... lines because the laughter was so loud. That film has the best lesbian sex scene I’ve ever seen. I count myself lucky that I saw that film on that night in that theater. Gay festivals are all-ages spaces (to borrow a phrase from punk rock). It’s difficult...

...Stacy Wolf Duke University Press 2006 “We’ll Always Be Bosom Buddies” Female Duets and the Queering of Broadway Musical Theater Stacy Wolf In the middle of the second act of Mame (1966), the title character and her best friend, Vera, sing a hilarious duet of competition...

... past, when ancestors lived and Mexica spirituality was prevalent, interanimates contemporary queer Xicana life to generate present moments in which prior rhythms and life forms come to life. Orgasmic pleasure ruptures the time-space of the theater, bringing the past to life in the present and tracing...

... sovereignty ecology film theater Little Monsters Race, Sovereignty, and Queer Inhumanism in Beasts of the Southern Wild Tavia Nyong’o Introduction: Where the Wild Things Were Four hundred years ago, the king of Poland presided over the first recorded attempt at wildlife preservation...

... specific for the presumptive “universals” of the mainstream press. The audience I pictured for my thoughts was an “in-group” — I imagined fans of downtown theater and perfor- mance; spectators and critics of queer, lesbian, and feminist performance; people interested...

.... The audience I pictured for my thoughts was an “in-group” — I imagined fans of downtown theater and perfor- mance; spectators and critics of queer, lesbian, and feminist performance; people interested in the politics of performance more widely configured; and really any...

... that what I had to say would be too specific for the presumptive “universals” of the mainstream press. The audience I pictured for my thoughts was an “in-group” — I imagined fans of downtown theater and perfor- mance; spectators and critics of queer, lesbian, and feminist...

... specific for the presumptive “universals” of the mainstream press. The audience I pictured for my thoughts was an “in-group” — I imagined fans of downtown theater and perfor- mance; spectators and critics of queer, lesbian, and feminist performance; people interested...

... at the University of Texas, Austin. She is the author of A Problem Like Maria: Gender and Sexuality in the American Musical (2002). In addition to her work on musi- cal theater, she has published essays on theater audiences and reception theory in journals such as Theatre Journal...

... the Huntington Avenue YMCA. Neither was situated in an upscale neighborhood like Beacon Hill or the Back Bay. Instead I was forced to walk through the Combat Zone, Boston’s counterpart to New York’s Times Square, past peep shows and adult theaters, and navigate...

... to ‘celebrate diversity She reminds us that the theater is a “place to experiment with the production of cultural meanings, on bodies willing to try a range of dif- ferent significations for spectators willing to read them.”2 The four solo perfor- mances that I discuss in this essay—Greg Walloch’s White...

...Lawrence La Fountain-Stokes Duke University Press 2002 DE UN PÁJARO LAS DOS ALAS Travel Notes of a Queer Puerto Rican in Havana Lawrence La Fountain–Stokes Fireflies. By the shadow of the National Theater, under the loving gaze of El Che, in front of an ivory tower as tall...

... feminist and trans literature and political theory. She writes about vernacular critical phenomenology, queer literature, comics, and restorative justice. Tavia Nyong'o is chair and William Lampson professor of theater and performance studies, professor of American studies, and professor of African...

... about how forms of sexuality emerge in institutions of popular culture, from the burlesque theater to telephone sex advertising. Diana Palaversich teaches in the Department of Spanish and Latin American Stud- ies at the University of New South Wales...

... about how forms of sexuality emerge in institutions of popular culture, from the burlesque theater to telephone sex advertising. Diana Palaversich teaches in the Department of Spanish and Latin American Stud- ies at the University of New South Wales...

... lines because the laughter was so loud. That film has the best lesbian sex scene I’ve ever seen. I count myself lucky that I saw that film on that night in that theater. Gay festivals are all-ages spaces (to borrow a phrase from punk rock). It’s difficult...

... lines because the laughter was so loud. That film has the best lesbian sex scene I’ve ever seen. I count myself lucky that I saw that film on that night in that theater. Gay festivals are all-ages spaces (to borrow a phrase from punk rock). It’s difficult...

... lines because the laughter was so loud. That film has the best lesbian sex scene I’ve ever seen. I count myself lucky that I saw that film on that night in that theater. Gay festivals are all-ages spaces (to borrow a phrase from punk rock). It’s difficult...

... the laughter was so loud. That film has the best lesbian sex scene I’ve ever seen. I count myself lucky that I saw that film on that night in that theater. Gay festivals are all-ages spaces (to borrow a phrase from punk rock). It’s difficult to socialize with other gay...

... lines because the laughter was so loud. That film has the best lesbian sex scene I’ve ever seen. I count myself lucky that I saw that film on that night in that theater. Gay festivals are all-ages spaces (to borrow a phrase from punk rock). It’s difficult...