Search Results for solo

...Carrie Sandahl Duke University Press 2003 QUEERING THE CRIP OR CRIPPING THE QUEER? Intersections of Queer and Crip Identities in Solo Autobiographical Performance Carrie Sandahl As the interdisciplinary field of disability studies develops its own theoretical paradigms...

... of the debut, in 1989, I carried him on stage, offering my legs as he executed the arm movements of what would have been the solo. When Damien could no longer perform, I chose not to replace him in the piece. Oddly asymmetrical groupings now mark his absence. Damien passed in June...

..., with Holly Hughes, of O Solo Homo: The New Queer Performance (1998), which received the 1999 Lambda Book Award in Drama. Shane Vogel is a Ph.D. candidate in performance studies at New York University. ...

... : Norton . Moonlight . 2016 . Directed by Barry Jenkins . Los Angeles : A24/Plan B Entertainment . Morrison Toni . 1977 . Song of Solomon . New York : Knopf . Moten Fred . 2007 . “ Taste Dissonance Flavor Escape: Preface for a Solo by Miles Davis .” Women and Performance...

...- graphs and installations have been featured in over thirty solo exhibitions, and she has been the recipient of numerous fellowships, including one at the Bunting Institute of Radcliffe College during 1995–96. Her writing has appeared in Art Journal, Afterimage...

... Arts (2005). He is also author of Acts of Intervention: Performance, Gay Culture, and AIDS, which won the 1999 ATHE Award for outstanding book in theater studies, and is coeditor of O Solo Homo: The New Queer Performance, which won the 1999 Lambda Literary Award for Drama. He...

... of the 1940s and 1950s. Two principals, one male and one female, are intro- duced early in the show by solos that convey through music how they are opposites who will eventually unite. Their divergent personalities, overdetermined by their differences in gender, symbolize larger...

...? Intersections of Queer and Crip Identities in Solo Autobiographical Performance .” GLQ 9 , nos. 1–2 : 25 – 56 . Sedgwick Eve Kosofsky . 2003 . Touching Feeling: Affect, Pedagogy, Performativity . Durham, NC : Duke University Press . Siebers Tobin . 2004 . “ Disability as Masquerade...

... to Delmar who received the first handwritten copy as a tribute from Dr. Jackson. In spite of its dedication, one might have thought that in performance the solo lead Ruth s part would be assigned to a woman. Perversely enough, the composer allotted it to Del- mar. . . . So without respect for gender...

... and of their previous two successes had toppled them under its weight. Apparently the Brothers were bitter at the play’s poor reception. Soon after the production ended, they stopped performing together. Lisa Kron, meanwhile, who’d already had some success as a solo performer, took the break from collec...

... and of their previous two successes had toppled them under its weight. Apparently the Brothers were bitter at the play’s poor reception. Soon after the production ended, they stopped performing together. Lisa Kron, meanwhile, who’d already had some success as a solo performer, took the break from collec...

..., who’d already had some success as a solo performer, took the break from collec- tive work to generate two important shows of her own. Kron first performed 2.5 Minute Ride, an eloquent evocation of her family’s raucous visit to an Ohio amuse- ment park and her trip with her father to Auschwitz, where...

... and of their previous two successes had toppled them under its weight. Apparently the Brothers were bitter at the play’s poor reception. Soon after the production ended, they stopped performing together. Lisa Kron, meanwhile, who’d already had some success as a solo performer, took the break from collec...

... hold, can release, and do. Each performance GLQ 26:4 DOI 10.1215/10642684-8618756 © 2020 by Duke University Press 702 GLQ: A JOURNAL OF LESBIAN AND GAY STUDIES stimulates and forensically tracks the progressive effects of fighting over time, for the solo performers themselves and for those whose...

... building in addition to creating original solo and ensemble performance composi- tions. Gutiérrez is a cofounding member of the performance ensemble, Butchlalis de Panochtitlan (BdP), a community-based and activist-minded group aimed at creating a visual vernacular around queer Latinidad in Los...

... combines sections of the “Cuerpo politizado” and “Pico-Union” texts with some of the oral pieces from Down Town (“Notes on DowntownIDowntown,” in 0 Solo Homo: The New Queer Perfor- mance, ed. Holly Hughes and David Rom6n [New York: Grove, 19981,315-48). 3. Gloria AnzaldGa...

... blanket” reveals how he internalizes (even if critically) his parents’ pathologizing perception of him. In this light, it is significant that the story ends with the narrator mastur- bating. The image of nonreproductive, solo sex does not negate but eases the agony of the previous passage: “I...

... to examine its queer Xicana production, and then I provide readings of each of the three shows of the triptych to more fully tease out how her work stages an abundant present. La Hocicona Series: Performing La Xicana Anthony’s La Angry Xicana?! solo performance is the first in a three-­part series...