur- rently at work on a manuscript exploring narrations of chronic pain in contempo...
GLQ (2006) 12 (3): 515–516.
Published: 01 June 2006
... 31, 2006. Richard Meyer is associate professor in the Department of Art History and Chair of the Literary, Visual, and Material Culture Initiative at the University of Southern California. His book, Outlaw Representation: Censorship and Homosexuality in Twentieth-Century American Art (2002...
GLQ (2022) 28 (3): 487–488.
Published: 01 June 2022
... in the Enlightenment. Michelle Raheja is associate professor of English and cofounder of the California Center for Native Nations at the University of California, Riverside. Her research centers on Indigenous feminist and queer literature and visual culture, critical cannibalism studies, and Traditional...
GLQ (2014) 20 (1-2): 211–213.
Published: 01 April 2014
... and women’s studies depart- ment at the University of Illinois at Urbana-Champaign. Her research interests intersect queer theory, gender, sexuality, and nationalist rhetoric; visual cultures and sexuality; and contemporary queer legal cultures in (trans)national contexts. She is the author of Fur...
GLQ (2009) 15 (3): 469–480.
Published: 01 June 2009
..., literature, and art, inspire me. These include botched love stories, present-day imperialism, lesser-known Hindu/Buddhist icons, nineteenth-century European fairy tales, girl rock, and contemporary visual culture such as Bolly- wood posters, anime, and comic books. The visual lexicon of purses...