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Published: 01 October 2021
Figure 1: Fire Song film still: David and Shane in a canoe, harvesting wild rice from a lake (Big Soul Productions, 2015) More
Published: 01 October 2021
Figure 2: Fire Song film still: Shane and David lie together in a lush green landscape, sharing a peaceful and intimate moment together (Big Soul Productions, 2015). More
Journal Article
GLQ (2020) 26 (1): 151–159.
Published: 01 January 2020
...John (Song Pae) Cho Copyright © 2020 Duke University Press 2020 References Abelmann Nancy Park So Jin Kim Hyunhee . 2009 . “ College Rank and Neo-liberal Subjectivity in South Korea: The Burden of Self-Development .” Inter-Asia Cultural Studies 10 : 229 – 47...
Journal Article
GLQ (2021) 27 (4): 577–602.
Published: 01 October 2021
...Figure 1: Fire Song film still: David and Shane in a canoe, harvesting wild rice from a lake (Big Soul Productions, 2015) ...
Journal Article
GLQ (2021) 27 (1): 11–38.
Published: 01 January 2021
... is it to be susceptible, and can such a thing be the antidote to political theology? Why would political theology need an antidote? Arguing that susceptibility is lined out in the sounds of the Hammond organ emanating from Blackpentecostal musicianship, perhaps attending to the sound and song emerging from such a space...
Journal Article
GLQ (2022) 28 (2): 259–276.
Published: 01 April 2022
... this background of terror. Through a close reading of texts, including Janet Mock's Redefining Realness , Cheryl Dunye's Stranger Inside , Jac Gares's Free CeCe! , and songs by Jay-Marie Hill, this article asserts that these works constitute an intellectual archive of Black trans geographies. These geographies...
Journal Article
GLQ (2019) 25 (4): 617–647.
Published: 01 October 2019
... scholarship in feminist new materialism as well as its critics, this essay considers the implications of these imaginings. On the one hand, the modes of agency that Case’s songs invoke frequently entail a circumvention or suppression of specific political interests, making them susceptible to antifeminist...
Journal Article
GLQ (2006) 12 (3): 351–376.
Published: 01 June 2006
...,” Mame continues, “If I call you uncouth,” and they join for the refrain, “Who else but a bosom buddy / Will sit down and tell you the truth?”1 Insisting that they are inseparable and ever loyal, they argue about who is younger. In the song’s middle section, Mame speak-sings, “I feel it’s my duty...
Journal Article
GLQ (2001) 7 (3): 377–389.
Published: 01 June 2001
...- fronts a pioneering lesbian father and pioneering lesbian subjects. I would like to pursue the thorny problem of lesbian authenticity by exploring the literary lineage that ties Pierre Louÿs’s fin de siècle text Les chansons de Bilitis [The Songs of Bilitis...
Journal Article
GLQ (2003) 9 (4): 433–470.
Published: 01 October 2003
... present here, music instigates exactly those ethical questions of indi- vidual conduct and self-definition in or against in-place social and symbolic struc- tures in the individual’s effort to be otherwise. The Queer Song of the Sirens The Odyssey, one of the earliest...
Journal Article
GLQ (1996) 3 (1): 71–107.
Published: 01 January 1996
... changes made to account for musical interferences or quick breaks when good songs came on and dancing was mandatory. My parts of the conversations are indicated in brackets and only when they are necessary for the sense. WEDNESDAY, AUGUST 18,1113 Clark is thirty-nine (“and holding,” he...
Journal Article
GLQ (2000) 6 (1): 29–59.
Published: 01 January 2000
... OF LESBIAN AND GAY STUDIES Bond, a skilled wordsmith, pairs together popular songs that resonate the- matically, musically, or lyrically—often on the basis of a single word—to recon- textualize both selections and to inscribe on the medley Kiki’s own multiple mean- ings...
Journal Article
GLQ (2004) 10 (4): 565–597.
Published: 01 October 2004
... no end word rhymes with any other in the same stanza but the same list of unrhymed sounds is repeated in the same order from one stanza to the next. With continuous rhyme, the melody of the song, an essen- tial element, can flow unimpeded and without repetition to the end of the stanza, entirely...
Journal Article
GLQ (2018) 24 (1): 85–111.
Published: 01 January 2018
... STUDIES should not have loved you); suddenly, another dramatic pause anticipates a change of mood in the song. A repeated melody played by the trumpets marks the begin- ning of a contrasting, tropical- sounding section full of improvisation and instances of call...
Journal Article
GLQ (2011) 17 (4): 575–602.
Published: 01 October 2011
... José Garcia Villa’s Modernism and the Politics of Queer Diasporic Reading Martin Joseph Ponce Anglophone Filipino modernism begins with a scandal. In the spring of 1929, a series of poems called “Man-­Songs” appeared in the Philippines Herald Magazine under the name O. Sevilla...
Journal Article
GLQ (2014) 20 (3): 319–352.
Published: 01 June 2014
... representation but, crucially, from the view of young queer people — a heretofore important fact of gay life, which is to say the examples found in the lives of other queers.14 The possibility that Kurt might benefit from the attention of a “charming man” who, in the words of an old Smiths’ song, “knows...
Journal Article
GLQ (1999) 5 (4): 585–603.
Published: 01 October 1999
... and chairs. The actors do not use scripts. One or two hours before a performance, the member of the troupe who knows the plot best “speaks the play,” giving a scene- by-scene summary and assigning roles to the cast. The actors then improvise their dialogue and songs onstage...
Journal Article
GLQ (2016) 22 (2): 191–204.
Published: 01 April 2016
..., with my mask, and without glasses, I could not read what I prepared, so I had to improvise a song to the beat of a band that blasted generic hard rock in the adjacent room. I sang a song about a major poetry prize committee I was on with some very well-­established white American poets...
Journal Article
GLQ (2018) 24 (1): 49–51.
Published: 01 January 2018
... seemed to carry the iconic sounds of “Latin Night” in any city’s neighborhood gay club, be it Esta Noche in San Francisco or Plaza in Los Angeles. I think most of us who have been to a "Latin Night" would agree that there are particular songs that create this sonic formation of queer Latinidad...
Journal Article
GLQ (2012) 18 (4): 595–596.
Published: 01 October 2012
..., Chou Yiu Fai, and Wyman Wong Wai- Man, who have all written lyrics for Wong. Rather than just focus on issues of sexuality, these song lyrics often exhibit a hybridization of sexual politics and social issues. The song “Downward Mobility,” for example, speaks to the issue...